Contents

 

 

  Notes on contributors
  Preface
BRIAN SHOESMITH
  Acknowledgements
   
  Introduction: cultural imaginaries, musical communities, reflexive practices
ALLEN CHUN AND NED ROSSITER
   
PART I
Musical cultures and culture industries
   
1 Capitalism and cultural relativity: the Thai pop industry, capitalism and Western cultural values
MICHAEL HAYES
   
2 Popping the myth of Chinese rock
DAVID STOKES
   
3 World music, cultural heteroglossia and indigenous capital: overlapping frequencies in the emergence of cosmopolitanism in Taiwan
ALLEN CHUN
   
PART II
Local appropriations: from nation-building to happy pop and folk resistance
   
4 The imagined community of Maa Tujhe Salaam: the global and the local in the postcolonial
RANGAN CHAKRAVARTY
   
5 Global industry, national politics: popular music in ‘New Order’ Indonesia
KRISHNA SEN AND DAVID T. HILL
   
6 The case of the irritating song: Suman Chatterjee and modern Bengali music
SUDIPTO CHATTERJEE
   
PART III
Travelling theories, syncretic exoticisms, or diffusion by any other name?
   
7 Magical mystical tourism (debate dub version)
JOHN HUTNYK
   
8 ‘Love Never Dies’: romance and Christian symbolism in a Japanese rock video
CAROLYN S. STEVENS
   
9 Japanese popular music in Hong Kong: what does TK present?
MASASHI OGAWA
   
PART IV
Colonial desire, social memory and popular sensuality as performance genres
   
10 Raising the ante of desire: foreign female singers in a Japanese pop music world
CHRISTINE R. YANO
   
11 Pop music as postcolonial nostalgia in Taiwan
JEREMY E. TAYLOR
   
12 Popular music and interculturality: the dynamic presence of pop music in contemporary Balinese performance
ZACHAR LASKEWICZ
   
  References
  Index
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