CONTENTS

Preface

Acknowledgments

Introduction

PART I   THE ROLE AND RESPONSIBILITIES OF THE PRODUCTION DESIGNER

Chapter 1

WHAT IS A PRODUCTION DESIGNER?

The Production Designer’s PlaceDesign BeginningsWhat Does a Production Designer Do?Pictures Begin to MoveWork in the Movies? Never!Television Changes the Film BusinessThe Visual Future

Chapter 2

WHAT DOES AN ART DIRECTOR NEED TO KNOW?

An Art Director Should Be Visually AwareDrafting: That Dreaded WordMaterialsLightingHelpful Personal QualitiesWish You’d Stayed on the Farm?

Chapter 3

THE PRODUCTION ENVIRONMENT

Lines and DotsDifferent PerceptionsHow Does the Video Picture Get from Here to There?Bold Is BestThe Production StageThe All-seeing Eye (Almost)

Chapter 4

SCENIC BUILDING BLOCKS

Types of Flats and MaterialsPlatformsMaterially SpeakingBackings

Chapter 5

PRODUCTION DESIGNERS USE SPECIAL EFFECTS

In-camera EffectsMiniaturesThrough the Looking GlassMatte PaintingLaboratory EffectsRear ProjectionModern EffectsThe Digital Present and Future

Chapter 6

LIGHTING EQUIPMENT

Two Types of Lighting InstrumentsLight Controls

Chapter 7

TECHNIQUES FOR EFFECTIVE LIGHTING

Film and VideoLights for the ActorsDifferent Lighting MethodsLocation Lighting

PART II   OUTLINE OF A JOB

Chapter 8

MEET THE PRODUCER AND THE DIRECTOR

The ProducerThe DirectorThe Production Designer Asks Some Questions

Chapter 9

HERE’S THE SCRIPT

Analyze the ScriptResearch the Characters and Settings

Chapter 10

USING RESEARCH MATERIALS

Designing from MaterialsNonspecific Research

Chapter 11

MAKE SOME SKETCHES

MaterialsPatty’s Living RoomGet Cost EstimatesThe Tour Bus Is Leaving

Chapter 12

TOOLS FOR CONSTRUCTION DRAWINGS

Your Drawing BoardDrafting PaperPencilsErasersYour T-squareArchitect’s ScaleTrianglesYour Work AreaComputer-aided Drafting

Chapter 13

THE CONSTRUCTION DRAWINGS

Types of Construction DrawingsThe Next Step

Chapter 14

FINISHING THE CONSTRUCTION DRAWINGS

Transfer the DrawingsLook at the DetailsOff to the Blueprinter

Chapter 15

MODEL MAKING

Different Types of ModelsOur White SetMaking the ModelShowing the Model

Chapter 16

SUPERVISING CONSTRUCTION AND SETUP

Getting BidsConstruction and Setup SupervisionSet DecorationThe Prop MasterKeeping RecordsThe Critique

PART III   TYPICAL SETS AND OPPORTUNITIES

Chapter 17

A PRODUCTION DESIGNER ON LOCATION

Patty’s Town MovesOff to LocationBack to the City Again

Chapter 18

STAGING A TALK SHOW

The Production MeetingThe Great Chair Search and the Proper HeightDifferent ApproachesBe Imaginative!

Chapter 19

STAGING A NEWS BROADCAST

Background on the NewsThe Art Director’s RoleMake It Look Like a Newsroom!Harold Gets BusyWhat’s the Decision?

Chapter 20

DESIGNING A COMMERCIAL

StoryboardsCommercial Production Personnel and ProceduresHere’s the ScriptThe Basic SetDesigning Other Environments

Chapter 21

HOW TO GET STARTED AND WHERE TO LOOK

Get Your Foot in the DoorGetting Your Act TogetherWhere to LookHow to Look

From the Author

Index

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