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by Graham Swainson, Des Lyver
Basics of Video Production, 2nd Edition
Cover
Half Title
Title Page
Copyright Page
Table of Contents
Introduction to the second edition
Introduction to the first edition
How to use this book
Acknowledgements
1 Studio production
Two approaches
In studio
The floor area
The rooms around the studio
The gallery area
The lighting control area
The sound control area
The vision engineering area
The machine room
Intercom systems
Health and safety
2 The director’s team
The director
–The programme
–The scripts
The preparation
–The rehearsal
–The recording
The production assistant
–In the studio
–Timing of programmes
–Logs
3 The sound team
The sound team’s job
The studio environment
–Live studios
–Dead studios
Sound equipment
–Microphones
–Choosing a microphone
–Types of microphone
–Dynamic
–Electrostatic
–Electret
–Radio
–Directional response
–Stands and booms
Sound equipment
–Source machines
–Mixers
4 The lighting team
What the camera needs
What the camera can do
The aesthetics
Lighting design
The luminaires
–Hard lights
–Soft lights
–Mountings
Power and dimmers
The lighting operator
Planning
5 The camera team
The cameras
–Movements
–Controls
6 The vision mixer
The equipment
–The vision mixer
–Vision mixer layout
Visual effects
–Wipes and mixes
–Keying
7 The engineering team
Vision engineering
–Monitor line-up
–Camera line-up
Levels of maintenance
–First level
–Second level
–Third level
8 The floor manager team
Questions to be answered
Communication
Floor manager signals
9 The scenery team
The scene dock
The props storeroom
Types of props
10 The wardrobe team
Wardrobe problems
–People
Technical problems
–Exposure
–Colour
–Light
11 The make-up team
Corrective make-up
Artistic make-up
The hairdresser
12 A little paperwork
Conceptualization
Aims
Objectives
Target audience
The treatment
The storyboard
The script
Camera cards
13 Single camera production
The acquisition stage
The editing stage
The post-production stage
Health and safety
–Indoors
–Outdoors
14 The Director and PA on location
Pre-production
In production
Post-production
15 Location lighting
Controlling daylight
What tools can be used?
Lighting safety
16 The location camera team
What is the camera on?
Power!
Adjusting exposure
Colour balancing
Shots at last!
17 The location sound team
What do we need to record?
Sync sound
Buzz track
Microphones on location
Microphones in shot
Microphones out of shot
Wind noise
Automatic level control
18 A little more paperwork
The difference between location and studio
The location
The recce
Insurance
Shooting script
Call sheets
Logs
Copyright
19 Editing
Methods of editing
–Off line or on line?
The edit suite
Tape editing: the basics
What happens in an edit?
Two different types of edit
–How then are they different?
–Insert edit
–Assemble edit
Some edits
More elaborate editing
A little about timecode
20 Audio post-production
The plan
Simple post-production
More complex post-production
The ideal situation
21 The future
Glossary
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