INDEX

#

8-bit image 234

12-bit Raw file 64, 234

14-bit Raw file 64, 234

32-bit TIFF 244

A

abstract images 289, 134–5, 236–7

Adams, Ansel 101

Adjustment Brush 236–7, 245

Adobe Camera Raw (ACR) 67, 119, 147, 226, 234, 236, 239, 241, 244–5

aperture 83, 87, 99, 139, 221, 223, 243

small 83, 167, 168–9

wide 13, 92, 122–3

archiving light 242–3

B

background 9, 15, 23, 68, 92, 105, 109, 171, 237, 240

dark 25, 41, 104, 130–1, 133, 141, 152, 158, 188–9, 232–3

light 50, 70–1, 87, 172–3, 220–1

backlighting 23, 52–3, 57, 63, 68–9, 70–1, 110, 140–1, 160–1, 220–1, 221

black-and-white photography 9, 31, 32–32, 80–81, 223

conversion to 33, 147, 158, 228–9

black-and-white film negative 243

black-and-white points 71, 228–9, 243, 245

blending 69, 87, 119, 166–7, 244, 246–7, 248–7, 252–253

blending software 214

blending modes 240–1, 244

color channels 55, 124, 238

black-and-white conversion by channels 33

Channels 229

blur 67, 101

motion 171

Gaussian blur 238–9

Sharpness/blur control 239

bracketing 124–5, 152–3, 164–5, 238–9, 242–3, 246–7

brightness 15, 20, 21, 31, 59, 61, 76, 89, 107, 109, 112, 115, 123, 135, 196–7, 202–3, 224–5, 226–7, 229, 239

even brightness 68–9

burning 240–1

C

calculations 6, 11, 86, 250–1

Cartier-Bresson, Henri 221

chiaroscuro 7, 48–9, 90–1, 132–3, 134–5, 136–7, 248

clipping 54–5, 119, 147, 174, 226–7, 242–3

clipping risk 98–9

highlight clipping 124–5

cloud 14, 19, 36, 63, 103, 129, 155, 158–9, 161, 185

cloud layers 156–7

color against dark 162–3

color balance 78–9, 80–1, 85, 116–7, 203–4, 225, 234

colored bounce 196–7

color cast 80, 201, 203, 226–7

selective color shifts 227

color contrast 29, 78–9, 104–5, 110–1, 116, 119

colored glass 202–3

color intensity 101

color opposition 79, 196–7

color palettes 106–7, 109

color reflection 206–7

color relationships 114, 116–7

color temperature 78–9, 113

color theme 16–7

color-size contrast 114–5

color range 197, 201

compositing 230–1, 250, 252–3

composition 9, 15, 48, 57, 58, 64, 101, 132, 173, 185, 205

contrast 9, 34–5, 36–7, 38–9, 63, 66–7, 68–9, 78–9, 85, 86–7, 101, 119, 131, 141, 152, 158, 159, 171, 179, 212, 216, 223, 226, 228–9, 236–7, 241, 242, 245

extreme contrast 134–5

high contrast 28–9, 30–1, 49, 52–3, 70–1, 89, 154–5

increase contrast 232–3

local contrast 22–3, 27, 146–7, 157, 239, 246

low contrast 14–5, 16–21, 25, 76–7, 162

managing 57

medium contrast 12–3

strong contrast 132–3

contrast boost 216–7

contrast control 234–5

contrast range 54

D

dappled light 48–9, 146–7

Darken 232–3

darkroom, traditional 236, 240, 241

digital capture 234

dodging 236, 240–1

drama 20–1, 142, 144, 152, 156–7, 158, 164

E

Eraser brush 252

exposure 6, 15, 18, 52, 55, 58, 61, 67, 69, 70–1, 76, 83, 87, 89, 101, 111, 119, 120–1, 124–5, 131, 152, 165, 166–7, 169, 173, 202–3, 205, 211, 212, 223, 224–5, 226–7, 235, 237, 238–7, 240, 243, 244–5, 250

accurate exposure 138–9

autoexposure 250

exposure control 125, 174–5, 245

expose for face 122–3

overexposure 91, 123, 238, 253

exposure blending (see blending)

F

faces 12, 29, 31, 59, 123, 182, 209

filters 44, 79, 225

high-pass filter 223

hot mirrors 223

lens filter 23

neutral grad filter 60–1, 205, 223

noise filter 239

polarizing filter 39, 223

red-enhancing filter 223

UV filter 39, 82–3, 86–7, 205

focus stacking 214–5

G

gaussian blur 28–9

Golden Hour 94–101

(see also morning light)

H

hard light 28–9, 30–1, 32–3, 214, 241

HDR (High Dynamic Range) 54–5, 69, 118–9, 166–7, 224–5, 236, 242–7

high-radius sharpening 232–3

highlights 16, 38, 55, 61, 89, 100, 135, 147, 165, 169, 225, 239, 240–1, 243, 246

boosting 216–7

highlight clipping 124–5, 243

highlight recovery 124–5, 226–7, 229, 234–5, 239

histogram 19, 20–1

I

infrared 159, 223

ISO sensitivity 123

J

JPEG 234, 250, 252

L

landscapes 9, 12, 15, 20, 29, 42, 44–5, 47, 50, 53, 58–9, 83, 98, 152, 157, 158, 162, 169, 181, 182, 205, 223, 238

layered distances 24–5, 178–9, 182–3

layers 109, 231, 232–3, 239, 240–1, 252–3

Levels adjustment 229

Lightroom 234

local contrast

(see contrast)

Lorrain, Claude 58–9, 169

M

macro photography 214–5

Magic Hour 102–9, 110–1, 113, 174

masking 229, 236–7

Unsharp Masking 233

Quick Mask 229, 239

metering 20, 233

Matrix metering 25, 91, 131

midtones 19, 229, 241

midday light 31–2, 33, 36, 46–7, 97, 101, 139, 146, 188, 191

monochrome

(see black–and–white photography)

morning light

(see also Golden Hour) 12–3, 24–5, 27, 42, 44, 61, 63, 73, 95, 97, 98, 103, 105, 110, 115, 142, 146, 157, 178–9, 181, 182, 186–7, 191, 196, 207, 223, 229

motion blur

(see blur)

Multiply 241

N

noise 99, 212, 234, 238–9

P

Photomatix 246–7

Photoshop 41, 205, 226, 229, 232–3, 234–5, 239, 240–1, 243, 244

ACR 119, 226, 236, 239, 244, 252–3

Replace Color 55

Stack Modes 248–9

portraiture 30, 70, 79, 84–5, 87, 90–1, 116, 144, 188–9, 190–1, 216–7

portraits in shade 80–1

self-portrait 73

Preferences 245

Q

Quick Mask 229, 239

R

Raw files 31, 33, 61, 79, 80, 98–9, 116, 196, 211, 222, 229, 234–5, 236–7, 238–9, 241, 243, 247, 250

ACR

(see Adobe Camera Raw)

Raw converter 55

reflections 15, 18, 47, 60–7, 69, 73, 80–1, 89, 99, 105, 107, 109, 157, 164, 191, 192, 199, 214, 216, 221, 223, 236, 240

color reflection

(see color)

sun reflection 50–1, 52–3, 56–7

water reflections 26–7, 157

resolution 36, 233

retouching 240–1

S

saturation 13, 16–7, 55, 120, 179, 202, 223, 236

sensor, digital 13, 55, 61, 87, 123, 124, 159, 205, 211, 223, 224, 238–9, 242

dynamic range of 20

shadows 9, 12–3, 14, 16, 28–9, 31, 33, 36, 38, 43, 47, 48–9, 52, 54, 58, 61, 65, 76, 91, 100–1, 107, 133, 135, 151–2, 177, 188, 192, 206, 209, 216, 219, 221, 228, 239, 241, 246, 248–9, 250, 253

long shadows 44–5

no shadow edges 214–5

own shadow 72–3

shadow as subject 150–1

shadow boost 226–7

shadow edges 13, 44, 100–1

shadow lift 234–5

shadow shapes 29, 40–1

shadowless 15, 44, 72–3, 74–5, 221

soft shadows 84–5

sharpening 232–3

side-lighting 41–2, 92, 95, 97, 158, 190–1, 219

skin tones 80–1

Smart Object 252

soft light 12, 24–5, 80, 147

spotlight 9, 82, 84, 91, 111, 133, 135, 136–139, 141, 142–3, 144–5, 152–3, 155, 165, 195

still life 68, 82, 84, 139, 148–9, 218–9, 220–1

T

telephoto lens 35, 62–3, 65, 68, 72–3, 177, 182

tonal range 174

Turner, J.M.W. 59

trees 25, 45, 48–9, 53, 58, 83, 128, 133, 141, 146, 150, 159, 162, 169, 181, 197, 219, 234, 248–9

tripod 82, 162, 216, 231, 243, 250–1

U

Unsharp Mask 233

W

white balance 78

wide-angle lens 105, 169, 179, 182–3, 184–5, 223, 248, 250

windows 68–9, 74–5, 84–93, 134–5, 144, 146, 148–9, 150–151, 199, 214, 216, 220–1

as a light source 218–9

colored windows 202–3

workflow 205, 225, 252–3