WORKS CITED

PREFACE AND INTRODUCTION

Jday, Bill. Occam’s Razor. Nazraili Press, Tucson, Arizona, 1992.

Peter Stephen (Ed.). Icons of Photography: The 20th Century. Prestel Verlag, Munich, London, NY, 1999, p. 7.

Price, Mary. The Photograph: A Strange, Confined Space. Stanford University Press, Stanford, CA, 1994.

Shore, Stephen. The Nature of Photographs. Johns Hopkins University Press, 1998.

Webster’s Third New International Dictionary, Unabridged, 1993.

CHAPTER 1

Barrett, Terry. Criticizing Photographs: An Introduction to Understanding Images. Mayfield Publishing, 1990.

Dillard, Annie. A Pilgrim at Tinker Creek. Harper Perennial, New York, 1974.

Hurn, David and Jay, Bill. On Being a Photographer: A Practical Guide. Lenswork Publishing, 1997.

Ocvirk, Otto G., et al. Art Fundamentals: Theory & Practice, 9th Ed. McGraw-Hill Higher Education, New York, 2002.

Price, Mary. The Photograph: A Strange, Confined Space. Stanford University Press, Stanford, CA, 1994.

Shore, Stephen. The Nature of Photographs. Johns Hopkins University Press, 1998.

CHAPTER 2

Barth, Uta. Quoted from Albright-Know Gallery Acquisitions web page, article by Jennifer Bayles, Educator for special projects, www.albrightknox.org/acquisitions/acq_2001/Barth.html.

Berger, John, Another Way of Telling; Appearances. Pantheon Books, New York, 1982, p. 114.

Rosenblum, Naomi. A World History of Photography. Abbeville Press, 1984, p. 23.

CHAPTER 3

Davidson, Michael W. Molecular Expressions: Images from the Microscope Publications, http://micro.magnet.fsu.edu/publications/pages/inicroscope.html. National High Magnetic Field Laboratory, Florida State University Research Foundation.

Freeman, Martin. Vanishing Presence. Walker Art Center, 1989.

Newhall, Beaumont. The Instant Vision of Henri Cartier-Bresson. Camera, October, 1955, p. 485; Quoted from Nomi Rosenblum, A World History of Photography, p. 483.

Rosenblum, Naomi. A World History of Photography. Abbeville Press, 1984, p. 483.

Shore, Stephen. The Nature of Photographs. Johns Hopkins University Press, 1998, p. 35.

Szarkowski, John. The Photographer’s Eye. The Museum of Modern Art, 1966.

Rosenblum, Naomi. A World History of Photography, p. 483. Abbeville Press, 1984. The Instant Vision of Henri Cartier-Bresson. Camera, October, 1955, p. 485. Quoted from Naomi Rosenblum, A World History of Photography, p. 483.

Weinberg, Adam D. Vanishing Presence, Walker Art Center, 1998, p. 62.

CHAPTER 4

Heineken, Robert, quoted in Afterimage, The Gelatin Silver Print in the Digital Age by Thomas McGovern, November 1, 2006. Visual Studies Workshop, Rochester, New York.

Stewart, Susan. On Longing: Narratives on the Miniature, the Gigantic, the Souvenir, the Collection. Duke University Press, Durham and London, 1993.