Table of Contents

Preface

 

Essential Moments in Photographic Printmaking

The Language of Photography

Concepts and Technology Affecting Photographic Printmaking

Extending Photographic Boundaries

Electronic Imaging: New Ways of Seeing

Possessing a Sense of History

 

Predarkroom Actions: Imaginative Thinking

Establishing a Personal Creation Process

Photographic Origins

Thinking within a System

Purposes of Photography

 

Special Classic Cameras and Equipment

What is a Camera?

The Pinhole Camera

Handmade Cameras

Toy Plastic Cameras: Low-Fidelity Aesthetic

Disposable Cameras

Macro Lenses: Extreme Close-Ups

Lensbaby and Bokeh: Controlled Depth of Field

Telephoto Lens: Compressed Depth of Field

Wide-Angle Lenses: Expanding the View

Panoramic Cameras

Miscellaneous Special Use Cameras

Stereoscopic Photography

Stroboscopic Photography

Underwater Equipment and Protection

 

Image Capture: Special-Use Films, Processing, and Digital Negative Making

Film and the Photographer

General Film Processing Procedures

Infrared Black-And-White Film

Extended Red Sensitivity Film

High-Speed Black-And-White Film

Heightening Grain and Contrast

Ultra-Fine-Grain Black-And-White Film: Ilford Pan F Plus

High-Contrast Litho Films

Making a Litho Negative

Orthochromatic Film

Paper Negatives and Positives: Contemporary Calotypes

Reversing Black-And-White Film

The Impossible Project: Instant Positive Film

Processing Black-And-White Film for Permanence

Digital Negative Making: An Overview

Scanners

 

Formulas of One’S Own

Prepared Formulas Or Mixing Your Own

Basic Equipment

Chemicals

Preparing Formulas

US Customary Weights and Metric Equivalents

 

Black-And-White Film Developers

What Happens to Silver-Based Films during Exposure and Processing?

Image Characteristics Of Film

Components And Characteristics Of Black-And-White Developers

Basic Developer Types

Postdevelopment Procedures

Film Developer Formulas and Their Applications

Visual Test for Determining Processing Times and Iso

Is All This Necessary?

 

Analog Fine Printmaking: Equipment, Materials, and Processes

The Analog Fine Printmaking Process

Printing Equipment

Standard Printing Materials

Print Finishing

Special Printing Materials

Processing Prints for Permanence

 

Black-and-White Paper Developers

Paper Developer And Developing-Out Paper

Components Of Black And-White Silver Print Developers

Additional Processing Factors

Controlling Contrast During Development

Matching Developer And Paper

Developer Applications And Characteristics

Classic Paper Developer Formulas

 

Toning for Visual Effects

Processing Controls

Basic Types of Toners

Processing Prints to Be Toned

General Working Procedures for Toners

Brown Toners

Blue Toners

Red Toners

Green Toners

Toning Variations

 

Classic Historic Processes

Salt Prints

Cyanotype Process

History of the Ambrotype and Tintype Processes

Kallitype And Vandyke Brownprint Processes

Chrysotype Process

Platinum And Palladium Processes

 

Pigmented and Alternative Processes

Gum Bichromate Process

Tri-Color Gum Prints from Digital Negatives

The Bromoil Process

Gumoil

Mordançage

Lith Printing

Electrostatic Processes: Copy Machines

Electrophotography: The Xerox Flat Plate System

Toner Transfer Process

 

Transforming Photographic Concepts: Expanding the Lexicon

Hand Altered Work

Cameraless Images

Chemigram

Cliché-Verre

Extended Camera Exposures

Postcamera Technic Jes in Search of Time

Multiple-Exposure Methods

Fabrication: Creations Made for the Camera

Composite Variations

Processing Manipulation: Reticulation

Hand-Coloring

Airbrushing

Transfers and Stencils

Going Against the Grain

Cross-Processing: Slides as Negatives and Negatives as Slides

Print-on-Demand: The Self-Published Handcrafted Photobook

Book Making Skill Sets

Photobook Making Process

Incorporating Handmade Elements

 

Safety Guidelines

Contact Allergies, Chemical Sensitivities, and Poison Control

Disposing of Chemistry

Darkroom Ventilation

Water for Photographic Processes

 

Index

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