Index
A
Add Anchor Point tool, 178
Ades, Dawn, 138
adjustment layers
Black & White, 192
explanation of, 118
Hue/Saturation, 118–122, 183, 184
Adobe Bridge. See Bridge
Adobe Capture app, 135
Adobe Fonts, 259, 260, 297–299
Adobe Illustrator. See Illustrator
Adobe Lightroom Classic. See Lightroom Classic
Adobe Photoshop. See Photoshop
Adobe Premiere Pro. See Premiere Pro
Adobe XD, 198
creating connections in, 207–210
designing prototype screens in, 204–206
testing and sharing prototypes in, 211
Airey, David, 46
Align buttons, 49
Align to Selection option, 49
aligning
shapes, 49
aperture priority mode, 80
appropriation, 144
Archer, Frederick Scott, 137
Archive of Unnamed Women project, 83
artboards
features of Illustrator, 14
Artist’s Mouse, The (DeLappe), 7
ascenders, letterform, 217
audio clips/tracks, 290
Azzarella, Josh, 147
B
background
distinguishing foreground and, 9–10
swapping color of foreground and, 162, 189
backward compatibility, 41
Bass Ale logo, 46
Bayard, Hippolyte, 138
Being Digital (Negroponte), 3
Bezier handles
contour tracing and, 166, 173–174
vector curves and, 46
Bierut, Michael, 250
binary relationships, 44
bitmap graphics, 12
bits, 6
Black & White adjustment layer, 192
black-and-white photos
applying color to, 132
film processing of, 66
Blank, Harrod, 69
blemish removal, 151
blending modes, 126
brand guidelines, 313
Braque, Georges, 144
Breton, André, 142
PDF showcase generated in, 88–90
Bringhurst, Robert, 254
brushes
appearance settings, 157
brushwork texture, 316
Buñuel, Luis, 142
C
Cairns, Jonathan, 169
Camera Van (Blank), 69
cameras. See digital cameras
Canvas in Bridge, 88
Canvas Size dialog box, 101
cap height of letters, 217
Capture, Adobe, 135
Character panel, 232, 233, 235, 256, 269
Chicago Manual of Style, 257
circles
drawing, 16
clients
coping with difficult, 324
open communication with, 311
clipping layers, 192
clipping masks, 247
Clone mode, Spot Removal tool, 151
Clone Stamp tool, 146, 160–161
Cole, Tracey, 76
collages
examples illustrating, 167, 169
historical development of, 139–141
Lab challenge on creating, 193
Magic Wand tool used for, 186–188
tracing image contours for, 172–176
color
applying to B&W photos, 132
comparison of, 127
film processing, 66
inverting, 125
overview of, 111
primary and complementary, 114–115
simultaneous contrast in, 117, 123–126
as subject of art, 116
subtractive, 112
swapping foreground/background, 162, 189
text or type changes, 269, 270
warm and cool, 117
Color blending mode, 126
adjustment layers for, 128–131
Lightroom Classic for, 132–135
Color Guide panel, 50
Color panel, 17, 38, 40, 115, 269
Color Picker dialog box, 124
Colorize option, 120, 122, 183
combination printing, 138
communication, clear and open, 311
complementary colors, 113, 114, 115
compression settings, 74
contact sheets, 88
Content panel in Bridge, 84, 85
continuity, law of, 278
contrast
Convert Anchor Point tool, 56, 57, 166
Convert Point tool, 179
Convert Project dialog box, 283
cool vs. warm hues, 117
copying/pasting
selections, 103, 104, 156, 158
Craighead, Alison, 68
Creative Commons licenses, 143, 149
Cullen, D. Myles, 24
Cult of Done Manifesto (Pettis & Stark), 309–310, 327
curves
creating with Pen tool, 166–167
D
da Vinci, Leonardo, 63
Decoding Design (Macnab), 24
deconstruction movement, 141
DeLappe, Joseph, 7
Delete Anchor Point tool, 49
deleting
cropped pixels, 82
guides, 48
parts of selections, 157
depth of field, 76
derivative works, 143
descenders, letterform, 217
Design mode, Adobe XD, 201
Design Thinking process, 199
digital cameras
light meters in, 70
digital manipulation. See manipulation of photos
digital photography
bracketing technique in, 78–79
light measurement in, 70
manipulation processes in, 142, 147
pixel-based images in, 65
post-production in, 66
rule of thirds in, 70–71, 80–82
digital video
building composite sequences for, 287–290
effects added and shared for, 293–297
exporting as media file, 306–307
fade transitions applied to, 305–306
playback shortcuts for, 286
terminology associated with, 280, 283
timecode and frame rates for, 279
type overlays on, 279, 280, 297–299, 302–303
workspace for editing, 283–287
digitalart-design.com website, xi, xii
Dip to Black transition, 305–306
Direct Selection tool, 46, 49, 55, 58, 177
documents
copying layers to open, 184–186
creating in Illustrator, 13–14, 47–50
Down Arrow key, 49
Doyle, Christopher, 310
Drop Shadow effect, 241
Drum, Meredith, 4
Duchamp, Marcel, 144
duplicating
dust spot removal, 154
E
Eames, Charles and Ray, 198, 199
editing
non-destructive, 146, 152, 168
Edwards, Mark, 167
Effect Controls panel, 293–294, 295, 299–300
effects
drop shadow, 241
Effects panel, 294, 295, 299, 305
Eisenstein, Sergei, 142
Elder Scrolls IV: Oblivion game, 318–320
Electric Company, The (TV series), 281, 282, 297
Elements of Typographic Style, The (Bringhurst), 254
ellipses, drawing, 15
Elliptical Marquee tool, 123
Empty Words (Lehni & Rich), 224, 225
Eraser tool, 168
Essentials Classic workspace, 29, 47
Essentials (Default) workspace, 80
Eternity (Eggert & Fleming), 24, 25
Export One File dialog box, 154–155
exporting
Ezer, Oded, 247
F
Facebook page for book, xi
faktura concept, 139
Farber, Sam, 197
Feather setting, 153
fidelity of prototypes, 199
figure and ground
“on” and “off” study, 22
File Type Associations option, 84
files
master, 41
naming, 27
selecting, 86
flattening layers, 232
Flaxton, Terry, 65
fonts
Adobe Fonts, 259, 260, 297–299
sizing/resizing, 234
See also typefaces
foreground
distinguishing background and, 9–10
swapping color of background and, 162, 189
Formosa, Daniel, 197
frames
frames per second (FPS), 279
G
Gestalt psychology, 9–10, 250, 252
eight essential laws of, 252
laws of similarity and continuity, 276–278
multistability property, 10, 252
primary concept of, 250
Gilliam, Terry, 141
Goldin, Nan, 281
Gomez, L. Hernandez, 320
Google Doodles, 221
grid
explanatory overview of, 249–250
Gropius, Walter, 93
grouping
layers, 184
guides
implied lines using, 278
placement of, 259–261, 266–270
working with, 48
H
Hand tool, 151
Heal mode, Spot Removal tool, 151, 154
Healing Brush tool, 146
Helvetica Live! poster (Ezer), 247
hiding/showing guides, 48
Hill, Charles, 197
Höch, Hannah, 141
Homage to the Square (Albers), 116, 117, 121
Horizon (Thomson & Craighead), 68
Houde, Stephanie, 197
Hue/Saturation adjustment layer, 118–122, 183, 184
hues
definition of, 111
warm and cool, 117
See also color
Hughes, Jack, 116
Human Interface Guidelines (HIG), 203
Hustwit, Gary, 220
I
Illustrator, 12
typography in, 222
Image Size dialog box, 92–93, 97–100, 171
images
linking, 30
relinking, 231
rotating, 186
In and Out points, 284
In Re Ansel Adams (Flaxton), 65, 66
indexical signs, 46
Info panel, 104
inspiration, 281
integration prototypes, 197
inverting
colors, 125
italic type, 218
iterative processes, 288
J
James, Christopher, 94
Johnson, Chris, 95
Johnson, D. Wayne, 310
juxtaposition
apps for producing, 168
K
Kaiser, Kathleen, 311, 312, 313
“Kaleideolism” (2pxBorder), 44–45
kerning
derivation of word, 280
process of, 227–228, 229, 235–236, 239
rhythm of text controlled by, 255
KERNTYPE game, 236
L
Lab challenges
on collage creation, 193
on color correction, 135
on grid system, 273
on hoax creation, 164
on icon modification, 61
on letters expressed as shapes, 22
on multimedia project creation, 307
on pencil illustration of movement, 42
on prototype creation, 212
on time passage theme, 90
on tonal range expansion, 110
on type–image relationship, 247
Lasso tool, 156
Lauer, David A., viii
layer masks
converting selections to, 181
fine-tuning, 189
fundamentals of, 168
situations for adding, 181
softening cloned edges with, 162–164
Layer Style dialog box, 123
layers
blending modes for, 126
clipping, 192
copying to open documents, 184–186
flattening, 232
grouping in Layers panel, 184
naming/renaming, 105, 123, 157
scaling contents of, 183
Layers panel, 31, 103, 105–106, 158, 184
LCD screen vs. viewfinder, 72–73
Le, David, 77
leading
process of adjusting, 227, 228, 238
rhythm of text controlled by, 255, 256
League of Imaginary Scientists, 320–323
Lee, Stan, 107
Lester, Paul Martin, 275
Levels adjustment layer, 108–109, 128–129, 130
Library of Congress (LOC), 143, 149, 171, 216
Lichtenstein, Roy, 5
light
measuring, 70
time and, 67
light meters, 70
Lightroom Classic
dust and blemish removal in, 149–155
Pencil tool for creating, 32–34
tight vs. loose, 24
linking
images, 30
text boxes, 268
Lissitzky, El, 139
Live Corner widgets, 57
loaded graphics cursor, 29
locking
Logo Design Love (Airey), 46
London Underground map, 249–250, 251
luminosity, 111
M
MacKay, Mark, 236
Macnab, Maggie, 24
macOS platform, xi
Majoor, Martin, 218
manipulation of photos, 137–142
digital tools for, 142
hoaxes created through, 147, 160–164
photomontage and collage as, 139–141
surrealism as, 142
Mann, Sally, 281
marqueeing process, 15
master files, 41
Master of Photography website, 66
Mattel packaging revision, 317
McCarty, Kevin, 94
measurement units, 14
measuring blocks, 261, 266, 267, 270, 273
See also virtual leading
Méliès, Georges, 142
Metadata panel in Bridge, 84–85
Miedinger, Max, 220
Miller, J. Abbott, 250
Minus Front button, 53
misconceptions.net website, xi
Mission Hospital brochure, 312–314
mobile devices
designing for, 198
sharing prototypes on, 211
montage, film, 142
movable type, 216
Move tool, 103, 183, 185–186, 240
Müller-Brockmann, Josef, 253
multimedia projects, 307
Museum of Contemporary Art (MOCA), 320–323
Myers, Tiffany, 117
N
naming/renaming
files, 27
NASA images, 187
negative space, 20, 228, 258, 259, 261
Negroponte, Nicholas, 3–4, 6, 7
Nelson, Richard, 117
New Document dialog box, 13–14, 47
New Typography, The (Tschichold), 253
Nexus Principle, 218
O
operating systems, xi
Orozco, Joven, 324
orphans, typographic, 257
Orton, Peter, 254
out-of-gamut warning, 124
Output workspace, 88
P
Paintbrush tool, 39
Palmer, Alfred T., 97
paragraphs, assembling type into, 253–257
paths, 16
converting, 180
stacking order of, 50
straight, 46
Patrick, Bryan, 142
pattern brush, 19
PDF files
generating to showcase images, 88–90
saving images as, 27, 42, 60–61
trim marks on, 60, 61, 272–273
peachpit.com website, xii
Pen tool
modifying paths with, 58
precision selecting with, 166–167
Mission Hospital brochure, 312–314
Perception of the Princess project, 315–316
Pentak, Stephen, viii
Perception of the Princess project, 315–316
Pettis, Bre, 309
Photographs of British Algae (Atkins), 93
photography
color vs. B&W, 66
historical development of, 63
manipulation processes in, 137–142
vector illustration vs., 64
zone system of, 65, 95–96, 103
See also digital photography
Photography workspace, 173
photomontage. See collages
Photoshop, 12
repairing photos in, 146, 155–159
Piana, Brian, 116
Picasso, Pablo, 144
pixels
Polygon tool, 49
Polygonal Lasso tool, 119, 120
PPI (pixels per inch), 97, 99, 100
Practical Zone System for Film and Digital Photography, The (Johnson), 95, 96
Prägnanz, Law of, 250, 252, 300
Premiere Pro
Effect Controls panel, 293–294, 295, 299–300
Source and Program panels, 285, 293
title safe area, 280
video playback shortcuts, 286
See also digital video
printing
combination, 138
Prototype mode, Adobe XD, 207
prototypes
articulating the design of, 199
connecting the screens in, 207–210
designing the elements of, 204–206
explanatory overview of, 195–197
testing and sharing, 211
PSD files, 102
public domain images, 143, 149, 187
punk movement, 141
Q
Quick Selection tool, 190
R
Rectangular Marquee tool, 103, 119, 183
redistributing pixels, 92, 97–98
Rejlander, Oscar Gustav, 138
relinking images, 231
renaming. See naming/renaming
repairing photos
blemish and wrinkle removal, 149–155
Photoshop tools overview for, 146
softening cloned edges, 162–164
resampling pixels, 92–93, 98, 99–100
resetting the workspace, 13, 30
resizing. See sizing/resizing
resolution
prototype, 199
redistributing pixels for, 92, 97–98
resampling pixels for, 92–93, 99–100
Responsive Resize option, 200
examples illustrating, 311–327
open communication related to, 311
overview and manifesto on, 309–310, 327
rhythm, typographical, 224–226, 255
Robinson, Henry Peach, 138
Rodchenko, Aleksander, 139, 141
rotating
images, 186
text boxes, 237
Rubin’s vase, 10
Ruder, Emil, 254
S
saturation
adjusting, 122
definition of, 111
Save Adobe PDF dialog box, 60, 272
saving files, 27, 42, 60–61, 272–273
scaling
dots, 18
selections, 121
video clips, 294
scanogram, 94
Schad, Christian, 138
screen resolution, 99–100, 198
screencasts, xii
on adding/deleting within selections, 157
on clipping masks, 247
on collage process, 193
on colorizing B&W photos, 132
on editing digital video, 287
on grid use, 270
on horizon line effect, 39
on Info panel, 104
on keyframes, 303
on modifying paths, 58
on pattern brush, 19
on Premiere Pro projects, 283
on renaming files in Bridge, 88
on tracing with the Pen tool, 172
scrubbing video, 286
Selection tool, 15, 16, 33, 233
selections
adding/deleting within, 157
consistency of, 105
copying/pasting, 103, 104, 156, 158
features of tools for, 125
layer masks from, 181
making free-form, 156
marqueeing, 15
scaling, 121
sentences, assembling type into, 253–257
sequences
video terminology for, 283
serifs, letterform, 217
shadows
adding beneath images, 192, 193
Drop Shadow effect, 241
Shape Builder tool, 52
shapes, 14
aligning, 49
transforming, 125
sharing
prototypes, 211
Shift key, 16
shutter speed priority mode, 80
Signac, Paul, 5
signs and logos, 46
similarity, law of, 276
Simon, Scott, 310
simultaneous contrast, 117, 123–126
sizing/resizing
Sketchpad, 6
Sky Is Falling, The (Demers), 318–320
Smart Guides, 48
Snap command, 107
Solomon, Lucy Hg, 320
Sontag, Susan, 139
Soucy, Kyle, 211
Spiekermann, Erik, 224, 250, 311
Spot Healing Brush tool, 146, 158
stacking order
of paths, 50
Stamberg, Susan, 5
Stark, Kio, 309
Starry Night, The (van Gogh), 10, 11
Stevens, Rachel, 4
storyboard planning, 315
Stowell, Davin, 197
straight paths, 46
Stroke icon, 16
strokes
lines as, 6
stylistic consistency, 275
subtractive processes, 112
surrealism, 142
Sutherland, Ivan, 6
Swiss International Style, 249, 252–253
symbolic signs, 46
T
Talbot, William Henry Fox, 137
Template button, 30
Terror, Diogo, 253
testing prototypes, 211
text
changing the color of, 269, 270
kerning, leading, and tracking, 227–229
overflow indicator for, 268, 269
spacing considerations for, 255–256
widows and orphans in, 257
See also typography
text boxes, 227
linking, 268
rotating, 237
text frames, 227
Thinking with Type (Lupton), 216, 217, 252
third-party images, xiii
Thompson, Bill, 311, 312, 315–316
Thompson, Lauren, 76
Thomson, Jon, 68
timeline
repositioning clips on, 289
video terminology for, 283
Tingley, Ashley, 77
title safe area, 280
Toews, Phoenix, 4
tonal range
color and, 113
Tool Overlay options, 154
tools, toggling between, 16
tracking type
rhythm of text controlled by, 255, 256
tracks, audio/video, 290, 302–303
transforming shapes, 125
transitions
transparency
of type, 237
trim marks on PDFs, 60–61, 272–273
Tschichold, Jan, 253
Type and Image (Meggs), 221
Type Primer, A (Kane), 218
Type tool, 227
entering headlines with, 259
text boxes drawn with, 232, 233
typefaces
families of, 221
See also fonts
Typographie (Ruder), 254
typography
contrast and rhythm in, 224–226, 255
grid used in, 221, 249, 259–261, 266–271
guide placement for, 259–261, 266–270
Illustrator vs. InDesign, 222
images related to, 221, 226, 239–242
kerning in, 227–228, 229, 235–236, 239, 255
leading in, 227, 228, 238, 255, 256
resources about, 216
sentences and paragraphs in, 253–257
Swiss International Style of, 249, 252–253
tracking in, 227, 228, 229, 255, 256
video overlays using, 279, 280, 297–299, 302–303
widows and orphans in, 257
Tzara, Tristan, 139
U
Undo command, 173
units of measurement, 14
unlocking
images, 34
user flow diagram, 199
user interface (UI)
designs, 142
kits, 203
V
values
histogram for reading, 93
Van Deusen, Thomas, 75
van Gogh, Vincent, 10, 11, 114
Varis, Lee, 101
verisimilitude, 144
video. See digital video
video tutorials. See screencasts
viewfinder vs. LCD screen, 72–73
viewport resolution, 198
visibility, issue of, 59
Visual Communication (Lester), 275
W
Warhol, Andy, 144
warm vs. cool hues, 117
Wegman, William, 281
Wertheimer, Max, 250
white balance settings, 75
Widener, Jeff, 147
widows, typographic, 257
Willows, Simon, 144
Windows platform, xi
Wolcott, Alexander, 137
Wong, Wucius, viii
work files, xi
workspace
Essentials (Default), 80
Output, 88
Photography, 173
X
XD program. See Adobe XD
x-height of letters, 217
Z
Zellen, Jody, 279
zone system
analyzing photos using, 101–106
explanation of, 65, 95–96, 103
zooming in/out, 120