Contents
PART I LIGHT-INSENSITIVE METHODS
Chapter 1 Transfers, Lifts, and DIY Printmaking
Muscle Rub Transfers, by Dorothy Imagire
Heat Transfers, by Kathy Halamka
Polymer Transfers, by Peter Madden
Impossible Project Image Lifts
Lazertran™ Inkjet Lifts, by Dorothy Imagire
Paper Photo-Lithography, by Christine Tinsley
Gelatin Prints, by Peter Madden
Chapter 3 Toning, by Elaine O’Neil and Laura Blacklow
PART II PREPARATION FOR LIGHT-SENSITIVE METHODS
Chapter 4 Creating the Photo-Printmaking Studio 77
Materials and Procedures, Including Paper and Sizing
Chapter 5 Generating Imagery: Analogue Methods
Pinhole Photography, by Jesseca Ferguson and Walter Crump
Chapter 6 Making Negatives: Digital Method, by Joseph Moccia and Laura Blacklow
Part I: Capturing and Scanning Images
Part II: Making a Digital Negative
Part III: How to Use the Digital Negative to Make a Print
PART III LIGHT-SENSITIVE METHODS
Making One of the Stock Solutions
Making the Other Stock Solution
Chapter 8 Van Dyke Brown Prints
Tips for Brown Printing on Fabric
Chapter 9 Salted Paper Prints, by France Scully Osterman
Chapter 10 Gum Bichromate Prints
Making the Bichromate Solution
Chapter 11 Casein Pigment Prints
Making the Bichromate Solution
Tips for Making the Bichromate Solution
Tips for Making the Casein Print
Chapter 12 Platinum and Palladium Prints
Making a Platinum/Palladium Print
Chapter 13 Bromoil Prints, by Gene Laughter
Guidelines for Bromoil Printing
Print Finishing and Enhancement
Chapter 14 Enlargement Emulsions and Tintypes
Making a Print with Enlargement Emulsion
Contemporary Tintypes, by Lana Z Caplan
Chapter 15 Contemporary Daguerreotypes (Becquerel Process), by Laura Blacklow, with assistance from Tyler Treadwell
Making a Contemporary Daguerreotype
Layered Imagery, by Juliana Swatko
Chromoskedasic Painting, by Birgit Blyth and Laura Blacklow
Lumen Printings, by Joseph Moccia