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Dedication
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Dedication
by Roger Derry
PC Audio Editing with Adobe Audition 2.0
Front Cover
Half Title
Title Page
Copyright
Dedication
Contents
Foreword
Preface
1 Visual editing
2 Some technical bits
2.1 Loudness, decibels and frequencies
2.2 Hearing safety
2.3 Analog and digital audio
2.4 Time code
3 Transfer
3.1 Reviewing material
3.2 Head alignment
3.3 Digital
3.4 Analog
3.5 Recording
4 Editing
4.1 Introduction
4.2 Loading a file
4.3 Transport
4.4 Making an edit
4.5 Visual editing
5 Quarrying material
5.1 Introduction
5.2 Blue bar blues
5.3 Copy, cut and paste
6 Structuring material
6.1 Standardize format
6.2 Batch files
6.3 32-bit files
7 Multitrack
7.1 Loading
7.2 Tour
7.3 FX
7.4 Automation
7.5 Envelopes
7.6 Multitrack for a simple mix
7.7 Chequer boarding
7.8 Track bouncing
7.9 Fades and edges
7.10 Prefaded and backtimed music
7.11 Transitions
7.12 Multitrack music
7.13 MIDI and video
7.14 Loops
8 Post-production
8.1 Timing
8.2 Level matching
8.3 Panning
8.4 Cross fading
8.5 Stereo/binaural
8.6 Surround Sound
8.7 Multi-layer mixing
9 Audio design
9.1 Dangers
9.2 Normalization
9.3 Basic level adjustment
9.4 Compression/limiting
9.5 Expanders and gates
9.6 Multiband compressor
9.7 Reverberation and echo
9.8 Filters
9.9 Restoration
9.10 Special effects
9.11 Time/pitch
9.12 Spatial effects
9.13 Basic effects
9.14 Multitrack effects
9.15 Real-time controls and effects
10 Reviewing material
10.1 Check there are no missed edits
10.2 Assessing levels
10.3 Listening on full quality speakers
11 Mastering
11.1 Line-up and transmission formats
11.2 Generate silence
11.3 Generate noise
11.4 Generate tones
11.5 Changeovers
11.6 Mastering process
11.7 CD labelling
11.8 Email and the World Wide Web
11.9 Analytical functions
11.10 Spectral editing
12 CD burning
12.1 Types of CD
12.2 Audio CDs
12.3 Multi-session CDs
12.4 Rewritable CDs
12.5 CD recording software
12.6 Recording codes
13 Making programmes: acquiring material
13.1 Responsibilities
13.2 Interviewing people
13.3 Documentary
13.4 Oral history interviews
13.5 Interviews on the move
13.6 Recorders
13.7 Acoustics and microphones
13.8 Multitrack
14 Making programmes: production
14.1 Introduction
14.2 Types of programme
14.3 Talks
14.4 Illustrated talks
14.5 Magazine programmes
14.6 Magazine itemSimple feature
14.7 Multi-layer feature
14.8 Drama
14.9 Music
15 Archiving and backup
15.1 Selection for archiving
15.2 Compact disc
15.3 CD-ROM
15.4 Digital Audio Tape
15.5 Analog
15.6 Computer backup
16 Tweaks
16.1 Mouse options
16.2 Hardware controller
16.3 Keyboard shortcuts
16.4 MIDI triggering
16.5 SMPTE synchronization
16.6 Favorites
16.7 Preferences (F4)
16.8 Icons
17 Using the CD-ROM
17.1 Adobe Audition
17.2 Bonus material
18 Hardware and software requirements
18.1 PC
18.2 Sound card
18.3 Loudspeakers/headphones
18.4 Hard disks
18.5 USB
18.6 Firewire
18.7 Audio editor
18.8 Linear editors
18.9 Non-linear editors
18.10 Multitrack
18.11 Audio processing
18.12 Mastering
18.13 CD recording software
18.14 DVD
18.15 MIDI
18.16 Control surface
18.17 Automation
Appendix 1 Clicks and clocks
A1.1 Word clock in/out
Appendix 2 MIDI
Appendix 3 Time code
A3.1 MIDI
A3.2 Drop-frame time code
A3.3 Other systems
A3.4 What time?
Appendix 4 Adding RIAA to FFT filters
Glossary
Index
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Contents
To
Rosemarie
With many thanks for her help and tolerance
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