xix
Acknowledgments
We owe a great deal of thanks to the many people who inspired, nudged, critiqued, and tolerated
us during this project, especially Roger Wyatt, Irene Klaver, Melody McCotter, Ethan O’Connor,
Jodi Kearns, Barbra and Richard Anderson, Diane Cerra, and our colleagues and students in the
Visual inking Laboratory in the College of Information at the University of North Texas. We
thank series editor Gary Marchionini, who has long conducted and supported research on video
and meaning.
We would especially like to acknowledge Bertrand Augst for his utter passion for lm, his
inspiration, and his decades of deep commitment to understanding cinema and culture.
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