Chapter 2
IN THIS CHAPTER
Opening your camera in different ways
Holding your iPhone properly
Zooming in to your subject
Photographing with the selfie camera
Using the Live Photo feature
Applying filters to your photos
Your iPhone includes a surprising number of advanced features. However, the designers also tried to make the iPhone a simple device to use, which is good news for you. This ease of use allows you to quickly and easily get the shot without having to learn complex techniques.
The goal of this chapter is to help you quickly master the iPhone camera by offering you what’s often called a walk-around. When you understand the layout of the camera, and what each feature does, you’ll be able to act quickly when the decisive moment presents itself to you.
In Chapter 1, you discover the usual method for opening the iPhone camera from both the lock screen and while navigating your apps on your home screen. You can, however, take advantage of a number of other ways to access the camera so that you can get to photographing faster:
Have you ever taken an iPhone photo with your arms fully extended and your iPhone as far away from your face as possible? While this posture may be the way that the majority of mobile photographers take their photos, it’s not a good idea.
Take a deep breath in, exhale, and when you’re at the bottom of your exhale, take the photo.
If your level of mobility allows for it, kneel to take your photo using one leg as a stabilizer.
Figures 2-3 and 2-4 give you an example of optimal postures and camera-holding positions.
By using these stabilizing tips each time that you take a handheld photo, you will come home with far more successfully sharp photos.
The majority of iPhone photos are captured by tapping the prominent large circle within the camera app. However, in some circumstances, an alternate shutter release is more advantageous. Shutter release is a photography term that refers to any object that tells the camera to take a photo as soon as you activate it. A shutter release may be physical, such as the volume buttons on Apple EarPods, or it may be part of an iPhone screen that requires a tap or a press of your finger.
Use the method of tripping the shutter that is most convenient and natural for you.
With your camera app open and ready to take a photo, instead of using the normal shutter circle to take your photo, try pressing the volume buttons. Using the side shutter is a different way to capture your image, and often photographers feel that using a physical button as a shutter release is more like how they create photos using their larger DSLR cameras. Some people like the physical feedback of a push-button shutter release, and this method is a perfect alternative.
It doesn’t matter if you press the volume-up or volume-down button, as both will take the photo. The volume buttons are on the side of your iPhone and have a + and - etching similar to Figure 2-5.
Apple EarPods can also act as a shutter-release cable. If you have a pair of Apple EarPods, all you have to do is open the camera app, plug in your EarPods, and then press either the volume-up or the volume-down button, as shown in Figure 2-6.
If you feel that your main subject appears too far away in your composition, you can visually bring that subject much closer to occupy more space within your picture. The term zooming in is borrowed from standard cameras that have lenses that can physically zoom in and zoom out. Simply stated, by the act of zooming out you can have a very wide looking scene where a lot is included in your photo, or you can zoom in to capture the plumage of a beautiful bird in a distant tree.
Originally, the ability of cameras to zoom either in or out was only done with a mechanical movement of metal and glass within the zoom lens, similar to the lens pictured in Figure 2-8.
With the advent of point and shoot cameras, and then mobile device cameras, such as the iPhone, digital zooming was made possible. Digital zoom doesn’t rely on any physical movement of the camera lenses. In simplistic terms, it’s an artificial expansion of pixels (millions of single bits that make up your photo) that simulates the effects of a traditional zoom lens.
The good part of digital zoom is that you can visually bring faraway objects closer within your composition. Think of that bird on a distant tree.
The designers of the various mobile device companies knew about the limitations of digital zooming, which is why they introduced dual-lens mobile device cameras. The first iPhone with two lenses was released in late 2016 and named the iPhone 7 Plus. The addition of a lens that was less wide than the normal iPhone lens allowed photographers to rely less on digital zooming when trying to see far-away objects. Picture quality quickly improved in the world of iPhone photography, no doubt because digital zooming was done less frequently.
But is digital zooming all that bad? Not really, especially with late-model iPhones. One motto that you may want to keep top of mind: “It’s better to get the shot with technical imperfections than to miss the shot entirely.”
To practice using digital zoom on one of your photos, give the following steps a try after you choose the lens that has the most telephoto view. Take a look at Figure 2-9 to see three lens views. Depending on your camera model, choose the lens that visually appears to bring distant objects closer to you. For some iPhone models, it will be called the x2 lens, and for others the x1 lens.
Try these easy steps with your own iPhone to practice the pinch-to-zoom technique, which allows you to view distant objects much closer.
The contents of Chapter 11 go into cropping in greater detail, so the following steps are simply a quick tip for alternate zooming results:
You may be wondering why anyone would crop a photo, which makes it smaller, rather than use the intelligence of the iPhone to create a realistic looking digital zoom. The answer is twofold:
Either option is fine to get you exactly what you want in your image. Please remember, however, that the more you digitally zoom in with your finger and thumb, the harder it is for your iPhone’s brain to give you a good sharp and clear image. In saying that, however, the late model iPhones do a remarkable job at what they call 10x digital zoom, which is the maximum telephoto that you can achieve on a late model iPhone.
If you have your iPhone with you right now, choose your 2x or 1x lens view and then use the pinch-to-zoom technique to zoom in to 10x to see just how far away you can photograph. Now take the photo and upon review, check out the quality of the 10x zoom photo. It’s not too bad, is it? While not perfect, feel free to use digital zoom to bring those distant objects really close.
If you don’t have your iPhone with you at the moment, Figure 2-11 shows just how much zoom you can achieve by using the 2x lens plus 10x digital zoom. Do you see how close the building’s arches appear to be now? It’s a pretty good quality photo for being so far away from the iPhone’s camera.
Taking a photo of yourself with the front-facing lens on your iPhone is popularly called a selfie. You hold your iPhone away from your face, and then when you like the composition (how you’re framed in the photo), you take the shot.
Sometimes called the selfie-cam, the front-facing lens on your iPhone is actually quite useful for a number of different applications. But its greatest claim to fame is getting a good shot of you! Here’s how to access the front-facing camera for your next selfie, with an example of what it looks like in Figure 2-12:
After you take your selfie and review the photo, you may feel that it’s not the best-looking self-portrait that you’ve seen. This viewpoint is understandable, as wide-angle lenses like this one tend to distort faces to the point of looking a bit rounder and heavier than in reality. While you can’t do much about the physical limitations of wide-angle camera lenses, some digital solutions do at least make your selfie look a bit more professional!
Follow these steps to activate Portrait mode, which usually does a good job of creating better-looking selfies.
Figure 2-13 shows you an example of how the two different selfie camera modes present you to the world. It’s usually the case that people like the PORTRAIT mode instead of the PHOTO mode for selfies, as the background blur makes the entire photo more pleasing to look at.
The selfie camera has so many more wonderful features, and you can read about them to a greater level of detail in Chapter 4. Keep in mind that not all older model iPhones have Portrait mode.
With the advent of the iPhone 11 series models, you don’t need to worry too much about when to use the flash. With intelligent software wizardry, Apple has been able to create flash-free, evenly lit photographs that were previously impossible. Apple believes in its technology so much that if you turn your flash to Auto mode, you may not even see it fire unless you’re in a very dark environment.
You can easily access the flash by tapping on the little lightning bolt icon at the top left of your screen, as shown in Figure 2-14. Please keep in mind that the iPhone X and earlier series models look a bit different, but the functionality is pretty much the same.
Try the iPhone 11 series flash operation, visually illustrated in Figure 2-15:
Choose Flash Auto if you are unsure of when your photos will need a flash.
(Your iPhone will choose to activate the flash based on its assessment of the scene.)
If you have an iPhone X series or earlier model, flash operation is super simple:
If you have your iPhone with you right now, please take two test photos of the exact same object, such as your coffee cup or a can of soda. The first one should be with the flash on, and the second one without the flash on. Upon reviewing your two test photos, which one do you like the best? Figure 2-16 gives you a typical result if you can’t do your own test-run right now.
Most of the time viewers prefer the photo without the flash. The primary reason for this choice is that a flash tends to flatten out the look of the object being photographed. What previously had a three-dimensional organic appearance, now has a cold-looking, two-dimensional feel. A flash usually takes viewers outside of what they’re used to seeing with their own eyes, to a view that is far less appealing due to the harsh, artificial, and directional light source.
You may be wondering when you would ever even bother with the flash. The following list can help you make your decision:
Turn on Auto Flash when you are
Turn flash on when you are
Try not to use your flash for
“But what about all those amazing images from photographers who use flash all the time? Why do they get such great results?” This question is valid. The term on-camera flash refers to cameras of any type that have the flash built into the camera body (such as all smartphone cameras that have flashes). Figure 2-17 shows you what the flash looks like on the iPhone 11 Pro Max. Regardless of what model you have, the flashes on all iPhones are very close to the camera lens, which is not ideal for flattering light.
An off-camera flash setup is what the amateurs and pros use for stunning flash photography. Their flash or flashes are not attached to their camera, and they have different ways to make sure that their flashes fire at the same time that they take their photo. Because their flash(es) are not illuminating the subject directly straightforward (as in your iPhone), the subject maintains its sense of three-dimensionality and organic look.
Give it a try … switch your camera to selfie mode, turn your flash to the On position, and take the photo. If you have kept your iPhone updated (the most recent operating system), then you will see a pleasing warm light fill your entire screen. Figure 2-18 shows how the selfie camera shines with a warmish-looking soft light.
Live Photos first started as a bit of a gimmick a few years ago, but has been refined substantially to the point where they’re a fantastic way to express yourself.
A Live Photo is a series of photos taken 1.5 seconds before and 1.5 seconds after you press the shutter release button. When your Live Photo capture is complete, the result is similar to a normal video. The quick video clip is fun to share with friends, as you can choose the very best-looking still photo from a choice of many still photos that make up the Live Photo. As it’s a fun option and not really made for serious art photography, Live Photos are usually created between friends or of events with family members.
Chapter 15 offers a deeper dive into Live Photos. This section primarily helps you turning Live Photos on and off. Figure 2-19 displays the Live Photo icon for both the 11 series and the X series and earlier iPhone models.
When the icon has a diagonal line through it, Live Photo is turned off. If no line goes through the icon, Live Photo is activated. Follow these steps to create and view your first Live Photo:
Find moving subjects, such as cars going by or trees swaying in the wind.
If you don’t see any moving subjects, you can physically move your iPhone for a similar effect.
When ready, tap the normal shutter button to take the Live Photo.
Your Live Photo pops up in your Photos App, with a LIVE icon at the top left.
Press and hold your finger anywhere within your photo.
Live Photo is activated, giving you about a three-second video clip.
To turn Live Photo off, simply tap the Live photo icon again.
To turn off Live Photo by default, do the following:
Within Camera, tap Preserve Settings.
Make sure that the Live Photo toggle is green, as in Figure 2-20.
Live Photo will remember that you want it to be off from now on.
Your iPhone has a count-down timer that allows for a delay between the time that you tap the shutter release button and the time that the photo is actually taken. This delay comes in two different time options: a three-second delay and a ten-second delay.
The ten-second timer delay is useful for group family portraiture when you (as the photographer) need to set your iPhone up on a tripod and then run into the group so that you can be included in the photo.
To activate either timer, follow these instructions based on your model of iPhone:
When the camera starts to take the photo, it will take ten consecutive photos rapidly. When you’re doing group family photos, inevitably one person is blinking or making a funny face, which can ruin the entire photo unless you have decent photo-editing skills! To avoid this problem, you get to choose the best image out of ten images taken.
To choose the best of the ten photos, follow these easy steps:
Tap Select at the bottom middle of your screen (see Figure 2-22).
This option is visible only if you see an icon at the top left of your screen that reads Burst (10 photos).
At the very bottom of your screen, you have the option to scroll through ten photos that pretty much look identical (see Figure 2-23).
Tap on the little circle icon at the bottom right of the photo that you like the best.
The icon now changes to blue and includes a check mark (see Figure 2-24).
To keep all the photos, tap the Keep Everything option; to keep just the single photo that you chose as the best, choose the Keep Only 1 Favorite option (see Figure 2-25).
To create successful family portraits that include you in them, follow these simple steps:
Press the 10s option, and as soon as you see the numbers start to count down, quickly join the group.
If you see a little white light flashing every second next to your camera lens, everything is working normally.
The flashes intensify, giving you about a two-second warning that the camera will take the photo.
When reviewing your group photo, you can choose the best family portrait then, or choose on another day. There is no time limit to choosing the best photo out of the ten taken.
iPhones are adept at taking quality selfies. However, seeing such a large and close-up view of your face on the screen can sometimes feel a bit awkward. Maybe you feel that your face takes up a huge amount of the selfie photo!
To remedy this problem, you can back away a bit from the camera to allow more of the background and surroundings into your selfie. Choose a tripod, a mobile device stand set on a stable platform, or a selfie stick to allow your camera to be further from your face. (Check out Chapter 4 for more details on these accessories.)
With your iPhone on a tripod or a stand, choose the three-second timer. The three seconds give you enough time to take your hand away from the camera and establish your brilliant smile!
Landscape photographers love using the three-second timer to create incredible tack-sharp photos. Did you know that even the act of tapping your camera’s shutter button can cause the minutest amount of camera shake?
To avoid camera shake when your iPhone is on a tripod, set up your landscape scene as you like (more on Landscape photography in Chapter 5) and then take your photo using the three-second timer.
Either after your photo has been taken or in a warm café sipping your cappuccino, choose the best of ten landscape photos. Do they all look the same to you? If so, the iPhone has an incredible feature created just for you!
Your iPhone camera has ten creative filters that you can use for a quick and fun addition to your images. Accessing these filters is easy, and you can see in real time what the applied filter will look like even before you take the photo.
That filter usage rule was extremely important advice before the advent of nondestructive editing (NDE), but now with NDE you can apply filters anytime you like. The term nondestructive editing means that within your Photos app, you can apply any filter either before or after you take the photo, and even years later, you can always revert back to the original unfiltered photo, with no loss of quality. Even when certain filters go out of style you can always go back to square-one.
Chapter 11 goes into filter usage to a greater level than what follows. To access the filters, follow these steps:
Tap on Vivid, as in Figure 2-28.
You see a boost in color vibrancy.
The next option is Vivid Warm and then seven more filter options.
After cycling through all filters, choose your favorite and then take your photo.
Check out Figure 2-29, which shows what each filter effect does to a single scene in front of the iPhone.
While some of the supplied filters may seem to be a bit gimmicky, at times you will want to use a color photo simply for a sense of fun. For example, some of the filters that have the word Warm in their title are usually good for family photos and shots of your kids.
Filters with the word Cool in their title are often useful for artistic photographs that are helped by the filter’s mood-altering capabilities.
Experiment with the three black-and-white filters to change almost any type of color photo into an artistic image that would be worthy to hang on your wall.
Don’t like your filter choice? No problem! To revert to the original photo, all you need to do is
Tap on the word Revert written in red and then tap Revert to Original.
Your photo is now back to its normal nonfiltered state.
Feel free to repeat this process of filtering and reverting as much as you like. There are no limits to how many times you alter your photo within the Photos app, as you can always return to the original with no loss of quality.
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