Chapter 2
IN THIS CHAPTER
Knowing the anchor points, bounding boxes, and selection tools
Working with a selection
Grouping and ungrouping selections
Constraining movement and cloning objects
If someone has been coaching you in using Adobe Illustrator, you may have heard the old line “You have to select it to affect it,” meaning that if you want to apply a change to an object in Illustrator, you must have that object selected or no change will occur. Although making selections may sound simple, it can become tricky when you’re working on complicated artwork. This chapter shows you the tools that will help save you editing time when working in Adobe Illustrator.
In the following sections, you take a quick tour of anchor points (integral to the world of selections), the bounding box, and, of course, the selection tools. (Yes, Illustrator has several selection tools.)
To understand selections, you must first understand how Illustrator works with anchor points, which act like handles and can be individually selected and moved to other locations. You essentially use the anchor points to drag objects or parts of objects around the workspace. After you place anchor points on an object, you can create strokes or paths from the anchor points.
You can select several anchor points at the same time, as shown in Figure 2-1, or only one, as shown in Figure 2-2. Selecting all anchor points in an object lets you move the entire object without changing the anchor points in relationship to one another. You can tell which anchor points are selected and active because they appear as solid boxes.
As a default, Illustrator shows a bounding box when an object is selected with the Selection tool. This feature can be helpful if you understand its function but confusing if you don’t know how to use it.
By dragging the handles, you can use the bounding box for quick transforms, such as scaling and rotating. To rotate, you pass the mouse cursor (without clicking) outside a handle until you see a rotate symbol and then drag.
If the bounding box bothers you, you can turn off the feature by choosing View⇒ Hide Bounding Box.
Illustrator CC offers five main selection tools:
You can select an object with the Selection tool by using one of three main methods:
After you gain an understanding about the basics of selections, you’ll probably be eager to try some techniques. In the following sections, you see the basics: Make a selection, work with anchor points and the marquee, make multiple selections, and of course, save your work.
To work with selections, you need to have something on the page in Illustrator. Follow these steps to make a selection:
Create a new page in Adobe Illustrator. (Any size or profile is okay.)
Alternatively, you can open an existing illustration; see Chapter 1 of this minibook for instructions. Skip to Step 3 if you’re working with an existing illustration.
If you’re starting from a new page, create an object to work with.
For example, click and hold down the Rectangle tool to select the Star tool. Then click and drag from the upper left to the lower right to create a star shape.
Exact size doesn’t matter, but make it large enough that you can see it. To start over, choose Edit⇒ Undo or press Ctrl+Z (Windows) or ⌘ +Z (Mac).
As a default, all shapes start with a black stroke and a white fill. (See Figure 2-3.) If yours isn’t black and white, press D, which changes the selected object to the default colors.
You can see the width and height of your object while you click and drag. If you don’t want those values to display, choose Edit⇒ Preferences⇒ Smart Guides (Windows) or Illustrator⇒ Preferences⇒ Smart Guides (Mac) and deselect the Measurement Labels check box.
Using the Selection tool, click the object to make sure it’s active.
All anchor points are solid, indicating that they’re all active. (Refer to Figure 2-3.) You see, as a default, many additional points you can use to transform your selected object.
Click and drag the shape to another location.
All anchor points travel together.
When you have a selection to work with (see the numbered list), you can deselect all active anchor points and then make just one anchor point active. Follow these steps:
Click one anchor point.
Only one anchor point (the one you clicked) is solid, and the others are hollow, as shown in Figure 2-4.
Click and drag that solid anchor point with the Direct Selection tool.
Only that solid anchor point moves.
Sometimes you can more easily surround the object you want to select by dragging the mouse to create a marquee. Follow these steps to select an object by creating a marquee:
Click outside the object and drag over a small part of it, as shown in Figure 2-5.
The entire object becomes selected.
You can also select only one anchor point in an object by using the marquee method:
Click outside a corner of the object and drag over only the anchor point you want to select.
Notice that only that anchor point is active, which can be a sight-saver when you’re trying to select individual points. (See Figure 2-6.)
If you have multiple items on a page, you can select them by using one of these methods:
Select one object or anchor point, and then hold down the Shift key and click another object or anchor point. Depending on which selection tool you’re using, you select either all anchor points on an object or additional objects (Selection tool) or additional anchor points only (Direct Selection tool).
You can use the Shift key to deactivate an object as well. shift-click a selected object to deselect it.
Spending way too much time trying to make your selections? Illustrator comes to the rescue with the Save Selection feature. After you have a selection that you may need again, choose Select⇒ Save Selection and name the selection. The selection now appears at the bottom of the Select menu. To change the name or delete the saved selection, choose Select⇒ Edit Selection. This selection is saved with the document.
Keep objects together by grouping them. The Group function is handy when you’re creating something from multiple objects, such as a logo. Using the Group function, you can ensure that all objects that make up the logo stay together when you move, rotate, scale, or copy it.
Follow these steps to create a group:
If you aren’t already working with an illustration that contains a bunch of objects, create several objects on a new page — anywhere, any size.
For example, select the Rectangle tool and click and drag the page several times to create additional rectangles.
Choose Select⇒ Deselect, and then click one of the objects with the Selection tool.
Both objects become selected.
With all three objects selected, choose Object⇒ Group again.
Illustrator remembers the grouping order. To prove it, choose Select⇒ Deselect to deselect the group and switch to the Group Selection tool. (Hold down the mouse button on the Direct Selection tool to access the Group Selection tool.)
With the Group Selection tool, click the first object; all anchor points become active. Click the first object again; the second object becomes selected. Click the first object again, and the third object becomes selected.
The Group Selection tool activates the objects in the order you grouped them. After you group the objects, you can treat them as a single object.
To ungroup objects, choose Object⇒ Ungroup or use the keyboard shortcut Ctrl+Shift+G (Windows) or ⌘ +Shift+G (Mac). In a situation where you group objects twice (because you added an object to the group, for example), you have to choose Ungroup twice.
When you use Isolation mode in Illustrator, you can easily select and edit objects in a group without disturbing other parts of your artwork. With the Selection Tool, simply double-click a group, and it opens in a separate Isolation mode, where all objects outside the group are dimmed and inactive. Do the work you need to do on the group and exit from Isolation mode by clicking the arrow to the left of Group in the upper-left corner of the window, shown in Figure 2-7.
With an object selected, click the Isolate Selected Object button in the Control panel to quickly access the Isolation mode.
In the following list, you discover a few other cool things you can do with selected objects:
Constrain the clone: By Alt-dragging (Windows) or Option-dragging (Mac) an item and then pressing Shift, you can clone the item and keep it aligned with the original.
Don’t hold down the Shift key until you’re in the process of dragging the item; otherwise, pressing Shift deselects the original object.
After you clone an object to a new location, try this neat trick to create multiple objects the same distance apart from each other by using the Transform Again command: Choose Object⇒ Transform⇒ Transform Again or press Ctrl+D (Windows) or ⌘ +D (Mac) to have another object cloned the exact distance as the first cloned object. (See Figure 2-9.) We discuss transformations in more detail in Chapter 9 of this minibook.
Use the Select menu: By using the Select menu, you can gain additional selection controls, such as choosing Select⇒ Inverse, which allows you to select one object and then turn your selection inside out. Also, choosing the Select⇒ Same option lets you select one object and then select additional objects on the page based on similarities in color, fill, stroke, and other special attributes.
Take advantage of the Select Similar button on the Control panel to easily access that feature. Notice that in Figure 2-10 you can hold down the arrow to the right of the Select Similar button to choose which similarities should be considered to make the selection.
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