- Preliminaries
- Dedication
- Preface
- Author
- Chapter 1: Why Blender?
- Figure 1.1
- Chapter 2: History of Blender
- Figure 2.1
- Chapter 3: Blender User Interface
- 3.1 Start-Up Blender
- 3.2 Controls and Buttons
- 3.3 Editor System
- 3.4 Editor Types
- 3.4.1 3D View
- 3.4.2 Timeline
- 3.4.3 Graphic Editor
- 3.4.4 DopeSheet
- 3.4.5 NLA Editor
- 3.4.6 UV/Image Editor
- 3.4.7 Video Sequence Editor
- 3.4.8 Text Editor
- 3.4.9 Node Editor
- 3.4.10 Logic Editor
- 3.4.11 Properties Editor
- 3.4.12 Outliner
- 3.4.13 User Preferences
- 3.4.14 Info Window
- 3.4.15 File Browser
- 3.4.16 Console
- 3.5 Modes and Context
- 3.6 Internationalization
- Figure 3.1
- Chapter 4: Blender in a Digital Studio Pipeline
- Figure 4.1
- Chapter 5: Modeling Your Main Character
- Figure 5.1
- Figure 5.1
- Figure 5.2
- Figure 5.3
- Figure 5.4
- Figure 5.5
- Figure 5.6
- Figure 5.7
- Figure 5.8
- Figure 5.9
- Figure 5.10
- Figure 5.11
- Figure 5.12
- Figure 5.13
- Figure 5.14
- Figure 5.15
- Figure 5.16
- Figure 5.17
- Figure 5.18
- Figure 5.19
- Figure 5.20
- Figure 5.21
- Figure 5.22
- Figure 5.23
- Figure 5.24
- Figure 5.25
- Figure 5.26
- Chapter 6: Applying Materials to Our Objects
- Figure 6.1
- Chapter 7: Blender Internal Textures
- Figure 7.1
- Chapter 8: UV Unwrap and External Textures
- Figure 8.1
- Chapter 9: Introduction to Rigging: Armatures and Bones
- Figure 9.1
- Chapter 10: The Animation Process
- Figure 10.1
- Chapter 12: Compositing Nodes
- Figure 12.1
- Chapter 13: Using Particles and Dynamics
- Figure 13.1
- Figure 13.1
- Figure 13.2
- Figure 13.3
- Figure 13.4
- Figure 13.5
- Figure 13.6
- Figure 13.7
- Figure 13.8
- Figure 13.9
- Figure 13.10
- Figure 13.11
- Figure 13.12
- Figure 13.13
- Figure 13.14
- Figure 13.15
- Figure 13.16
- Figure 13.17
- Figure 13.18
- Figure 13.19
- Figure 13.20
- Figure 13.21
- Figure 13.22
- Figure 13.23
- Figure 13.24
- Figure 13.25
- Figure 13.26
- Figure 13.27
- Figure 13.28
- Figure 13.29
- Figure 13.30
- Figure 13.31
- Figure 13.32
- Figure 13.33
- Figure 13.34
- Figure 13.35
- Figure 13.36
- Figure 13.37
- Figure 13.38
- Figure 13.39
- Figure 13.40
- Figure 13.41
- Figure 13.42
- Chapter 14: Render
- Figure 14.1
- Chapter 15: Final Movie Compositing
- Chapter 16: Python
- Figure 16.1
- Chapter 17: Film Promotion and Conclusion
- Appendix
- References
References
Blain, J.M. 2012. The Complete Guide to Blender Graphics, A K Peters/CRC Press.
Blender Foundation, Big Buck Bunny, http://peach.blender.org.
Blender Foundation, Elephants Dream, http://orange.blender.org.
Blender Foundation, Sintel, http://durian.blender.org.
Blender Foundation, Tears of Steel, http://mango.blender.org.
Hess, R.2011.Blender Foundations: The Essential Guide to Learning Blender 2.6, Focal Press.
Mullen, T. and Andaur, C. 2011.Blender Digital Movie Making, Wiley.
Powell, A.W. 2011. Blender 2.5 Lighting and Rendering, Packt Publishing.
Simonds, B. 2013. Blender Master Class, No Starch Press.
Wickes, R. 2011. Foundation Blender Compositing, Friendsoft.
Williamson, J. 2012. Character Development in Blender 2.5, Course Technology Cengage Learning.
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