t = top, b = bottom, c = center, l = left, r = right
Introduction
7: Artwork and Design: Marian Bantjes. Client: The Grateful Palate/R Wines 2008 / 8 t: HVD Fonts / 8 b: Carol Cooper ([email protected]) / 9 tl: Bibliothèque de L’Arsenal, Paris, France/The Bridgeman Art Library / 9 tr: AKG Images / 9 cr: Fotolia.com / 9 br: Fotolia.com / 10 t: Barbara Brownie, Oi, 2009 / 10 bl: Hand & Eye Letterpress / 10 br: Society of Revisionist Typographers (SORT) Theo Wang and Tom Boulton / 11 t: Lester Meachem / 11 b: Christopher Wakeling at his Typographic Design Unit / 12 t: Co-creators: Dan Marino and Joe Mann / 12 bl: Fotolia.com / 12 br: Design by Artiva Design—Daniele De Batté/Davide Sossi. www.designq.co.uk / 13: Design and photography by Steven Acres. Content of the book based on lectures by SCAD Professor Zoran Belic / 14 t: Identity designed by Damien Poulain and Anthony Burrill / 14 b: Graphic design, calligraphy, and photo by Jordan Jelev, The Labelmaker, 2008. www.epixs.eu. Print: rotoprint-bg.com / 15 tl: © Jennifer Vejvoda/iStockphoto / 15 tr: Palete Industries (Samuel Ho, Ian Campana, Nathan Tremblay) / 15 bl: © Frank van den Bergh/ iStockphoto / 15 br: Private Collection/Peter Newark Military Pictures/The Bridgeman Art Library / 16 tl: Jamie Portch / 16 tr: Vaarwel Bar/Client: AKV St. Joost. www.akvstjoost.nl/ Year: 2007/Silkscreen printed/Design: Attak / 16 bl, bc, br: British Heart Foundation / 17 tl: Petar Pavlov / 17 cl: Creative Director: Vince Frost. Design Director: Carlo Giannasca / 17 cr: Design: Fons Hickmann m23. Photography: Fons Hickmann. Client: Bavarian State Opera, Munich / 17 br: Eurico Sá Fernandes www.eurico.ws / 18: Development of the new alphabet for the communication of the 5th Berlin Biennale / 19 tl, tr: Concept, programming and design by Andreas Müller, Nanika / 19 bl, br: Full Flash website portfolio. Author Michal Tilsch AKA Comandeer.
Chapter 1
20: by courtesy of Sebastian Carter / 22: Lindsey Marshall / 23 t: The Times/CHI & Partners / 23 bl: Design and illustration: Charlie Calderin. Design Agency: Doink, Inc. Coral Gables, FL, USA. www.doinkdesign.com. Client: Avanti Fine Men’s Clothing / 23 br: Graphic Design: Artiva Design—Daniele De Batté/Davide Sossi / 24 tl: Eurico Sá Fernandes www.eurico.ws / 24 tr: Atelier Martino&Jaña / 24 br: Art Direction: Hannes von Döhren (www.hvdfonts.de), Livius F. Dietzel (www.liviusdietzel.de/) / 25 tl: InsaneFacilities, Jarek Berecki / 25 tr: Eva Blanes/www.evablanes.com / 25 cl: Ross Elliott / 25 cr: Typeface by Ale Paul. Photography by Gonzalo Aguilar / 25 b: Telekinesis Music. Photo by Jenny Jimenez / 26: Poster for “Just for Your Eyes Cinema Festival” 2008. A students’ festival in Crete. Design: Dimitris Kanellopoulos, www.b-positiv.gr / 27 tl: Ragnar Freyr—www.ragnarfreyr.com/ 27 tr: Art Direction: Astrid Stavro. Graphic Design: Studio Astrid Stavro / 27 bl: Defence Force Recruiting, Sydney / 27 br: Jennifer Morla poster with Kelsey Allen dropcap / 28: Lindsey Marshall. Photo: John Seth Marshall / 29: Typography, design, and art direction by Amirali Ghasemi. Illustration by Iman Raad / 30: Art Direction: Hannes von Döhren (www.hvdfonts.de), Livius F. Dietzel (www.liviusdietzel.de/) / 31: Blake Allen Design / 32 l: Type specimen created for the typeface Deibi, created by Joan Ramon Pastor / 32 r: Johan Skybäck / 33: Lindsey Marshall / 34 tl: “Sport Design” poster, 2004. Client: Museum of Design, Zurich. Design: Martin Woodtli. / 34 bl, br: “Sport Design” invitation card, 2004. Client: Museum of Design, Zurich. Design: Martin Woodtli. / 34 tr, cr: Project: Font for a design exhibition. Title: “Play.” Client: Museum of Design, Zurich. Design: Martin Woodtli. / 35: Lindsey Marshall / 36 t: Lester Meachem / 36 b: Design and Animation by Joost Korngold. Music by Richard Emmet / 37 all: Lindsey Marshall / 38: Typography and Art Direction Andrew Townsend @ un.titled. Photograph Simon Congdon @ un.titled. Layout and design ADA and un:titled / 39 t: This commemorative stamp was produced in 2005 for the Swiss Post to celebrate 100 years of Einstein’s discovery of the theory of relativity in Bern in 1905, while the scientist was living in Switzerland. The designer Jean-Benoît Lévy combined the sign “=” in the letter “E,” allowing the formula to be more condensed / 39 b: Art Director: Maja Bagić Barić (KO:KE kreativna farma) / 40–41: Design: Martin Woodtli, CH. Title: “9 Evenings Reconsidered: Art, Theater, and Engineering.” Client: Museum of Design Zurich. Declaration: 90.5 x 128 cm, silkscreening, four colors, A5, offset, four colors. Photo by Peter Moore © Estate of Peter Moore/ VAGA, NYC.
Chapter 2
42: Eva Blanes/www.evablanes.com / 44 t: Photos: Vava Ribeiro / 44 b: Design: Ludovic Balland, Typography Cabinet, Basel / 45 t, c: Lindsey Marshall / 45 b: Alex Cornell / 46 t: Ravi Vora, Creative Director/Designer. Agency: Ciplex.com / 46 bl: Client: FluffSB/Adrien Bullard Interview in Fluff SB. Design: Vijf890 Ontwerpers www.vijf890.nl / 46 br: Shawn Strub: Vocal/lyric / 47 tl: Sara Falcón, Raiko Moeller, Stefan Kuzajand, Cláudia Pereira / 47 tr: Lindsey Marshall / 47 bl: Graphic Design: Artiva Design—Daniele De Batté/Davide Sossi / 47 br: Saks packaging by Pentagram Design / 48 tl: Design Atelier Martino&Jaña + Illustration Marcelo Oliveira / 48 c, bl, br: Lindsey Marshall / 49 t, br: Lindsey Marshall / 49 bl: John Ross ©V&A Images/Victoria and Albert Museum, London / 50 t: Editorial design for the Basel-based Imagine Festival against Racism. Art direction and design: Andreas Hidber, accent graphe. / 50 b: Lindsey Marshall / 51 t: Concept, layout, and typesetting: Christina Hackenschuh, Stuttgart, Germany / 51 b: Andrea Bussetti. Interior design product shot: Kelly Branan / 52: Creative Director: Vince Frost, Design Director: Ant Donovan, Design: Serhat Ferat, Digital Animator: Kat Clark / 53 tl, tr: Packaging and design are original. The written copy is derived from the original movie resources/ DVD/Wikipedia / 53 b: Bee Groupe / 54: Art Direction and Design Daniele de Batté and Davide Sossi (Artiva Design). Copywriter Irina Gandini. Client King-Dome / 55 t: Rawterdam, Côme de Bouchony, 2006 / 55 b: Lindsey Marshall. Photo: J S Marshall / 56 t: “The Price of Peace,” March 2008. Layout and design by Lauren Burke. Letterpress title in collaboration with Nathan Haas. Content written by Pervenia P. Brown, “Blood Diamonds.” World Press, 2005 / 56 b: Ryan Spacey, 2008. www.ryanspacey.com / 57 all: Lindsey Marshall and Lester Meachem / 58 t: Atelier Martino&Jaña / 58 b: Dan Alexander & Co., Avi Shaham / 59: Staynice/ AKV St. Joost. www.akvstjoost.nl / 60: Creative Director Alex Atkinson. Designer John-Paul Warner / 61 t, c: Lindsey Marshall / 61 b: Typeface, design, and layout by KalleGraphics / 62 t: Lindsey Marshall / 62 b: Mina Arko / 63 tl, br: Lester Meachem / 64 t: Design Studio: Default Bangkok www.defaultbkk.org. Designer: Akarit Leeyavanich / 64 b: Illustration and design concept by Inksurge. Ramon E.S. Lerma, Yael Buencamino, Joel de Leon, Ian Carlo Juacian of Ateneo Art Gallery / 65: Modefabriek 2010 photography by Philippe Vogelenzang @ Unit C.M.A. Lettering by Job Wouters/Letman. Model: Saskia de Brauw. Hair/make-up: Judith Neyens for Chanel @ NCL Representation / 66: Jordi Serra Santano / 67 tl: Mina Arko / 67 bl: Attila Horvath—designer, typographer / 67 br: Monotype. Photo by John Seth Marshall / 68: Lindsey Marshall / 69: Livory is a serif type family of four fonts including small caps, ligatures, and ornaments. It was designed by Hannes von Döhren and Livius Dietzel between 2005 and 2010 / 70: Title: Amnesty Aktion Magazine. Client: Amnesty International. Design: Fons Hickmann m23.
Chapter 3
72: Michael Horsham @ Tomato for Museion, Museum of Contemporary Art, Bolzano, Italy / 74: “Typographic Map of Wales” produced by Hannah Rummery while attending the BA Hons Graphic Design Course at Sheffield Hallam University. The artwork was produced in response to a YCN project brief set by Visit Wales as part of the final year of study. January 2009 / 75: Between Two Waters. A project to encourage reflection and speculation about water. To draw two looks for the same drop, one vision from science, the other from consciousness. (Cyan = Science, Magenta = Consciousness) It isn’t a fight between egos, but an essay of opinions, hypothesis, and discovery about water and its environment / 76: Sherrie Thai, ShaireProductions.com / 77: Lindsey Marshall. Photo: John Seth Marshall. Z Brand tag used with permission / 78: Agency: Boondoggle (www.boondoggle.eu). AD + Design: Petra Sell (www.zappness.net). Development: Hans Dreesen, Dirk Weckx / 79: Creative Direction: Claire Dawson, Fidel Peña. Design: Brian Banton, Clea Forkert. Mattering Maps Illustration: Emmanuel Polanco. Rotman magazine designed by Underline Studio, Toronto, Canada / 80 tl: Todd Moy/Viget Labs / 80 tr: Photo by Luis Mendo / 80 b: Agency: Fluid Studio. Designer: Kevin Perry. Client: The Gallivan Center / 81 tl, bl: Lindsey Marshall / 81 br: Lindsey Marshall. Photo: John Seth Marshall / 82: Mariela Dommarer, Keila Hötzel, Werner Hötzel—Designers and Art Direction / 83 t: Li Mei Tan / 83 b: Fluid / 84 t: A spread from the “Numberless” book; part of a survey/thesis conducted by Rob Ferrell while studying Graphic Design at the Maryland College of Art / 84 b: Annabelle Fiset, made in collaboration with Toast studio / 85: 841 x 1088mm, uncoated paper. Designed by Kimoon Kim (Director of a graphic design studio mykc). Texts from Animal Farm, George Orwell / 86: Design: Tomato Košir. Client: Modrijan založba, d. o. o. Editor: Julija Uršič. Printed by: Grafika Soča. Papers used: inside: Maestro Print 120 g/m2, cover: Hello 150 g/ m2 / 87 t: Moa Nordahl. Tiles by Hanna Werning / 87 b: Creative direction, design, and animation by Brent Barson. Music by Micah Dahl Anderson. Actor: John Troutman / 88 t: Creative Director Roman Krikheli. Designers Dmitry Rybalkin, Ilya Lovtsov, Ivan Popov / 88 c: Attak Powergestaltung. Peter Korsman and Casper Herselman for Reload magazine/Bold Publishing 2007 / 88 b: Joe Shepter: Text. Jimmy Chen: Design / 89 t: Art Direction and Design: Alexander Blücher, Photography: Blücher, Dmitry Zhuravlev / 89 b: Jiansheng Cui. A personal project for an MA course on experimental typography / 90 tl: Lindsey Marshall / 90 tr: Creative direction Siniša Sudar and Maro Pitarević. Art director and design—Siniša Sudar, Copywriting—Maro Pitarevic. Video: Tomica Kaćunić, Sound: Hrvoje Štefotić / 90 bl: Art Direction: Domestika / 90 br: Title: Bahia de todos os santos. Client: ifa Gallery. Design: Fons Hickmann m23 / 91: Commissioned by: M-Net, South Africa. Art Director: Matthew Stephen. Agency: Orijin (www.orijin.co.za) / 92 t: Type Design: Peter Crnokrak / 92 bl: Francis Fukuyama, State Building, Estonian cover. Cover artwork and design by Dan Mikkin, Brand Manual Ltd. Published by Tänapäev, Tallinn, Estonia 2006 / 92 br: Daniil Harms, Ootamatu Jooming, Estonian cover. Cover artwork and design by Dan Mikkin, Brand Manual Ltd. Published by Tänapäev, Tallinn, Estonia 2006 / 93: Trendsetter type: Paul Hollingworth. www.ph-graphic.co.uk / 94–95: Designed by Federico Galvani. Photographed by Federico Padovani with the support of Jamie N Kim, Mo Manager, and Wieden+Kennedy.
Chapter 4
96: Craig Redman / 98 t: Client: Booktrust / 98 b: Type Design: StudioOscar.com. Photo: Chris Coulson (www.christhecreative.com) at (Agency) WWAV Rapp Collins / 99: Hila Ben-Navat / 100: Typeface and poster designed by Áron Jancsó, 2009 / 101 l: Angelos Ntinas (Art Director). Unusual Design Group / 101 tr: © 2009 Poordesigners / 101 br: Mike Walsh, Futuretainment (www.mike-walsh.com)/Frost Design / 102 t: Peter Kowalski, wordboner.com / 102 b: Canthaid / 103 l: Poster was created in the type workshop tpobrda, Mentor: Prof. Lucijan Bratuš, Tomato Košir. Academy of Fine Arts and Design, Ljubljana, Slovenija / 103 r: Viento by Ale Paul & Angel Koziupa for Sudtipos / 104: Design by Jason Munn. Insound, New York. / 105 t: Publisher: Magma Brand Design GmbH & Co. KG. Editors in Chief: Lars Harmsen, Uli Weiss. Art Direction: Flo Gaertner, Lars Harmsen. Graphic Design: Julia Kahl. Managing Editor: Julia Kahl. Editors: Flo Gaertner, Lars Harmsen, Julia Kahl / 105 b: Harry Siefert, ARTFATALE—book, You Look For Design, www.youlookfor.us / 106: Design: Robin Uleman (www.robinuleman.nl) / 107 l: Design by alicetait.com. Headline / 107 r: Design proposal for Orion books. Design and Photography: Ami Smithson at cabinlondon. co.uk / 108 tl: Michal Bialogrzywy / 108 r: Áron Jancsó, 2008 / 108 bl: Type Factory by Huda Abdul Aziz (2009) / 109: Name: Fons Hickmann, Company: Fons Hickmann m23, Client: Laboratory for Social and Aesthetical Devleopment, Title: Clothing Collection, Design: Fons Hickmann / 110 t: Project by: Designers Against Human Rights Abuse. Client: Tibet Relief Fund. Design/Typography: Stefan Gandl (NeuBauBerlin). Creative Director: Rishi Sodha (2Creatives) / 110 bl: Design by Corey Holmes / 110 br: Heye & Partner GmbH. Süddeutsche Zeitung Magazin / 111 t: Graphic Design and typography by kissmiklos (Miklos Kiss) / 111 b: Art Direction and Design: Michael McDonald. Programming: Ransom Weaver, Michael McDonald. Photography: Zave Smith / 112 t: © 2011 The Absolut Company AB / 112 b: Wellcome Images / 113: Pentagram Design Ltd. / 114 tl: Lindsey Marshall / 114 cl: Lindsey Marshall and Lester Meachem / 114 tr: Veronica Solomon, Art Director and Graphic Artist. Work is inspired by and meant as a tribute to early computer games (8-bit games) / 114 bc: Positive Quotes for Diary (this is me and this is mine)—Houri Nouri / 114 br: Designed by Malcolm Grear Designers, 1983 / 115 t: Photography: Proces 15 / 115 b: Studio Blue—Design firm; Kathy Fredrickson— Creative Direction; Garrett Niksch—Design and Illustration; Lauren Boegen—Project Management / 116 tr, cr: Opal Typefamily designed by Hannes von Döhren, 2008. More info: www:hvdfonts.com / 116 bl: Design/ Illustration/Art Direction—Si Scott Studio. Art Direction—Steve Banks www.paper-scissor-stone.co.uk / 116 br: MAF thesis project between Ashely Ciecka and Michael Jeter / 117 t: Tom Tor Studio. Website: www.tomtor.com. Email: [email protected]. Creative Director: Tom Tor. Design and Illustration: Tom Tor. Animation: Miguel Vasquez. Programmer: Jason Hickner / 117 b: Site design for Zachte G Evnt, commissioned by Zachte G/Betawerk. Art direction and design by Tom Bogman together with Maarten Mulders and Thuy Tran © 2009— FARB / 118–119: André Apel—Design and Direction; Jan Schöttler—Ideas and Concept; Kim Hensler—Website Design and Programming; Thomas Wimmer—Filming and Editing.
Chapter 5
120: Áron Jancsó, 2008 / 122 l: Lester Meachem / 122 r: Stefan Lucut and Ravi Vasavan / 123 l: Reuben Rosh aka Doubler / 123 r: i-creativ Studio http://i-creativ.net / 124 tl: Trapped in Suburbia / 124 tr: ATTAK Powergestaltung © 2010 Client: Greytones / 124 b: Designer: Danis Sie / 125 t: Autopromotional material for Playful’s website / 125 b: Direction and Design: Andrey Nepomnyaschev. Sound: HECQ / 126 t: Côme de Bouchony / 126 cl: © Ophelia Chong/ opheliachong.org / 126 bl: Ambush / 126 br: Oguzhan Ocalan, Gravitart Design Studio / 127 t: © Poordesigners 2007 / 127 b: Designed by Erretres. 15 Años de Fotografía Española Contemporánea. Colección Alcobendas / 128 t: www.ilsh.se, [email protected] / 128 b: Bombastudio, A Magazine/Brutalism issue. Project management: Jan Bielak, Ewa Pawluczuk / 129 l: Poster for “De Veenfabriek”/Risograph print, 2009. In cooperation with Yvo Sprey / 129 r: Client: Choeur Faller/Jacques-Henri Addor. Graphic Designer: Jean-Benoît Lévy. Photo: Stephen Collyer / 130: Martin Woodtli, [email protected] / 131: Artwork, Web design and programming by Alien Art Agency. Content by Rip Curl Europe / 132 t: Zion Graphics / 132 b: Graphic Design by Andreas Hidber, accent graphe / 133 l: Image courtesy of Centro Cultural Vila Flor—Guimarães (Portugal) and created by Atelier Martino&Jaña. Design: Atelier Martino&Jaña and Claudia Santos / 133 r: Jason Munn / 134: Lester Meachem / 135 t: Melvin Galapon / 135 b: Directors: Blac Ionica. Designers: Blac Ionica. Agency: Devilfish. Creative Director: Matt Cole. Client: Food Network. Sound: Blac Ionica / 136 t: Design: Jonathan Arundel. www.jonathanarundel.co.uk. Victoria and Albert Museum / 136 b: © Ellen Zhao/BURO–GDS. Photo: Guillaume Boyard / 137 t: Designed by David Hitner and Guy Marshall / 137 b: Tobias Battenberg, 2007 / 138 t: Sound: Kungen and Hertigen, Client: MTV Denmark, Creative/ Animation/Grading: Thank You APS / 138 b: Jeffrey Shaw / 139: Directors: Jackson & Karinja. Client: Freebord / 140: Creative direction, design, and animation by Brent Barson. Music by Micah Dahl Anderson. Actor: Jon Troutman / 141: Cortex—Identity. Julien Breton aka Kaalam. Light calligraphy, no digital manipulation—www.kaalam.com / 142: Permanent light installation by Sanjeev Shankar. www.sanjeevshankar.com.Photograph by Don Hildred / 143: Design by Yorgo Tloupas. Charly Leborgne/blackcrows / 144 t, b: The Chase. Manchester Evening News / 145 t: Beach calligraphy by Andrew van der Merwe, Noordhoek Beach, Cape Town / 145 b: Livius Dietzel. Album artwork for the German neopostmodern band “Die Reiter” about slowly fading love / 146 l: Sydney Dance Company. Frost Design/Vince Frost. Designer Caroline Cox. Illustrator Kelvin Robertson / 146 b: Lindsey Marshall / 147 tl, tr: Moshik Nadav / 147 bl, br: Pentagram Design Ltd. / 148–149: Thomas Pavitte.
Chapter 6
150: Arturo Pérez Zúñiga a.k.a. colorless / 152 tl, tr: Ralph Burkhardt, Daniel Hauke / 152 b: Dario Verrengia. A TYPE OF—Universal Declaration of Human Rights. www.cargocollective.com/darioverrengia / 153 t: Patrick Holmes/The Consult Design Ltd. / 153 b: Lee Stokes / 154: Design and typography: Alastair Stephens. Copy: Chris Arnold. Creative Directors: Victoria Gallardo and Chris Arnold / 155 tl: Ragnar Freyr—www.ragnarfreyr.com / 155 tr: Petar Pavlov / 155 br: Joan Ot Comellas / 156 t: Lindsey Marshall / 156 b: Name: Fons Hickmann m23, Company: Fons Hickmann m23, Title: Mercedes-Benz Museum, Design: Fons Hickmann m23/HG Merz, Photography: Markus Buesges / 157 t: Design Director: Rick Valicenti/3st. Designer and photographer: Bud Rodecker/3st. Architect: Studio/Gang Architects. Columbia College Chicago / 157 bl: Lindsey Marshall / 157 br: Frederico Gontijo/Tiago Pereira/Tomas Faria / 158 tl: Piel Script © Ale Paul, Sudtipos www.sudtipos.com / 158 tr: Lindsey Marshall. Photo by John Seth Marshall / 158 b: Ivan Khmelevsky / 159 t: Lindsey Marshall / 159 b: © 2011 Jim Lind www.jimlind.com / 160: Felix Vorreiter, www.fel-x.com / 161: The Calligraphic World of Mi Fu’s Art. National Palace Museum Taiwan, Republic of China / 162: Job Wouters. Lettering for Audi. Design Miami 2009, in cooperation with Mutabor (GE) / 163 t: Etching printer, Terry Fernandez, © www.lachocolaterie.li, Switzerland / 163 c: Image © Designer Bookbinders. Photographer Sussie Ahlburg / 163 bl: Design by NB / 163 br: Nouvelle Vague flyer by Eurico Sá Fernandes. www.eurico.ws, [email protected] / 164 t: Image courtesy of the artist: Kelly Mark and Diaz Contemporary (Toronto) / 164 cl: Barbara Brownie, Untitled Letter Objects, 2009 / 164 cr: Lego table designed and constructed by abgc architecture and design. Photo by Andrew Brady and Gearóid Carvill / 164 b: Boy Bastiaens: Art Direction and Design. Albert Kiefer: Design and Animation / 165 t: Mission Design / 165 b: Work produced in response to a university brief based around the association for dogs, Aaron Alexander / 166 tl: ALPHABET II—Roll-up, pop-out poster 30 x 20 ins, designed by Ron King and printed on pure rag paper at Circle Press, London 1999. www.circlepress.com / 166 tr: Daniel Taubert. www.danieltaubert.de, [email protected] / 166 b: Urban Carpet: Orange, 2009 (detail), by Marcella Campa and Stefano Avesani. Embroidery on canvas, 190 x 190 cm. Web: instanthutong.com / 167 t: Kerve Creative, Bath. www.kerve.co.uk / 167 c: Design and printing by Alejandra Román (personal project for college) / 167 b: John Seth Marshall / 168 t: Lindsey Marshall / 168 b: Design: Fons Hickmann m23/HG Merz Architects. Client: Mercedes-Benz Museum. © Daimler AG / 169 t: Matthew Forrester / 169 b: Technical assistance: Ludvík Pelouch. Photo: Tereza Trautmanová / 170 tl: Brill (neon sign). Design: StudioOscar.com. Brill, 27 Exmouth Market, London EC1 / 170 cl: Faber Film Image © Stewart Walker and Alastair Griffiths / 170 bl: Poster and card for design exhibition, titled “True Light.” Museum of Design, Zurich. 90.5 x 128 cm, silkscreen, four colors / 170 br: Created by Camilo Rojas / 171 t: Agency Euro RSCG Lisboa. Advertiser: Optimus Kanguru. Product: Colored pens. Category: Mobile broadband. Client: Hugo Figueiredo, Pedro Moreira da Silva, Isabel Costa, Carolina Almeida. Human Typography: Amandine Alessandra. Creative Direction: Sara Ferreira and José Vieira. Art Direction: Francisco Chatimsky. Copywriter: André Águas. Web: Rui Lourenço, Ricardo Silva, and Pedro Portugal / 171 cl: Brian Banton / 171 cr: Lindsey Marshall / 171 b: Paper Engineer/Design: Benja Harney www.paperform.com.au, Art Direction: Rowena New / 172 t: Studio Zim & Zou / 172 b: Anderson—Trigger/Harney—Paperform. Shigeru Ban and Toland Architectural Design Partners University of Sydney document. All images © Trigger / 173 t: Concept and Design: Rick Valicenti/3st / 173 b: Johnie Clayton: Art Director. Christian Hogue: Director. Maitri Boonkijrungpaisa: Animation lead. Client: Nokia. Design Agency: Lunch Communications. Production Company: Lost In Space / 174 t: Dario Verrengia. A TYPE OF—Universal Declaration of Human Rights. www.cargocollective.com/darioverrengia / 174 bl: Fitzwilliam Museum, University of Cambridge, UK/The Bridgeman Art Library / 174 br: Illustration, typography, and graphic design by Paul Grabowski www.paulgrabowski.com / 175: Aidan Nolan and A.N.D. Studio / 176–177: Yanina Arabena. Buenos Aires, Argentina www.yaniarabena.com.ar, [email protected]/Guillermo Vizzari. Buenos Aires, Argentina. www.behance.net/yaniguille, [email protected].
Chapter 7
178: Client: Klik Records © Poordesigners 2009 / 180: Art Director: Peter Zheng, Designer: Driv Loo, Photographer: Tony Chan. Wieden and Kennedy Advertising Inc. (WK SH) / 181 t, b: uistencils.com / 182: Calligraphy by Yanina Arabena, Buenos Aires, Argentina. www.yaniarabena.com.ar, [email protected]. ar. Printed in letterpress by Federico Cimatti (Prensa la Libertad) / 183 t: Matt Beardsell. Anthony Smith / 183 c: Benjamin Koh Ju Ren / 183 b: Waterfall overlay printed on Staufen PVC Gloss clear 220mig. Robert Horne Group Stardream swatch / 184 t: John Christenson— Nuzzles™ / 184 c: Photos, Art Direction, Designer: Miklos Kiss. Tire retailer and related services. Old building remodeled and rebuilt around the brand new concept, under a new name and a new brand. The special wall wrap is recycled tire (tiregranualted plate). General contractor: 7Fal Kft. Logo: T = service/ O = tire retailer/O = tire control/B = car wash / 184 b: Fuse Collective/Peter Maciocha / 185 t, cl: Patrick Holmes/The Consult Design Ltd. / 185 cr: Ambush / 185 b: Design: Toko, Sydney / 186 tl: Fluid / 186 tr: Design and artwork by Marian Bantjes / 186 cr: Art Direction: Martin Pyper. Photography: Ruud Baan. Set Design: Gloudy & Sons and Me Studio / 186 bl, br: Design and Type: Me Studio. Print: KDR Marcom and ID Laser / 187 t: Hans Gremmen / 187 bl: Designed, illustrated, and printed by John Magnifico / 187 br: Silkscreen, 118 x 84 cm, found at Wyber Zeefdruk, Amsterdam © Hans Gremmen and Wyber Zeefdruk 2008 / 188 l: Art Director: Marton Borzak. Graphic designers: Marton Borzak, Reka Diosi / 188 tr, cr, br: Engraving: Daniel Muntean. Photography: Daniel Muntean / 189: Kasper Pyndt. Jeppe Drensholt / 190: Szabó Balázs, Romania / 191: Graphic Designers: Daniele De Batté & Davide Sossi / 192: Aaron Alexander/Andy Cooke / 193: PANTONE Colors displayed herein may not match PANTONE-identified standards. Consult current PANTONE Color Publications for accurate color. PANTONE® and other Pantone trademarks are the property of, and are used with the written permission of, Pantone LLC. Portions © Pantone LLC, 2010. All rights reserved / 194 t, c: Work produced in response to a university brief based around scale, Aaron Alexander / 194 b: Lester Meachem / 195: Lester Meachem / 196: Die Reiter—“Visual Identity through Diversity” is the concept of a corporate design and album artwork for the German neopostmodern band “Die Reiter” / 197: Tristan O’Shannessy. Auckland University of Technology, Carolyn Kingscott / 198: Trapped in Suburbia / 200–201: Mission Design.