Acknowledgments

The screenshots included in the text have been used with the permission of Brainworx Audio, EastWest Communications, Exponential Audio, FabFilter Software Instruments, Flux: Sound and Picture Development, Harrison Consoles, iZotope, MeterPlugs, Nugen Audio, Sonnox, Sound Radix, and Voxengo. Suzy Lamont Photography and Queen’s University (Kingston) have given permission for the use of the photograph in Figure 14.3 (the Performance Hall in the Isabel Bader Centre for the Performing Arts), and the photograph of microphone placement in one of Simon Eadon’s recording sessions (Figure 14.1) has been used with Mr. Eadon’s permission.

All the diagrams in the text have been drawn by the author. FabFilter Software Instruments has granted permission for the reproduction of the schematic in Figure 8.7, which depicts the action of a compressor. While every effort has been made to trace copyright holders, this has not been possible in all cases. Any omissions brought to the publisher’s attention will be remedied in further editions.