Preface to the Fifth Edition
The fifth edition of Sound and Recording includes far greater detail on digital audio than the previous editions, reflecting the growing ‘all-digital’ trend in audio equipment and techniques. In place of the previous single chapter on the topic there are now three chapters (Chapters 8, 9 and 10) covering principles, recording and editing systems, and applications. This provides a depth of coverage of digital audio in the fifth edition that should enable the reader to get a really detailed understanding of the principles of current audio systems. We believe, however, that the detailed coverage of analogue recording should remain in its current form, at least for this iteration of the book. We have continued the trend, begun in previous new editions, of going into topics in reasonable technical depth but without using unnecessary mathematics. It is intended that this will place Sound and Recording slightly above the introductory level of the many broad-ranging textbooks on recording techniques and audio, so that those who want to understand how it works a bit better will find something to satisfy them here.
The chapter previously called ‘A guide to the audio signal chain’ has been removed from this new edition, and parts of that material have now found their way into other chapters, where appropriate. For example, the part dealing with the history of analogue recording has been added to the start of Chapter 6. Next, the material dealing with mixers has been combined into a single chapter (it is hard to remember why we ever divided it into two) and now addresses both analogue and digital systems more equally than before. Some small additions have been made to Chapters 12 and 13 and Chapter 14 has been completely revised and extended, now being entitled ‘MIDI and synthetic audio control’.