The following microphone diagrams were copied from actual documents used by networks and production companies to produce small and large sporting events. There is not one single way to set up microphones at an event. These diagrams show some of the most common microphone diagrams.
Many of these diagrams show the basic microphone setup. Microphones can be added to them as needed. A few of the diagrams show many microhpones as used in a world championship.
Mic
Type
Location
Coverage
1
Long shotgun
On camera, low third
POV and close-up of base runners
2
Long shotgun
Near camera behind home plate
Batter and umpire sound
3
Long shotgun on camera
On camera, low first
POV and close-up of base runners
4
Long shotgun on camera
On camera, left field
POV and close-up
5
Boundary
On camera, center field
Field ambience
6
Boundary
On wall in outfield
Pick up outfield sounds
7
Boundary
Behind home plate
Stereo image of home plate
8
Shotgun
Grandstands
Stereo crowd fill
Mic
Type
Location
Coverage
1
Long shotgun with operator
Near court
Play action
2
Lavaliere
Under net
Close proximity of net
3
Long shotgun on camera
Near court
POV and close-ups
4
Lavaliere
In vicinity of bench
Team ambience
5
Short shotgun
On pole or stand in front of audience
Stereo crowd fill
Mic
Type
Location
Coverage
1
Parabolic with operator
Side of field
Play action for quadrant
2
Short shotgun
Behind goal
Play action goal area
3
Long shotgun on camera
On camera
POV and close-ups
4
Lavaliere
Bench area
Coaches and athletes
5
Short shotgun
On pole or stand in front of audience
Stereo crowd fill
Mic
Type
Location
Coverage
1
Short shotgun
Mid court, aimed at playing area
Athlete’s close-up
2
Boundary
Mid court, aimed at playing area
Athlete’s close-up
3
Lavaliere
In seam of net
Close proximity of net
4
Short shotgun
On pole or stand in front of audience
Stereo crowd fill
5
Short shotgun
Back court in X/Y configuration
Close-up, back court sound
e
Long shotgun
On camera
POV and close-ups
7
Lavaliere
In vicinity of referee
Judge’s call
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