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by Jim Owens
Television Sports Production, 5th Edition
Cover
Title
Copyright
CONTENTS
Foreword
Acknowledgments
Preface
PART 1 INTRODUCTION TO REMOTE PRODUCTION
Chapter 1 What is Remote Production?
Live-to-Tape
Remote versus Studio Production
Chapter 2 Television Sports Personnel
Personnel Descriptions
Freelance Personnel
Chapter 3 What is Television?
Defining Television
Multiplatform Television
Platform Integration
How is Television Changing?
Television Formats
Future Television: What Will Come Next?
Chapter 4 The Second Screen and Social Media
What Makes a Good Second Screen?
Social Media
Balancing the Budget
Chapter 5 The Mobile Production Unit
The Remote Truck Mobile Unit
Inside a Remote Truck
Outside the Remote Truck
The Compound
Virtual Remote Production
The Flypack
All-in-One Mobile Production Unit
Computer-Based Mobile Production Unit
Communication Devices
PART 2 PLANNING
Chapter 6 Planning the Production
Coordination Meetings
Remote Surveys
The Contacts
Venue Access
Location Costs
Electrical Power
Other Areas for Survey Consideration
Program Transmission
Other Areas that Significantly Impact the Survey
Location Sketch
Backup Plans
Chapter 7 Cameras
Camera Placement
Types of Cameras
Camera Setup Checklist
Camera Shots
Camera Movement
Camera/Lens Moves
Shooting Sports
Composition
Caring for the Camera
Chapter 8 Lighting
Indoor Venue
Outdoor Venue
Other Lighting Concerns
Chapter 9 Audio Production
Stereo Audio for Television
Basic 5.1 Surround Sound
Audio Levels
Microphone Pickup Patterns
Microphone Sound-Generating Elements
Types of Microphones
Phantom Power
Microphone Accessories
Microphone Placement
Gamestime Audio
Communications (Intercom) Systems
Prerecorded Audio
Chapter 10 Graphics
Television Graphics Goals
Tips on Making Great TV Graphics
Viewer Enhancement Tools
Technology Summary
Chapter 11 Preproduction and Setup
Production Meetings
The Show Format
Equipment Setup
Cabling
Camera Meetings
Facilities Check
Schedule
Rehearsals
PART 3 CREATING THE PRODUCTION
Chapter 12 The Production
Producing the Remote
Directing the Remote
Types of Sports Action
Action Flow
Stop-and-Go Sports
Directing Stop-and-Go Action
Directing Emphasis on Scoring
Pumping
Continuous Action Sports
Camera Action Tends to Be Rapid
Increase in Shot Size
Camera Changes During Action
Team and Individual Sports
Building Emotional Involvement
Dealing with the Dominant Player
Limited Space for Coverage
Horizontal versus Vertical versus Circular Action
Coverage Design
Needs of the Audience
Directing Style
Facilities and Coverage
Directing Cameras
Directing Replays
Directing Graphics
Shading
The Crew
Chapter 13 Directing: Telling the Story
Understanding Story
“We Are Going to Add Show Business to Television Sports”
The Sports Director’s Role as a Storyteller
Equipment Enhancement
Directing is Like Conducting a Symphony
Chapter 14 Sports Announcing
Play-by-Play Sportscast Training
Research
Television Announcer Sports Clichés
Announcers and the Broadcast Booth
Interviews
Spotters
Chapter 15 Postproduction
Editing Guidelines
Chapter 16 Production Safety
Trips and Slips
Weight
Hearing
Electrical Power
Cables
Weather
Heights
Hazardous Areas
Chapter 17 Budgeting for the Remote
Budgeting Case Study
PART 4 HISTORY OF SPORTS TELEVISION
Chapter 18 Milestones in Sports Broadcasting
Appendix I Truck Diagrams
IMS Productions
CSP Mobile Productions
Asbury University Productions
Appendix II Camera Placement Diagrams
Baseball: Small Production
Baseball: Large Production
Basketball: Small Production
Basketball: Large Production
Boxing
Football (American)
Shooting
Soccer/Football: Small Production
Soccer/Football: Large Production
Swimming
Tennis: Small Production
Tennis: Large Production
Volleyball: Small Production
Volleyball: Large Production
Appendix III Microphone Diagrams
Baseball: Audio Diagram
Basketball: Audio Diagram
Soccer/Football: Audio Diagram
Tennis: Audio Diagram
Appendix IV Event Storyboards
Opening Ceremony XIX Olympic Winter Games
Appendix V Sports Announcing Article
Glossary
Recommended Reading
Index
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