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by Gustavo Mercado
The Filmmaker's Eye
Cover
Halftitle
Title
Copyright
Dedication
Contents
acknowledgments
introduction
finding the frame
principles of composition and technical concepts
image system
extreme close up
close up
medium close up
medium shot
medium long shot
long shot
extreme long shot
over the shoulder shot
establishing shot
subjective shot
two shot
group shot
canted shot
emblematic shot
abstract shot
macro shot
zoom shot
pan shot
tilt shot
dolly shot
dolly zoom shot
tracking shot
Steadicam® shot*
crane shot
sequence shot
filmography
index
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Copyright
THE FILMMAKER’S EYE
LEARNING (AND BREAKING) THE RULES OF CINEMATIC COMPOSITION
GUSTAVO MERCADO
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