Picture credits and acknowledgments

Picture credits

The publisher would like to thank the following picture sources:

AFP/Getty Images: p166 bottom; Alexander McQueen, Milan, William Russell/Ed Reeve: p30 bottom; Anthropologie: p172; Apoc, Paris/Ronan and Erwan Bouroullec: p69 bottom; Courtesy of Atelier 1: pp124–5; Au Printemps Departmental Store, Paris, Eva Glele/ © Francis Peyrat: pp13 bottom, 14 top, 47, 63, 74-77, 78, 82; Baccarat, Paris/Claude Weber: pp32 bottom, 33, 133; Barney’s, New York: p158 bottom; Belstaff, London/Ed Reeve: p122; Bergdorf Goodman: 102; Bershka: pp46, 169; Bisazza, Berlin/Alberto Ferrero, www.albertoferrero.it: pp28–29; Camper: 110-111; The Chicago History Museum: p13 top; Colette, Paris: pp27, 130, 155; © 10 Corso Como/Vanni Burkhart: p117; Debenhams: p159-160; Dover Street Market, London: pp132, 139, 149; Courtesy of Flight 001, New York: pp150–1; Fortnum & Mason, London: pp19, 106, 108 top; Fortnum & Mason, London/Andrew Meredith: pp 60 bottom, 67, 84, 106-109; French Connection, London/Andrew Meredith: pp73 top, 98; Globus Food Hall, Zurich: p154; Habitat Regent Street, London: pp35, 129; Halfords/© Pentagram, Harry Pearce: p165 bottom left; Harrods Ltd/Nick Kane: p113 top; Harvey Nichols, London/Michael Taylor: pp8–9, 10 bottom (window by Thomas Heatherwick), 54–5, 92, 99, 191 Heal’s, London/© Pentagram, Domenic Lippa: p165 top right; Hulton Archive/Getty Images: p10 top; J Sainsbury plc: p165 bottom right; Kurt Geiger/Found Associates/ Guy Archard: pp36–9; LA eyeworks/Fotoworks: p137 bottom; Lane Crawford, Hong Kong: pp18, 21, 103, 113 bottom, 158 bottom, 163 left, 165, 166 top; Last Footwear: p26; Liberty, Great Marlborough Street, London, by Maxine Groucutt, in collaboration with Laura Tarant Brown/Andrew Meredith: p65; Macy’s, New York/Paul Olszewski: p195 left; Louis Vuitton/Stéphane Muratet: pp85, 90-91; Mandarina Duck/Courtesy of Marcel Wanders Studio: p56; Marks & Spencer: pp114, 142 bottom, 157, 158, 164 left; Maxstudio, Los Angeles/Fotoworks: p46 top left; Miss Sixty/Studio 63, Florence: pp139, 141; Carlo Moretti: p131 top; Hulton Collection/Getty Images: p11 top; Photo by Oleg Nikishin/Getty Images: p168 bottom; Orange / Giancarlo Gorassini Abacapress.com: p 136 right; Peter Jones, London/© Pentagram, John MacConnell: p166 right; Nike: pp47, 143, 157; Prada, Los Angeles/© Phil Meech: p163 right; Prada, New York/Armin Linke, www.arminlinke.com: p30 top; Pret à Manger: p161; Primark: p116; Prints, Singapore: p136 top left; Ray Tang/Rex: p14 bottom; Rootstein Display Mannequins: pp7, 93, 184-185, 189, 190, 192, 196-197; The Selfridges Archive held at The History of Advertising Trust Archive: p11 bottom; The Royal Borough of Kensington & Chelsea, Family & Children’s Service/John Bignell: p12; Saks, Fifth Avenue, New York: pp34, 87; Selfridges, Birmingham/Future Systems project/ Soren Aaagard: p31; Selfridges, London/Andrew Meredith: pp2, 15, 16–17, 23, 40–3, 45, 46 bottom, 48, 51, 52–3, 58–9, 60 top, 72, 80, 83, 88, 94, 121, 131 bottom, 134, 156, 162, 171 top, 194, 198–9,; Selfridges, Manchester/Andrew Meredith: p137 top; Stella McCartney, London/Ed Reeve: p123; Stella McCartney, New York/© Frank Oudeman, www.frankoudeman.com: p45 bottom; Photo by Justin Sullivan/Getty Images: p163 bottom right; Supreme, Los Angeles/Harry Allen & Associates/photo by Hage: p135; Topman, London: pp57, 136; Topshop, photos by Melvyn Vincent, Michael Taylor, design consultants: Dalziel & Pow: p25, p50, 64 top, 66, p89, p94, p96, p141, p157 bottom, 164, 178-180; Undercover Lab, Tokyo/Nacasa & Partners Inc.: p32 top; Uniqlo, Tokyo/Nacasa & Partners Inc: pp99, 144; Urban Outiftters: p61; Courtesy of Visual Retail: pp173–5; VV Rouleux, www.vvrouleaux.com: p136 bottom left; Courtesy of Marcel Wanders Studio: p173; Zara/INDITEX S.A.: p25 top.

Illustrations by Majka Zylinkski: pp49, 68, 71, 72 bottom, 73 bottom, 81, 113, 115, 118, 119, 128, 145, 146, 147, 148, 152, 153, 170.

Author’s acknowledgments

My special thanks go to: The London College of Fashion. All at Laurence King Publishing—Helen Evans, Anne Townley, and Zoe Antoniou, Sophie Drysdale and Susie May. Evi Peroulaki and Gemma Stokes for the pictures and Majka Zylinski for the illustrations. The UK and US reviewers— Prof. Marie Aja-Herrera, Elisabeth Jacobsen, Janine Munslow, Anthony Parsons, and in particular Anne C. Cecil, Instructor, Design & Merchandising, Westphal College of Media Arts and Design, Drexel University, for her contribution on virtual visual merchandising. Those who taught and influenced me—Rowland Cleaver, Paul Dyson, Paul Symes, Rachel Sproule, Paul Muller, Patsy Pearce, and Sue Atwood. Those who sent me around the globe in search of retail enlightenment—Vittorio Radice, Mahipat Singh, Suzie Hanlan, and Susanne Tide-Frater. Today’s players that push the boundaries of visual merchandising and also agreed to be interviewed—Alannah Weston, Erin Thompson, and Linda Hewson at Selfridges, Kevin Arpino at Rootstein Mannequins, Rebecca Farrar-Hockley at Kurt Geiger, Richard Found at Found Associates, Joe Cotugno at Bloomingdales, Franck Banchet and Eva Glélé at Printemps, John Gerhardt at Holt Renfrew, Paul Symes at Fortnum & Mason, Mark Briggs at Harrods, Brad John and John Sencion at Flight 001, Tim Whitmore at Topshop, Faye Mcleod at Louis Vuitton, and Janet Wardley at Harvey Nichols. Andrew Meredith—retail photographer extraordinaire! And all of my students who will be the future retail gurus. And finally, my friends and family—Harvey Sutton and Mat Wilkinson, my parents for agreeing to let me spend two years studying a subject they never understood and probably never will, and Richard for his tolerance and constant support.