Chapter 14
IN THIS CHAPTER
Communicating in a virtual world
Using the tools and techniques of teaming
Mapping your communication plan
Handling the entrepreneur’s writing challenges
Today, three major trends in the U.S. economy converge to transform how business is practiced, and business communication hustles to catch up. One trend is the growing number of people working as freelancers. In 2019, this group already accounted for 35 percent of the U.S. workforce with 53 percent of Gen Z workers engaged in freelance and gig work. Fueled by new technology that makes independent work practical, this trend reflected the situation before the coronavirus pandemic in 2020 upended the job market and accelerated the need to earn a living in nontraditional ways.
The second trend is toward a remote workforce. Those who work for an employer but carry out their jobs from a home base full-time comprised 18 percent of the workforce in 2019, and another 34 percent based from home part-time. Those figures also represent the pre-pandemic situation, and now we see the trend accelerate at a dizzying pace. The health catastrophe showed many enterprises that they can function well or in some cases, better, with a fully remote or partially remote workforce and more short-term workers.
The third trend is a growing reliance on teaming. As business hierarchies flatten in line with newer ideas about leadership, a project orientation flourishes and team performance becomes a prime concern. A growing proportion of work is assigned to in-house teams as well as outside teams, with many projects mixing the two groups together.
These trends together are pushing all varieties of enterprises to recast their business models and reimagine their workforces. Leaders have learned that remote workers lighten the need for expensive real estate, business travel and in-person meetings. For their part, many employees like the flexibility of working at home, at least part-time. A growing number embrace the independent lifestyles of freelancing and entrepreneurship. Most people like working in teams.
So, everybody wins, right? Well, not exactly. Competition for those on all sides of the equation is more fierce than ever. For industry, nonprofits, professionals and even education, “agility” is the new watchword — the ability to sense how winds are blowing and quickly reset the sails. For remote and freelance workers, the corresponding imperatives are “flexibility,” “creativity” and “resourcefulness.” And there is more focus than ever on communication skills, the subject of this chapter.
This makes sense. How else can you inspire, organize and manage people you never see at a distance? Or win the jobs, function as a team member and demonstrate your value? New needs demand smart use of classic and relatively traditional tools — emails, letters, marketing materials, social media, blogs, newsletters. It’s also necessary to adapt other platforms to new needs, like presentations and chat media, as well as media that may be new to you such as videoconferencing. But few of us are trained to function well in a virtual environment.
This section focuses on using written communication, as well as oral communication that depends on writing, in this “new normal” perspective. Think of it this way: Today, we are all in business. If you have any need at all to make yourself known, connect with other people, build relationships, find work, create trust, collaborate and promote your own causes, it’s time to polish your communication skills.
Document as much as you can for sharing and record-keeping because depending on casual conversation and updates won’t work. Also, when the team is scattered in different time zones all over the country or world, communication is asynchronous. This makes it more important to make information and decisions easily accessed by everyone at times convenient for them.
Organizations that are experienced in remote operations ask employees to not only submit frequent reports, but also write about what they do and how so a central repository explaining company practices — information that often resides in people’s heads — is universally available.
Communication technology opens up new possibilities and ever-easier ways to collaborate virtually. But they come with a learning curve. Based on groundwork laid by teamwork’s early adopters, guidelines for what distinguishes successful teaming are emerging. Virtual teaming adds to the challenge.
If your role is as project leader, your responsibilities are broader than with in-person teaming. You must devise ways to help team members who work independently connect more personally than may readily happen. This can take the form of an ice-breaking activity at the start of each meeting or a coffee break together or an ongoing set of virtual get-togethers during the project course. Using teleconferencing breakout features is a good option to promote understanding via smaller groups.
The initial work meeting should fully clarify the team goals and objectives; establish guidelines and milestones; assign individual roles and responsibilities; set timelines and meeting dates and consider each person’s availability, taking locations and time zones into account, as well as working preferences (for example, are folks reachable at night? On weekends?). Include a checklist to keep track of progress and preferably, a system for holding team members accountable.
And far from least, establish communication processes, channels and tools for sharing, such as Google Drive, Google Docs and Dropbox. All these factors should be covered in a written document distributed to everyone involved.
If possible, plan for periodic meetings by videoconference if not in person to maintain momentum, coordinate tasks and solve the inevitable roadblocks — all are handled much better face to face or as close as you can get.
A notetaker or communicator-in-chief should for designated for meetings. If this unpopular task is up for grabs, volunteer! In notetaking lies power. You’ll know more: Everyone shares information with you. And when you’re the reporter, you create the perspective.
Here are some ways to be a good virtual collaborator and a good team member, whether or not you lead:
And if you are team leader:
For everyday sharing, reports, project-hunting, client correspondence and more, you need email. For the ongoing back-and-forth between team members, you may depend on Slack or another instant messaging channel that is restricted to a group. The difference in how we use email and work chat today is that we need to help counter what is lost through the growing absence of in-person contact.
As you depend on email to help bridge the gap between yourself and the rest of the world, consider thinking about more conscious, strategic use. One appropriate adaptation, in line with the more isolating lives many people now lead, is in the tone of your messages. An upbeat, positive tone is always more than welcome and supports relationship-building. A few specifics:
Use positive sentences that lead people to feel good — it costs you nothing! “I appreciate that …”; “What a great job on …”; “I really liked what you said about …”; “I enjoyed working with you on … .” And always and perennially, “Thank you for … .”
Humanize your messages. Use people’s names in the salutation (“Dear Sarah”) and/or the body of the message. (“Thank you, Sarah, for crunching the data so quickly.”) Use a conversational and somewhat personal tone to make yourself real to people, rather than coming across as an efficient, narrowly focused work machine.
Take space to connect emotionally: Show empathy, or interest, in the other person on an appropriate level. Rather than
Dear Al: To follow up on the plan to print flyers …
try
Dear Al: I hope this finds you and your family well. Are the west coast forest fires affecting you much in Nevada? It’s sad to read about what’s happening in California.
I’m writing to see if this is a good time to follow up on the plan for the flyers …
Even if you spend just a sentence on the weather or sharing how you spent the holiday, you can warm up a virtual relationship incrementally over time.
There are numerous instant messaging apps to facilitate collaboration on a company-wide or team scale, including Slack, Google Chat, Skype and Microsoft Teams. They are at the top of the informality scale for business communication, so I won’t advise on writing style, except to remind you that clear and concise is always in season. Issues with chat media for business revolve more about protocols. If the organization does not provide guidelines, set your own with group discussion, and consider these:
Don’t:
Note that you can create channels or rooms to accommodate specific teams and projects. Separate public channels can be set up for non-work interactions, so social life is supported separately from work needs and people can elect whether to participate and to what degree. Some groups see this as a water cooler stand-in; other groups dedicate channels to recipes, personal news and so on according to group interest.
If you’re not team leader, suggest a conversation about setting such rules at a meeting or via teleconferencing — my next subject.
Beyond serving as the new meeting rooms for groups and teams, videoconferencing has become indispensable for interviewing job candidates and interacting with clients. In these situations, too, writing is prime. When you compete for a job or contract virtually, your written credentials need to do a lot more speaking for you, and you need to be extremely well-prepared to make your case.
Therefore, to use videoconferencing tools to your advantage, call on the tools of good writing covered throughout this book, from analyzing your goals and audience to writing clear and concise emails; developing résumés, elevator speeches and presentations; creating stories and using talking points to field questions and challenges. Here I focus on some particularities of teleconferencing that require rethinking the usual approaches.
When a group of people gathers for a purpose in person, the experience is three-dimensional. We see each other and interact subtly through body language, facial expression and reactive glances. Side comments arise. A comment can tip the conversation in a more creative direction. A group spirit develops — enthusiastic and goal-driven if the meeting is well planned and managed. But these elements don’t naturally happen with a video meeting.
There is little small talk or interplay, and the natural bouncing off each other that good meetings generate is typically absent. It is hard to promote a conversation or debate that leads to a creative solution. The experience is more akin to watching a series of speeches and giving our own, rather than participating in an interactive meeting of minds.
On a personal level, people are self-conscious and less forthcoming when they talk into a computer screen rather than a live situation, especially since it’s hard not to fixate on our own face or how visible we are to everyone else. Small talk is minimal and generating trust is difficult. In short, the impersonality of the videoconference experience does not easily lend itself to camaraderie, flights of imagination or creative brainstorming. To counter the agreeableness that meetings tend to fall into, some companies deliberately foster conflict. They present a goal or idea — for example, what should we change about X — and channel people to take sides.
More commonly, many organizations react to videoconferencing shortfalls by making meetings briefer and more structured, tightly focused and efficient.
If it’s up to you to plan and run a meeting, remember that many people feel “Zoom fatigue.” Acknowledge this by scheduling meetings only when you need to accomplish something specific, rather than hold them for the sake of it or because you always meet on Monday mornings. For many enterprises, experience with videoconferencing is leading them to backtrack on how they approach in-person meetings as well. The new-normal agenda is the key.
In “earlier times,” an agenda might include a whole series of decision-oriented items or just list topic areas or people’s names (“John Smith, update on HR”). But given our shorter patience with teleconferenced events, savvy organizations are finding it better to hold short, more closely focused meetings with a single purpose.
If your organization dictates a format for agendas, which might require following Robert’s Rules or a company protocol, you may need to cover a range of items such as approval of minutes and categorize topics under labels like “new business” and “old business.” Then just fit your objective, process and outcome into the format.
Don’t be surprised if a good agenda — one that engages everyone in addressing a specific situation or problem — takes time to create. It forces you to think the challenge through much more thoroughly.
An intermediate approach is to make an opening exchange less personal: For example, go around the table asking each person to remark on the best and worst of their week. Better if possible is to devote a session to getting acquainted before launching the collaboration. In general, stay aware of realities and show some flexibility: A work-at-home parent may have children at home and an occasional guest appearance may be hard to avoid. If a home is small, it’s hard to silence the sound of a barking dog. Technical glitches happen.
These are often called “minutes,” which understates their value and influence. I recommend calling them “reports” and assigning this role to someone with good judgment who thinks fast enough to take good notes and also writes well. The report’s format can vary as long as it’s clear, concise and complete to the right degree. Distribute to all — these reports are indispensable documentation. Without them, team members will have entirely different memories of what occurred and what needs to be done. Trust me on this.
An agenda gives the notetaker a healthy head start on creating the report efficiently. It can follow the same structure, and most include discussions and approval of proposed actions and follow-up. It should always detail responsibilities, deadlines and a next-meeting alert if called for.
How thorough should a report be? In most cases, as complete a record as possible will provide a good resource for the immediate future and beyond. It’s also an official record that belongs to the organization. The questions that arise usually center on how much of an open discussion to report. Minutes may need to be publicly posted, and in controversial or sensitive situations, a discussion can be specified without necessarily including details.
If you own your own business, consult or freelance, you’re an entrepreneur. My first recommendation is to define your own “value proposition” — your unique selling points. Chapter 8 shows you how to do this. If your enterprise is new or you want to build it further, you then need to explore your audiences and how you connect with them.
Communication technology opens up a wealth of possibilities. How do you know which communication channels to deploy when time can only be stretched so much? Here’s a practical way to chart out your priorities and clarify your goals, audiences and best communication channels. It can help you customize your messaging to different groups, too.
As an example, consider Jed, the arts technology specialist I talk about in Chapter 10. He’s just left a job and plans to freelance. Here’s how Jed described himself on his last résumé, when he was job hunting:
Who might hire him for short-term projects? He brainstorms a list:
This list is just a start — for almost every group on it, subcategories should include national, state, regional and local levels, because Jed might want to connect with them in different ways. Jed might add the International level should he want to travel. Once he fills this list out in more detail, it becomes obvious that he has to identify a much narrower niche and make decisions about geographic aspirations and priority audiences. A sensible choice is to start locally, because it’s easiest to connect with nearby places and people. Moving up each level geographically demands a more impressive track record.
Next, he thinks about how to deliver his message to his priority groups. Channels might include:
Now Jed knows where he must start: with a strong website, which every contact is likely to check out if their interest is sparked. A blog could be excellent for establishing credentials, too, but will need its own campaign to find readers. A print or virtual brochure? Maybe.
On the other hand, some ideas are clearly long range. Securing conference speaking engagements and publishing articles in industry magazines can easily take a year at best, since they are typically planned far in advance. Other options are more controllable: an email campaign, for example, and posting video about an aspect of his work that’s relevant to photographers. Jed must calculate time against probable value in each case.
With tentative choices determined, Jed can turn his two lists into a chart by writing the target audiences as a vertical column on the left, and the media options horizontally across the top. Doing such a chart — or just the lists — will accomplish several interesting things for you:
Coverage in print or online media is an attractive proposition for most businesses. It gives you free exposure, right? The catch is that everyone knows this, so gaining media space is competitive. On the other hand, more outlets materialize every day, especially online, demanding a steady flow of new content. Finding opportunities takes some time and energy.
Keep in mind that today’s magical Internet enables you to publish and distribute your own news. You can post it on your own website, distribute it by email or use a service that reaches journalists such as PR Newswire (www.prnewswire.com
), 24-7 Press Release (www.24-7pressrelease.com
) and eReleases (www.ereleases.com
). You can also subscribe to a site called HARO (Help a Reporter Out, www.helpareporter.com
), which works in the opposite way: Journalists from everywhere look for sources by posting requests for experts to contact them.
If you run a small business, or a one-person operation, generally assume that:
Informal releases that don’t adhere to the traditional format can be fine, but many of your targets prefer the familiar approach. In any case, knowing how to write a traditional release sharpens your thinking.
If you’re fishing for coverage of your event, bear in mind that a static meeting, speech or presentation is rarely worth a journalist’s time. But you can provide an after-the-fact account yourself. If you handle this as a reporter would by writing in the publication’s style and supplying a good photograph, and if the editor has space to fill in that issue, your event may earn some of it.
A media release is traditionally structured as follows. Let’s assume your subject is an event:
A good alternative to writing a traditional press release is the email pitch, and in fact, many editors prefer it. But it must be carefully thought through. Know your story. Here, too, you need a compelling headline that will be your subject line. Then construct a few tight paragraphs that make your happening interesting, important and relevant, and also answer the who-what-when-where-why questions. For example:
Clever Computers ([email protected]
) is a 10-year-old community-based company serving the business community with computer troubleshooting, networking systems and training.
[Event time, place, date, directions go here]
An alternative approach is to invite coverage with a Media Alert, delivered at least a week before your happening:
A local newspaper, magazine or business publication is likely to respond to either form of pitch. They are increasingly short-handed and able to show up only at high-priority events. Therefore, the editor may invite you to send a write-up after the fact, or a high-resolution photo and caption. Then, the better you do the reporter’s work and deliver well-written, ready-to-use material, the better your chances of gaining some media space.
If you want to contribute a full-fledged article, or columns based on your special expertise, it’s wise to pitch the idea in the same manner before writing. If interested, editors will provide guidelines to help you produce what they need. My advice on writing blogs in Chapter 12 can help.
Check out whether your community has an online news channel, always starved for news. And consider local television. But to draw a video crew to the scene requires a promise of strong visuals. You might be able to produce acceptable footage of the event yourself and submit it. Or hire a local videographer.
Clever Computers, for example, might have decided to initiate its nursing-home program because someone recognized the need. Or they might have thought about what they could contribute to the community that would be of value and justify media attention. The desire for publicity is a motivating force behind many wonderful programs. Every enterprise today wants to be known as a good community member and looks actively for ways to connect through good causes.
Find out how to reach editors and reporters. Find opportunities to talk to them locally. If you’re interested in the national or regional level, note that most major publications today scout for ideas and accept pitches through social media. Follow them on social channels to understand their orientation.
If you want to connect with online communities and bloggers in your field, the same approach works. Follow a blogger who’s interested in what you offer and rather than just hitting them with a request, familiarize yourself with their blog and comment on it frequently. Think about how they aim to serve their audience and how you can help them with that: Contribute items of mutual interest? Give them a free sample of your product to award to a follower? Cover an event? Interview a celebrity in the field you share? Exchange guest blogs?
Creativity scores.
Many of the communication channels are covered in other chapters of this book, but of course I can’t cover them all. But you’ll never go wrong if you use the basic strategic thinking explained in Chapter 2. Your messages, major and minor, succeed when they’re based on your own deep thinking about what you want to accomplish and the specific people you want to connect with. My goal is to equip you with a thinking structure, not formulas.
To demonstrate how to use this structure, here are some examples of how to handle difficult messages that challenge many entrepreneurs.
When you open a new business, assume a new role in your company or join or take over a professional practice, consider introducing yourself to your significant by letter. It’s an important step toward building relationships and sounding the right note.
Suppose you’re an accountant and you’re taking over as head of a firm specializing in corporate tax counseling, or head of that department in a large practice. Your primary audience is the firm’s existing clients and your goal is to retain and start building relationships with them.
The accountant can then translate this set of needs into a content list:
Once you’ve outlined your substance, the letter nearly writes itself. Most often aim for a friendly but somewhat formal tone. Fashion your lead: a down-to-earth simple opener that explains why you’re writing is fine. It may help to visualize your favorite client (see Chapter 2). One version:
Len can email the letter or send a “real” one via the post office. If he evaluates his readers as older and probably conservative, he’ll choose the post office and sign every letter. In blue.
A well-written letter is easily adapted for secondary audiences. If the tax specialist hopes to bring clients over from his former situation, they can slant the content to them (providing they have the legal right to solicit them). They can also quickly adapt it to reach new prospects. It’s also easy to adopt the information to a press release or profile on the company website.
Sometimes a bad example can make the point clearer. One I received myself was from a dermatologist taking over the practice of a doctor I’d gone to for years. After a standard lead sentence stating his reason for writing, he supplied three long, dense paragraphs naming every disease that he customarily treats; every stage of his education; and all his professional affiliations and journal articles.
My reader reaction: I did not look forward to becoming his patient. Citing all the dreadful diseases he was familiar with was more horrifying than impressive. The mistake was basic: He mistook his audience. Rather than communicating that he cared about people and would provide a comfortable, knowledgeable experience, he wrote as if to peers from whom he wanted referrals.
If you’re a solopreneur or partner in a small business or a salesperson, you may regularly need to write pitch letters or deliver cold-call messages. Typically, your goal is to bring you, or your product or service, to someone’s attention and obtain an in-person or teleconference meeting.
Such letters are important for professional specialists of many kinds. One approach is covered in the proposal section of Chapter 7. Here is another oriented to a specialized consultant, a historian.
Sarah knew that a county preservation office would soon need someone to organize an application to obtain landmark status for a local building. Aiming for an appointment to present herself, Sarah drafted a letter.
Did you have trouble getting through this version, even in its abbreviated form?
Try This: Outline a new version. How would you improve this message? Compare your ideas with my version.
Based on comparing the original and revised letter, here are some useful guidelines that apply to many pitch letters:
Writing “cold call” letters to sell a product is a work staple for professional copywriters, and for good reason. So many pitches compete for attention today that people are automatically skeptical, impatient and bored with the piles of “buy me” messages from direct mail to emails, videos and social media. While today’s online environment offers amazing opportunities to create and deliver a marketing message, don’t expect to do so easily. It takes work. Here are some ideas to draw on:
Make a connection. People trust people who appear to be from their own worlds. This isn’t prejudicial; it’s just hard to trust strangers. When you have a connection, cite it: “We met at the such-and-such event” is good. More possibilities:
Or perhaps you read a blog the person wrote, heard them speak or read about them in the business journal. Dig as you must.
Start strong. Try to combine both a personal connection and your problem-solving capability in a single opening sentence, such as:
Chuck Smith suggested I contact you to explain how I solved his most pressing problem, one I’m sure you share with him: reducing government audits of overseas investments.
Alternatively, lead with a story, a hot button, an unusual benefit or offer, a surprising fact or statistic. It’s nice to be catchy, but don’t go crazy trying to be clever or funny. Better not to tell a joke than one that falls flat or could be misinterpreted. Knowing your value and how you can benefit the other party puts you on sure ground toward making the match.
Here are some ideas for using your writing skills to both protect your own interests and handle problems proactively while minimizing the risk of relationship damage.
If you’re self-employed or operate a small business, balancing your desire to retain a client with your need to communicate something uncomfortable can be hard. You must sometimes balance the need to protect your interests against the risk of relationship damage.
Prevention is always the best cure. Clients can have short memories, so use your writing skills to make problems less likely. One way is to routinely communicate the specifics of the work involved in each project both at the agreement stage and when invoicing.
For writing service: Marshall & White overview brochure — $X
My invoice reads more like this (the agreement would be similar but a little more general, specifying deadlines rather than dates):
And more. Notice that the list doesn’t yet include copywriting.
No matter how carefully invoices and contracts are written, every consultant, freelancer and entrepreneur has trouble collecting money at times. How to maintain a good relationship while pressing for payment?
No one with honest intentions will ever fault you for acting in businesslike ways. And don’t lay the groundwork for cheating yourself if the nature of the work means you’ll do a major portion in the beginning, like coming up with ideas or creating the blueprint. Set up the payment schedule to cover this aspect of the job should the agreement dissolve, and specify the number of re-do’s included in the fee.
When payment is running a little late, minimize resentment by saying as little as possible in a perfectly neutral, blame-free, impersonal tone. Make the person you’re writing to a partner in the collection effort:
Or:
Assuming the editorial or kingly “we” along with the formal tone depersonalizes the request and presents it as a glitch between bureaucracies, though the writer runs a very small company from a virtual office.
Sometimes, however, a true “letter of record” is called for to document an event or problem or present your claim more formally. This kind of letter may have legal implications that involve lawyers. That’s beyond my scope, but I can share a strategy to keep in your back pocket for severely late payments and other confrontational situations: a chronological accounting. Here, it’s all about the facts.
Suppose you’re an independent graphic designer and a client hasn’t paid your last bill, which was due six months ago. He now hints that the work wasn’t done to his satisfaction and won’t take your phone calls. You don’t want to go to court, but you do want your money.
Your letter can go this way:
And so on. Further entries might include the dates the invoices were sent, when the new web design went live and every other relevant detail — the more, the better. The close:
The approach works just as nicely when you’re on the other side of the fence, presented with charges you believe to be unmerited. Moreover, if you don’t want to pay an unfair bill and clearly state that you have no intention of paying, the other party’s recourse may be limited, depending on the state you live in.
Most freelancers I know hate talking about money. Often, writing is a good way to do it. You can marshal your thinking points and articulate them more effectively without the person present, and give them breathing space to consider your request as well. Clients typically don’t enjoy these conversations any more than you do and may blurt out a negative response that’s hard to reconsider.
One challenging need is a request for a fee increase. Most people who hire independent workers are content to continue in the same groove forever. I can’t recall hearing of any instances where a freelancer was offered a raise. Ask you must, whether your business and living costs are going up like everyone else’s, or because you’ve experienced “scope creep” — that is, you find yourself investing more time than your fee structure covers fairly.
The approach for collecting on invoices also works for this problem. List your possible content points. You will have specifics according to the situation, but here are some fairly universal points to make in framing the message:
When you spell out your basic points first, with a list like the one a few paragraphs ago, you spare yourself a lot of agonizing. Just follow the trail!
In writing difficult letters as an entrepreneur, always check yourself out with the ultimate criteria: If I got this message, would I say yes?
And don’t overlook all the material relevant to your needs in the rest of this book: Building your writing and editing skills in Part 1; writing emails, letters and business materials in Part 2; principles of persuasion, creating presentations and hunting for jobs or gigs in Part 3; writing for digital media and creating your online presence in Part 4; and the chapter preceding this one, on workplace writing challenges.
And this, dear reader, is where I leave you.
But don’t go away quite yet: The following “Part of Tens” chapters give you two sets of quick helpful insights about using your writing skills to advantage.
I hope you will take the foundation this book gives you to enjoy writing, practice it in your daily work life and keep learning. I know this investment will always reward you — often in unanticipated ways.
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