- Half Title
- Title Page
- Dedication
- Contents
- Preface
- Acknowledgements
- Chapter 1: Tools of the Film Editor
- A Tour of the Film Cutting Room
- Film Gauges and Shooting Formats
- Anamorphics
- Soft Mattes versus Hard Mattes
- Camera Rolls and Sound Rolls
- Numbering Formats
- Ink Numbers
- Key Numbers
- Time Code
- Production Notes
- Script Supervisor Daily Log
- Facing Pages
- Lined Scripts
- Camera Reports
- Sound Reports
- Code Books
- Slates
- When Good Notes Go Bad
- Chapter 2: Post Production Workflow
- Chapter 3: Telecine Demystified
- Chapter 4: Conforming a Workprint
- Chapter 5: Cut Lists
- Chapter 6: 24 fps versus Matchback
- Chapter 7: Editing Film on Avid NLEs with FilmScribe
- Converting Telecine Files
- Setting up the Project
- Adjusting Film Settings
- Importing ALE Files
- Combining Events Based on Scene Number
- Combining Events Based on Camera Roll
- Merging Events with Known Sources
- Checking Key Numbers
- One Frame Delays
- Frame Miscounts
- Mislabeled or Duplicate Numbered Tapes
- Using Autosync
- Film Effects
- Film Dissolves
- Mattes
- Blow-ups
- Script Integration
- Using FilmScribe
- Unique Items for Individual Types of Cut Lists
- Change Lists
- Preview Code
- Quicktime Options
- Exporting Audio
- Digital Cut
- OMF
- The OMF Export
- Exporting an EDL
- Saving the EDL
- Some Important Notes about Saving EDLs
- Outputting Video
- Chapter 8: Editing Film on Media 100 NLEs with Slingshot Pro
- About Media 100
- About Slingshot and Trakker Technologies
- Drag and Drop Functionality
- Supported Telecine Logs
- Import Logs
- TLC Files
- Dailies Log
- Log Conversion Procedure
- TLC Preferences
- Choosing Destinations
- Enable Tracks
- Syntax Error Correction
- Synching Picture with Sound in Media 100
- Film Trakker
- Film Trakker Preferences
- Format
- Check Syntax on All Inputs
- Flag and Match Unknown Tape Names
- Disable SyncLock
- Show EDL Comments
- Use Feet + Frames vs. Absolute Frames
- Cut List Options
- Cut List
- Dupe Lists
- Dupe List Options
- Pull List
- Pull List Options
- Optical List
- Optical List Options
- Creating the Cut Lists
- The Sound Tracer
- Sound Tracer Preferences
- Running the Lists
- Chapter 9: Editing Film on Final Cut Pro NLEs with FilmLogic
- FilmLogic
- Importing the Telecine Log
- Logging the Database Manually
- A Word about Backing Up and Undo
- Working with FilmLogic’s Database
- Linking Media to the Database
- Verification
- Info
- Conforming
- Reverse Telecine
- Limitations
- Sound Considerations
- Exporting Batch Lists
- Importing the Batch Capture Log
- Editing with Final Cut Pro
- Exporting a Cut List
- Exporting EDLs
- Future Hopes
- Chapter 10: Cutting DV for a Film Release
- Chapter 11: HDTV, 24p, and the Future
- Glossary
- Appendix A: Time/Footage Conversions
- Bibliography
- Webliography
- Index
-
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