11
Conclusion

The consistent message running through this book is how important it is to continuously manage the working capital – and especially the cash flow – which is the lifeblood of the practice. The majority of construction projects are long term in nature and can take many years to reach handover and completion. Such projects are complex and involve many different people and organisations with conflicting agendas. It is unsurprising that the vast majority of projects end up being delayed. All of the different potential reasons for delay have an identical financial effect on the architect, which is that the payment of fees is delayed too.

It is always instructive to learn from the experience of others, so in this concluding chapter I have brought together some of the most common factors contributing to the failure of architectural practices. If you are following the advice in the earlier chapters you should already be well on the way to avoiding these problems.

However, no practice is working in an economic vacuum, and the financial uncertainty of recent years has taken its toll. So this chapter also includes an assessment of the economic problems we have all felt, what might lie ahead, and some crucial advice for all practices, whether they are brand new or long established.

What can Possibly Go Wrong?

Failure to Use Standard Agreements

The great advantage of using standard RIBA agreements of appointment is that they automatically take care of the major areas of risk. They have been developed as a result of the practical experience and consequent feedback of many architects over many years.

However, clients will sometimes have their own form of contract for architectural services that they will insist on using. The reason that the client wishes to use their own contract is, of course, because they have had it drafted in a way that they consider to be favourable to them. It would be wise to consider the terms of such a contract carefully, taking particular note of where it differs from the relevant RIBA standard agreement.

The fees to engage the services of a good contract lawyer to review the client’s contract will be money well spent and could prevent a major problem from developing later. The contract should also be forwarded to your PII provider for their review and comment before it is finalised.

Failing to Invoice for Work on a Regular Basis

The construction industry is used to the concept of payment becoming due when there is the completion of a particular stage or phase of the project. This is a reasonable approach, because the speed with which a piece of work is completed lies largely in the hands of the contractor. Most contractors are large businesses with financial resources to cope with these payment delays. But applying the same principle to the design team is very harsh. The timing of the receipt of their fees is now largely out of their control, and they tend to be much smaller businesses with much more limited financial resources.

Consequently, it makes sense to build in to the initial agreement the provision for the regular invoicing of fees, preferably on a monthly basis. As the previous chapters have shown, your major costs accrue on a monthly basis, so it makes sense to try to ensure that income is received at a similar rate. By agreeing to a staged payment fee schedule, you are reducing the risk of a six- or nine-month delay in receiving payment for your work. There is a considerable cost involved in the financing of this sort of payment delay.

Failing to Collect the Amounts that are Due

The mechanics of credit control are discussed in Chapter 8. However, it is worth repeating the basic message, which is to ensure that all the money you are owed is collected promptly. Failure to collect fees can be caused by various delays and oversights. As a rule of thumb:

  • First: check whether all the invoices raised and recorded by the accounts department were actually sent out to the client. It is surprisingly common to find invoices lurking in a pile of ‘when I get around to it’ paperwork on the project architect’s desk, perhaps waiting for a covering letter to be written.
  • Second: make sure there is a reliable system that alerts you when an invoice has passed its due for payment date. One person should be assigned the responsibility for tracking and chasing these outstanding invoices, and letting the relevant architect know if a problem has been encountered which will need their help to resolve.
  • Third: deploy tenacity to pursue the debt until it is fully collected. The ‘multiplier effect’ means that even relatively small amounts can have a significant impact on profitability. It may be tempting to write off the final ‘trivial’ £2,000 that remains unpaid from a £100,000 invoice, but doing this will mean that the practice has to generate a further ten times that amount in fees to earn the profit to replace what has been lost by the uncollected amount.

Not Asking for Additional Fees when the Brief is Changed

I have noticed that many architects are not motivated primarily by financial reward. Indeed, it seems that architects could be the most generous of the professions, as they often seem to find themselves working for no fee at all.

Chapter 4 discussed ways to track the financial performance of an individual project. If the actual cost line is above the planned cost line, you are spending too much time on the project. This may be the result of inefficient working methods or faulty resource allocation, in which case it represents a genuine loss. More often, however, it is the result of the team trying to respond to a client’s request for something extra or different.

We are all correctly advised to be client-led in our work and to be concerned to keep clients happy by answering their questions and responding positively to their demands. However, it is crucial to remain sufficiently alert to notice if you are being asked to do work that falls outside the scope of the contract. This is potentially good news for the practice, if the client is prepared to pay for this extra work to be done. If the client does not wish to pay, you should not be doing the work for free.

This does require an element of judgement and has to be conducted within the overall context of the client relationship management process. It is important to maintain good working relationships and to show that you can be flexible, but you simply cannot afford to give away ‘the shop’ too often. Clients and contractors will be skilled and experienced negotiators and will of course try to gain any financial advantage that they can for themselves. You must be smart enough to ensure that the practice is not being too generous. In general, you will find that the work will be valued and respected as a result.

Not Asking for Additional Fees when Extra Work is Added

This is a similar situation to the change of scope scenario described above. Yet this can be a more subtle variation that is harder to spot. When the brief changes everyone in the design team needs to be involved and the project will be noticeably different from the original plan.

What I mean here is that the basic design is not changed, but the client requests that some aspect of the design is revisited and alternative options explored. You may be interested in pursuing this design option too, so gladly embark on this piece of work without much thought for the time and cost implications involved.

It is crucial to develop a financial sensitivity to notice when work falls outside the scope of what you are being paid for and negotiate an additional fee accordingly.

At SEH we have become much better at spotting these sorts of opportunities over the years and we now routinely generate an additional 5–10 per cent of fee income just by paying attention to these opportunities as they arise. This is a good example of where investment in project management software can really pay off. By picking up cost overruns quickly, there will be a chance to identify and agree an extra fee before it is too late and the project has moved on.

Failing to Monitor Project Costs and Contribution

You practice is more likely to be financially successful if you monitor the performance of individual projects and the work stages within those projects. Inter-firm comparisons such as those administered and published by the RIBA reveal that there is a correlation between those firms that make the most profits and those that monitor their project costs most closely.

We all know that some projects will not be as profitable as others. We may have chosen to accept a reduced fee in order to work with a new client, or to break into a new practice area. However, there is a danger that your practice might have a ‘good reason’ for every project not to make the required level of contribution, and hence end up being unprofitable overall.

Low Hit Rate on Competitive Tenders

For most architects the initial winning of a project is the result of being successful in a competitive tendering process. This is particularly true for architects who do a lot of work in the public sector.

It is important to be realistic about the tendency of clients to commission architects to do more of the same type of work that they have done before. From the client’s point of view the project represents a very substantial financial risk and we can understand their unwillingness to ‘gamble’ on an inexperienced architect. To their credit, some clients are prepared to give a new, young practice an opportunity to do the sort of project that they have never really done before. The client is hoping for the payoff of a fresh and creative approach, but this is a risk that many are not prepared to take, especially in the public sector where accountability for the spending of public money is at stake.

While we would all prefer to design something new or work in a different sector, it is easy to fall into the trap of bidding for everything that you feel the practice could do or would like to do. Sadly, the result of this approach will usually be a lot of disappointment and rejection, and a lot of wasted time and money. Clients will tend to choose an architect with a proven track record or a recognised name.

The successful approach is to apply for work where you can offer some recent experience or unique advantage and firmly believe that this is a project that you should win.

At SEH, we have saved ourselves a lot of time, money and disappointment in recent years by being much more focused on our bidding process. Generally we try only to bid for projects that we feel ‘has our name on it’. This helps to focus the marketing effort and improve the overall success rate.

These days public sector clients in particular are demanding an ever-increasing amount of supporting documentation to be prepared as part of the bid process. These bids are time-consuming and thus expensive to prepare, and it is important to ensure that the limited time available is used wisely. It can be easy to fall into the trap of being ‘very busy’ preparing bids and submissions. But if these are not well targeted, then the majority of the energy involved is being wasted, and this will ultimately be reflected in the reduced profitability of the practice.

Poor Estimation and Fee Negotiation

Fees must be adequate to cover the cost of the job and to contribute to the overhead costs and profit requirements of the practice as a whole. This can only be done by taking the time to think through what will be involved in delivering the project and in particular the quantity and type of resources that will be needed, using a bottom-up analytical approach

You must be prepared to decide not to pursue a project if the fee is inadequate. There may be slack times when you might choose to do a piece of work at cost, just to generate the funds to continue to pay the salaries and other bills, but this should only ever be a short-term approach, because it will lead to severe financial difficulties quickly if applied on a regular basis.

Failure to Manage the Design Team

Clients are increasingly looking for a ‘one-stop shop’ appointment of the design team. As the architect is the natural leader of the design team, it follows that they find themselves taking on this role more often than they used to, including managing various sub-consultant firms. There is often little or no reward for performing this additional co-ordination service. Indeed, it comes with its own considerable risks.

In practice, many sub-consultant firms are comfortable with a ‘pay when paid’ approach, although it should be appreciated that this is unlikely to be the correct contractual position. Standard agreements allow for the sub-consultant’s payment terms to be longer than those of the architect so that the fees can be collected in advance, but this does not change the underlying legal position. When the architect has contracted with the quantity surveyor or engineer, it is the architect who is ultimately responsible for the payment of their fees.

It’s very important to stay on top of the resources management process and to ensure that funds are flowing regularly from the client so that all members of the design team can be paid at the appropriate time.

How has the Financial Landscape Changed in Architecture Since 2008?

The original version of this book was published just before the global financial crisis of 2008/9, which changed the financial landscape for us all. Although we all know that the construction industry is cyclical and that there will be ups and downs, nothing could have prepared us for the way the world changed so quickly in 2008.

Despite the frequent references I have made in this book about the long-term nature of the construction industry projects and the consequent effect that has on an architect’s cash flow, this was different. The work position in our practice changed within a couple of days. A number of major projects, some at quite an advanced stage, were suddenly put on hold. Our captive fees income was suddenly reduced by 50 per cent.

Our resource planning charts soon started to tell us what we did not really want to know: that we would soon have too many people for the reduced level of work on the books. Our management systems allowed us to see this and react to it early, even though it did involve some very painful decisions on letting people go whom we really wanted to retain.

There is no doubt that in the difficult years of 2009 and 2010 there was intense downward pressure on fees. Other practices were fighting to survive just as we were, and consequently cut their fee proposals to the bone. We were astonished to see how low some competitive bids for work were. We could not see how any firm could possibly even cover their costs at the fee levels quoted.

Our clients knew that they were in a buyer’s market and did their best to take advantage of the position. We managed our resource costs and cash flow very tightly and managed to come through.

The upturn came almost as quickly. In the Internet age sentiment as well as news travels globally very quickly. It seemed that suddenly we had all collectively decided that we had endured enough pain and it was all going to be alright after all. We have built our staff numbers back to their pre-2008 levels and as I write we are continuing to recruit and expand.

I have discussed the lasting effects of the last few years with a number of architect colleagues. They tell me that fee levels have largely recovered and that clients have learnt that you do tend to get what you pay for in architecture, as much as in any other area. Many clients had ‘enjoyed’ the low fee rates on offer in the difficult years, but discovered that their architects simply could not deliver the quality of work required at the fee levels they had agreed to.

Another effect has been that work is being commissioned in a much more piecemeal fashion, because clients are unwilling to commit themselves to more than the next stage of the work. Clients are also taking this opportunity to change their architects more frequently, and many projects will have been through the hands of a number of different practices before completion. Like most practices, we would prefer to be appointed to see the whole process through from design to completion, but that seems an increasingly rare situation.

Adding Value

For a profession whose fees were already at the lower end of the scale compared with other professionals, the recession that began in 2008 was a disaster, and many firms, some quite high profile, did not survive. I believe this is partly because architects tend to have little or no financial reserves behind them to help them through the rough times. They do not have reserves because they have traded for too long on profit margins that were too slim and only allowed them to continue on a hand-to-mouth basis. It is possible that the next downturn is not too far away. The business cycle does seem to be accelerating as the world becomes more connected.

Throughout this book we have seen that the practice of architecture involves dealing with the problems that arise from long-term, complex construction projects. In that sense it is a profession that operates in a high-risk arena. Yet the traditional relationship between risk and reward somehow seems not to apply. Architects do not rank highly in the league table of professional pay scales.

I have often asked myself and my colleagues and students, why this is so. It’s an interesting question to explore and one that always provokes heated comment and debate. I have not yet met an architectural student who does not hold strong views on this subject.

My personal view is that as a profession architects need to appreciate more fully the level of risk that they are asked to deal with on a daily basis. In general they manage this risk very successfully, and with this in mind architects should build their self-confidence and belief as a profession.

I believe architecture practices need to think much more in terms of the ‘added value’ of the work that is done. They should look for opportunities to work in partnership with the client, rather than just being another type of expense that the client seeks to minimise.

As information systems become increasingly automated and knowledge becomes more widely available, the professional adviser needs to reassess what it is that they can bring to the table. The client is looking for help to ensure that their project is realised on time and on budget. They want advisers to align themselves with their concerns and agenda. Architects need to retain their professional independence; but they also need to respond more readily to their client’s entrepreneurial, environmental or social aspirations.

We should stand back sometimes and try to appreciate that the work we do affects people’s daily lives in a profound way. I firmly believe that we should value the contribution that we make more, both in financial and social terms, and be bolder in asking to be rewarded appropriately.

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