- Cover
- Halftitle
- Dedication
- Title
- Copyright
- Contents
- Preface
- About the Author
- Introduction
- Acknowledgements
- Part 1 High Definition: A Quick Overview
- Part 2 Production Decisions
- Chapter 2: Which Formats to Shoot On?
- Chapter 3: Picture Quality
- Chapter 4: Display Quality
- Chapter 5: High Definition Projection
- Chapter 6: Delivery Requirements
- Chapter 7: Sales Potential
- Chapter 8: Cost Implications
- Chapter 9: Crewing
- Part 3 The Technology
- Part 4 High Definition Cinematography
- Chapter 17: Lighting and Exposing for HD
- Chapter 18: Setting the Color Balance
- 18.1 White Balance
- 18.2 What is White Balance?
- 18.3 Neutral Density (ND) Filters
- 18.4 A Warning!
- 18.5 Setting the White Balance Using a White Card
- 18.6 Setting the White Balance Using a Colored Card
- 18.7 Setting the White Balance Under Fluorescent Lighting
- 18.8 The Outer Filter Wheel on a Sony HDW Camera
- 18.9 Black Balance
- Chapter 19: Camera Checks Before Shooting
- Chapter 20: Lenses
- 20.1 How to Choose a Lens
- 20.2 Setting the Back Focus
- 20.3 Focusing the Lens Using Back Focus Charts – Beware!
- 20.4 Back Focusing Using the Oval Rings Chart
- 20.5 Comparative Focal Lengths
- 20.6 Depth of Field
- 20.7 Calculating Depth of Field
- 20.8 Neutral Density (ND) Filters
- 20.9 Limiting Apertures
- 20.10 Filtration
- Chapter 21: Monitors and Cabling
- Chapter 22: Shipping
- Chapter 23: Multicamera Shoots
- Chapter 24: Hazardous Conditions
- Chapter 25: Camera Supports
- Chapter 26: How HD Affects Other Crafts
- Chapter 27: Troubleshooting
- Part 5 Examples of Shoots
- Part 6 Cameras
- Chapter 31: Cameras in General
- Chapter 32: The Arriflex D-21
- Chapter 33: The Dalsa Origin and Evolution
- Chapter 34: The Panasonic VariCam: AJ-HDC27H
- Chapter 35: The Panavision Genesis
- Chapter 36: The RED One
- Chapter 37: The Sony HDW F790, F750 and F730 HD Cameras
- 37.1 Frame Rates
- 37.2 The Camera Body
- 37.3 Add-in Boards, etc.
- 37.4 Image Control via the Menus
- 37.4.1 Multi Matrix
- 37.4.2 Auto Tracing White Balance
- 37.4.3 Color Temperature Control
- 37.4.4 Selectable Gamma Curves
- 37.4.5 RGB Gamma Balance
- 37.4.6 Variable Black Gamma Range
- 37.4.7 Black Stretch
- 37.4.8 Adaptive Highlight Control (Auto Knee Mode)
- 37.4.9 Knee Saturation Function
- 37.4.10 The Triple Skin Tone Detail Control
- 37.4.11 Level Depend Detail
- 37.5 Metadata Handling
- 37.6 The Sony Tele-File System
- 37.7 The Optional HDSDI Adapter
- 37.8 An Overview
- Chapter 38: The Sony HDW F900R
- Chapter 39: The Sony F23 and F35
- Chapter 40: The Thomson Viper
- 40.1 The Camera Body
- 40.2 Outputs from the Camera
- 40.3 The Hard Drive Recorder
- 40.4 The Beam Splitter
- 40.5 The Viper’s CCD Array
- 40.6 The Mechanical Shutter
- 40.7 Frame Rates
- 40.8 Resolution
- 40.9 The Camera’s Processor Configuration
- 40.10 The Camera Back
- 40.11 The Arguments for a Logarithmic Recording Format
- 40.12 Lenses for the Viper
- 40.13 Monitors for the Viper
- 40.14 Camera Accessories
- 40.15 Shipping the Viper
- 40.16 Conclusions
- Part 7 Star Gazing
- Index
-
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