Contents

CHAPTER ONE
Pro Tips for Getting Really Sharp Photos
If Your Photos Aren’t Sharp, the Rest Doesn’t Matter

The Real Secret to Getting Sharp Photos

The Other Most Important Secret

Perhaps Even More Important Than That!

If You Skip This, Throw Away Your Camera

If You Do This Wrong, It Will Lock Up

It’s Time to Get Serious

Getting “Tack Sharp” Starts with a Tripod

A Ballhead Will Make Your Life Easier

Don’t Press the Shutter (Use a Cable Release)

Forgot Your Cable Release? Use a Self Timer

Getting Super Sharp: Mirror Lock-Up

Turn Off Vibration Reduction (or IS)

Shoot at Your Lens’ Sharpest Aperture

Good Glass Makes a Big Difference

Avoid Increasing Your ISO on a Tripod

Zoom In to Check Sharpness

Sharpening After the Fact in Photoshop

Did You Resize That for the Web? Then Resharpen!

Hand-Held Sharpness Trick

Getting Steadier Hand-Held Shots

CHAPTER TWO
Shooting Flowers Like a Pro
There’s More to It Than You’d Think

Don’t Shoot Down on Flowers

Shooting Flowers with a Zoom Lens

Use a Macro Lens to Get Really Close

Can’t Afford a Macro? How ’bout a Close-Up?

When to Shoot Flowers

Don’t Wait for Rain—Fake it!

Flowers on a Black Background

Flowers on a White Background

The Perfect Light for Indoor Flower Shots

Where to Get Great Flowers to Shoot

Stopping the Wind

Consider Just Showing One Part

CHAPTER THREE
Shooting Weddings Like a Pro
There Is No Retaking Wedding Photos. It Has Got to Be Right the First Time!

Tricks for Low-Light Shooting in a Church, Part 1

Tricks for Low-Light Shooting in a Church, Part 2

Do You Really Need the f/1.4 Lens?

Getting Soft, Diffused Light with Flash, Part 1

Getting Soft, Diffused Light with Flash, Part 2

Use Your Flash at Outdoor Weddings

Finding That Perfect Bridal Light

Don’t Spend Too Much Time On the Formals

Formals: Who to Shoot First

Formals: Build Off the Bride and Groom

How to Pose the Bride with Other People

The Trick to Keeping Them from Blinking

Formals: Where to Aim

Formals: How High to Position Your Camera

Formals: Don’t Cut Off Joints

Formals: The Trick to Great Backgrounds

Reception Photos: Making Them Dance

Your Main Job: Follow the Bride

Shooting the Details (& Which Ones to Shoot)

Change Your Vantage Point to Add Interest

What to Shoot with a Wide-Angle Lens

Keep Backup Memory Cards on You

Back Up Your Photos Onsite

If Shooting JPEGs, Use a Preset White Balance

CHAPTER FOUR
Shooting Landscapes Like a Pro
Pro Tips for Capturing the Wonder of Nature

The Golden Rule of Landscape Photography

Become Married to Your Tripod

Shoot in Aperture Priority Mode

Composing Great Landscapes

The Trick to Shooting Waterfalls

A Tip for Shooting Forests

Where to Put the Horizon Line

Getting More Interesting Mountain Shots

The Trick for Warmer Sunrises and Sunsets

Turn on “The Blinkies” to Keep More Detail

How to Deal with the Dreaded Blinkies

How to Show Size

Don’t Set Up Your Tripod. Not Yet

The Trick to Getting Richer Colors

What to Shoot in Bad Weather

Atmosphere Is Your Friend

Getting Rid of Lens Flare—The Manual Way

The Landscape Photographer’s Secret Weapon

Keeping Your Horizons Straight

Shooting on Cloudy Days

Tips for Shooting Panoramas, Part 1

Tips for Shooting Panoramas, Part 2

Tips for Shooting Panoramas, Part 3

Faking Panoramas

Why You Need a Wide-Angle Lens

Want to Take Things Up a Notch? Shoot Low

CHAPTER FIVE
Shooting Sports Like a Pro
Better Bring Your Checkbook

Pro Sports Shooting Is Dang Expensive

Which Lenses to Use

This Lens Rocks for the Money

Stability for Shooting Sports

Don’t Plan on Changing Lenses

Set Your White Balance for Indoor Sports

Shoot at a 1/1000 Sec. Shutter Speed or Faster

Shooting at Night or Indoors? Raise Your ISO!

Getting Burned by Indoor Lighting

Shoot Wide Open

Shooting in Burst Mode

RAW or JPEG for Sports Shooters?

Pan to Show Motion

Pre-Focus to Get the Shot

Shoot Vertically for More Impact

Don’t Be Afraid to Crop Your Photos

You Need Two Eyes and a Ball

Don’t Always Focus on the Winner

Composing for Sports

The Pros Know the Game

CHAPTER SIX
Shooting People Like a Pro
Tips for Making People Look Their Very Best

The Best Lens for Portrait Photography

Which Aperture to Use

Using Seamless Backgrounds

Using Canvas or Muslin Backgrounds

The Right Background Outdoors

Where to Focus

Where to Position Your Camera

Positioning Your Subject in the Frame

Tip for Framing Portraits

Getting Great Light Outdoors

Getting Great Light Indoors

Taking Great Photos of Newborn Babies

Great Sunset Portraits

Better Natural-Light Portraits with a Reflector

Aiming Your Reflector

Use a Reflector When the Lighting Is Flat

CHAPTER SEVEN
Avoiding Problems Like a Pro
How to Avoid Digital Headaches

Pro Tips to Avoid White Balance Problems

Cold Weather Shooting Means Extra Batteries

Don’t Change Lenses in Dusty Weather

Apply for Permits to Shoot with Your Tripod

Be Careful What You Shoot

A Tip for Shooting on an Incline

The Other Reason Pros Use a Lens Hood

Keeping Your Lens Out of Trouble

Limit Your LCD Time to Save Battery Life

Bracket If You’re Not Sure About Exposure

Avoid Red Eye

Remove Red Eye

CHAPTER EIGHT
Taking Advantage of Digital Like a Pro
It’s More Than Just a Replacement for Film

Level the Playing Field: Press That Button

The LCD Monitor “Gotcha!”

Edit as You Shoot to Get More Keepers

Take Advantage of the Blinkies

The Viewfinder “Border Patrol” Trap

No Penalty Fee for Experimenting

Don’t Cram Too Much on One Card

Take Advantage of Poster-Sized Printing

You’re Probably Going to Lose Your Lens Hood

Is It Better to Underexpose or Overexpose?

Keep from Accidentally Erasing Memory Cards

Which Brand of Camera Should You Buy?

CHAPTER NINE
Taking Travel & City Life Shots Like a Pro
Tips for Travel Photography

How to Be Ready for “The Shot”

Shoot Kids and Old People. It Can’t Miss

Hire a Model (It’s Cheaper Than You’d Think)

What Time to Shoot

Look for Bold, Vivid Colors

Shooting Travel? Visit 500px.com First

Don’t Try to Capture It All: Shoot the Details

The Best Shot May Be Just Three Feet Away

Shoot the Signs. You’ll Thank Yourself Later

Showing Movement in the City

For Maximum Impact, Look for Simplicity

The Monopod Scam

What to Do When It Has Been “Shot to Death”

Including the Moon and Keeping Detail

Shooting Fireworks

If You Have a Laptop, Take It With You

Want a Rooftop Shot of the City? Try This

Getting “Nearly Tourist-Free” Shots

CHAPTER TEN
How to Print Like a Pro and Other Cool Stuff
After All, It’s All About the Print!

The Advantages of Shooting in RAW

How to Process RAW Photos in Photoshop

Compare Your LCD to Your Computer Monitor

Organizing Your Photos with Lightroom

How Many More Megapixels Do You Need?

Printing Lab-Quality 8x10s

Printing Lab-Quality 13x19s

Printing 17x22s—The Pros’ Choice

Which Paper Should You Print On?

What Determines Which Paper You Use?

Getting Your Monitor to Match Your Printer

Download the Color Profiles for Your Paper

Selling Your Photos as “Stock” Online

A Quick Peek at My Gear

There Are Three Other Books in This Series

Learn More with Me Each Week on The Grid

Chapter Eleven
Ten Things I Wish Someone Had Told Me
When I First Started Out in Photography

#1: Buying a More Expensive Camera Doesn’t Necessarily Mean Better Photos

#2: You Need to Sharpen After the Fact

#3: The Pros Take Lots of Bad Photos

#4: Learn Exposure Compensation

#5: Don’t Worry About Manual Mode

#6: Today You Should Probably Shoot Wide

#7: Nothing Has Impact Like a Print

#8: Ignore Your Histogram

#9: Figure Out What Type of Photographer You Are

#10: Do What It Takes to Get the Photos You Want

#11: You Need a Portfolio

#12: Stop Reading Books About Photography

CHAPTER TWELVE
Photo Recipes to Help You Get “The Shot”
The Simple Ingredients That Make It All Come Together

Index

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