- Cover
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Preface
- Chapter 1 Introduction
- Chapter 2 Preproduction and Production Planning
- Chapter 3 Video Basics: The Electronic Image and the Video Signal
- Color Plates
- Chapter 4 Operating the Video Camcorder
- Chapter 5 Video Recording
- Chapter 6 Lenses and Visualization
- Chapter 7 Lighting
- Chapter 8 Sound
- Part One Technical Factors
- Sound: Technical Bases
- Microphone Characteristics
- Camera-Mounted Microphones
- External Microphones
- Wired and Wireless Microphones
- Recording Sound on a Camcorder
- Mixers
- Standardized Recording Procedures
- Monitoring Sound
- Hints for Recording Good Sound
- Special Problems
- Equalizing and Filtering to Improve Sound Quality
- Adding Sound to Prerecorded Videotape
- Additional Sound Recording and Playback Devices
- Part Two Sound Aesthetics
- Part One Technical Factors
- Chapter 9 Editing Aesthetics
- Chapter 10 Getting Ready to Edit: Working with SMPTE Time Code and Postproduction Planning
- Chapter 11 Linear Videotape Editing
- Chapter 12 Nonlinear Video Editing
- Chapter 13 Postproduction Graphic Design
- Chapter 14 Ethics and Video Production
- Appendix One Production Projects
- Appendix Two Guidelines and Information for Filming in San Francisco
- Appendix Three U.S.Copyright Office Short Form PA
- Appendix Four Digital Information and the Metric System
- Appendix Five Video Field Acquisition Formats
- Appendix Six Full-Length Documentary Treatment
- Glossary
- Bibliography
- Index
- Credits
SEVENTH EDITION
Video Field Production
and Editing
Ronald J. Compesi
San Francisco State University
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