In the last two chapters, I introduced you to the layout and general functions of the Canon EOS R’s menu system, with specifics on how to customize your camera with the Shooting and Autofocus menus. In this chapter, you’ll learn how to work with the Playback and Set-up menus. If you’re jumping directly to this chapter and need some guidance in how to navigate the EOS R’s menu system, review the first few pages of Chapter 11. Otherwise, you’re welcome to dive right in.
The three blue-coded Playback menus are where you select options related to the display, review, transfer, and printing of the photos you’ve taken. Most of these entries are functions rather than settings, and thus only a few have actual default values, such as Image Jump with Main Dial (10 images), Magnification (2X), and Control over HDMI (Disable). The choices you’ll find include:
Options: Select Images, Select Range, All Images in Folder, Unprotect All Images in Folder, All Images on Card, Unprotect All Images on Card
My preference: N/A
This is the first of seven entries in the Playback 1 menu (see Figure 13.1). If you want to keep an image from being accidentally erased (either with the Erase button or by using the Erase Images entry in the Playback menu), you can mark that image for protection. Use the Protect entry in the Playback version of the Quick Control menu (described next), or use this menu item. To protect one or more images, press the MENU button while viewing an image and choose Protect from the Playback 1 menu. Then, select from the following options:
If you choose the first option, you can view and select individual images with the left/right directional controls, Main Dial, or touch screen, followed by pressing the SET button when the image you want to protect is displayed on the screen. A key icon will appear at the upper edge of the information display while still in the protection screen, and when reviewing that image later. Choose Select Range and you can mark the first of a string of images by highlighting it and pressing SET. Then navigate to the last image to be protected and press SET again.
To remove protection, repeat the process. You can scroll among the other images on your memory card and protect/unprotect them in the same way. Image protection will not save your images from removal when the card is reformatted.
A fast way to protect images is to press the Q button when an image is displayed, then navigate to the Protect “key” icon that appears at top in the left-hand column. (See Figure 13.2.) When Enable is highlighted, press SET to protect the current image, or press INFO to select multiple images using the Select Range, All Images on Card, or Unprotect All Images on Card options that appear.
Options: Rotate image
My preference: N/A
While you can set the EOS R to automatically rotate images taken in a vertical orientation using the Auto Rotate option in the Set-up 1 menu (as described later in this chapter), you can manually rotate an image during playback using this menu selection. Select Rotate from the Playback 1 menu, use the Quick Control Dial to page through the available images on your memory card until the one you want to rotate appears, then press SET. The image will appear on the screen rotated 90 degrees. Press SET again, and the image will be rotated 270 degrees. (See Figure 13.3.) Note that you can also rotate images from the Quick Control menu that appears when you press the Q button during Playback. It’s the second icon from the top in the left column, as shown earlier in Figure 13.2.
Options: Select and Erase Images, Select Range, All Images in Folder, All Images on Card
My preference: N/A
Choose this menu entry and you’ll be given four choices: Select and Erase Images, Select Range, All Images in Folder, and All Images on Card. You can use the first three to selectively remove images, while the third option deletes all the pictures on a card. But, using the Format command is usually faster and more thorough.
Options: Select Image, Multiple: Select Range, Mark/Clear All in Folder, Mark All/Clear All on Card; Set Up: Print type (Standard, Index, Both); Date (On/Off); File Number (On/Off)
My preference: N/A
The EOS R supports the DPOF (Digital Print Order Format) that is now almost universally used by digital cameras to specify which images on your memory card should be printed, and the number of prints desired of each image. This information is recorded on the memory card, and can be interpreted by a compatible printer. Photo labs are also equipped to read this data and make prints when you supply your memory card to them.
Once marked for DPOF printing, you can print the selected images, or take your memory card to a digital lab or kiosk, which is equipped to read the print order and make the copies you’ve specified. (You can’t “order” prints of RAW images or movies.) To create a DPOF print order, just follow these steps:
Options: Select Images, Multiple
My preference: N/A
You can select up to 998 images on your memory card, and then use the EOS Utility to copy them all to a specific folder on your computer. This is a handy way to transfer only specific images to a particular folder, and is especially useful when you’re collecting photos to assemble in a photobook. Your choices include:
Once you marked the images you want to transfer to the specified folder, use the EOS Utility to copy them.
Options: Image Select/Transfer: Direct Transfer, FTP Transfer; RAW+JPEG Transfer: JPEG only, RAW only, RAW+JPEG; Transfer with Caption
My preference: N/A
You can specify which images are to be transferred to your personal computer when the EOS R is linked to the computer with a USB cable. Individual images are “marked” using a review and selection system like the one used to specify print orders. Your options include:
For a direct transfer, connect the camera and computer, turn the EOS R on, and when a request to select a program appears on your computer choose EOS Utility (which you must previously have installed, of course). Direct Transfer will appear on the camera’s screen and you can proceed to select individual images (Sel. Image), a folder (Multiple), or All Images.
For Select Image, use the customary image selection screens to move among images with the QCD, pressing the SET button to mark the image for transfer. Once selected, you can rotate the QCD (or tap the arrows at the bottom of the screen) to mark or unmark (using a check mark) the image, and return to the selection screen by pressing MENU. Press the Magnify/Reduce button to zoom in and out of the image. Using Multiple you can choose images by range, folder, or card, as described earlier for Photobook Setup. During transfer, the display shows the total number of images to be transferred, the number of images that failed to transfer properly, and the total transferred.
Options: Select Images, Select Range; Use Shot Settings; Customize RAW Processing: Brightness, White balance, Picture Style, Auto Lighting Optimizer, High ISO Noise Reduction, Image Quality, Color Space, Lens Aberration Correction
My preference: N/A
You can produce JPEG versions of your full-size RAW images (but not S RAW files) right in the camera. The original RAW shot is not modified. When you select this menu entry, only compatible RAW images are offered for your selection. Just follow these steps:
Options: Crop, Aspect ratio
My preference: N/A
This entry is the first on the Playback 2 menu. (See Figure 13.6.) If you need to crop an image, you can do it here. You don’t have as much control as you would have in an image editor, but if you, say, need to crop an image for emailing or uploading to a social media site, this may do the job. You can crop only JPEG images. This function does not work on RAW images, or frames grabbed from 4K movies.
Simply select this menu entry and press SET. A compatible JPEG image appears. Use the QCD to select an image for cropping. Press the Magnify/Reduce button and rotate the Main Dial counterclockwise to view and select a thumbnail image in index view. Press SET when you’ve chosen your image and MENU to go to the screen shown in Figure 13.7. (Note that you can also crop images from the Quick Control menu that appears when you press the Q button during Playback. It’s the fifth icon from the top in the left column, as shown earlier in Figure 13.2.)
In the cropping screen you can apply one of these tools:
Options: Medium, Small 1, Small 2 image sizes
My preference: N/A
If you’ve already taken an image and would like to create a smaller version (say, to send by e-mail), you can create one from this menu entry. Just follow these steps:
As with some other entries in the Playback menu, you can also apply resize images from the Quick Control menu that appears when you press the Q button during Playback. It’s the fifth icon from the top in the left column, as shown earlier in Figure 13.2.
Options: Select Images (Range, All Images in Folder, All Images on Card); One to five stars
My preference: N/A
If you want to apply a quality rating to images or movies you’ve shot (or use the rating system to represent some other criteria), you can simply press the Rating button during playback multiple times to apply a rating. Or, alternatively, use this entry to give images one, two, three, four, or five stars, or turn the rating system off. The Image Jump function can display only images with a given rating. Suppose you were photographing a track meet with multiple events. You could apply a one-star rating to jumping events, two stars to relays, three stars to throwing events, four stars to hurdles, and five stars to dashes. Then, using the Image Jump feature, you could review only images of one type.
With a little imagination, you can apply the rating system to all sorts of categories. At a wedding, you could classify pictures of the bride, the groom, guests, attendants, and parents of the couple. If you were shooting school portraits, one rating could apply to first grade, another to second grade, and so on. Given a little thought, this feature has many more applications than you might think. Ratings can be used to specify images for a slide show, too, or to select images in Digital Photo Professional. Note that you can also apply ratings from the Quick Control menu that appears when you press the Q button during Playback. It’s the third icon from the top in the left column, as shown earlier in Figure 13.2.
To use the Ratings menu entry, just follow these steps:
Options: Image Selection, Display Time, Repeat, Transition Effect
My preference: N/A
Slide Show is a convenient way to review images one after another, without the need to manually switch between them. To activate, just choose Slide Show from the Playback 2 menu. During playback, you can press the SET button to pause the “slide show” (in case you want to examine an image more closely), or the INFO button to change the amount of information displayed on the screen with each image. For example, you might want to review a set of images and their histograms to judge the exposure of the group of pictures.
To set up your slide show, follow these steps:
Use the EOS Utility to add music files to your memory card, so you can play them back during your slide shows. Just follow these steps:
Options: Filter by: Rating, Date, Folder, Protection, or File Type
My preference: N/A
You don’t need to see every image on your memory card as you play them back. This entry allows you to specify which images are shown during image review, available in a slide show, or subject to the Protect and Erase features. Just follow these steps:
Options: 1 Image, 10 Images (default), Specified number (1–100), Date, Folder, Movies, Stills, Protected, Rating
My preference: 10 Images
As first described in Chapter 2, you can leap ahead or back during picture review by swiping across the touch screen with two fingers, or by rotating the Main Dial. You can select from a variety of increments that will be used with this menu entry. The Jump method is shown briefly on the screen as you leap ahead to the next image displayed, as shown in Figure 13.8.
Your options are as follows:
Options: Enable or Disable 10 different informational screens
My preference: N/A
This is the first entry on the Playback 3 menu. (See Figure 13.9.) When you press the INFO button during Playback, the EOS R cycles among three different screens, shown in Figure 13.10. They include an uncluttered screen with no overlaid information, a basic information screen, and a shooting information screen that provides more complete information, and can include several additional optional panels of data. Use this entry to specify which of the optional screens you want to display.
Just follow these steps to include/exclude the available displays.
Options: Enable, Disable (default)
My preference: N/A
Choose Enable, and overexposed highlight areas will blink on the LCD screen during picture review (these are commonly known as “blinkies”). Set to Disable if you find this alert distracting. Many EOS R users use the histogram displays during playback as a more precise indicator of over (and under) exposure.
Options: Enable, Disable (default)
My preference: N/A
Select Enable, and the exact AF point(s) used to determine focus will be highlighted in red. If automatic AF point selection was used, you may find multiple points highlighted.
Options: 3 × 3, 6 × 4, 3 × 3+ diagonal lines, Off (default)
My preference: N/A
You can superimpose a 3 × 3, 6 × 4, or 3 × 3 plus diagonal lines grid over your image during playback, or disable the grid display entirely. (See Figure 13.12.) The same selection of grids can be displayed as you shoot, using the Set-up 4 menu entry Shooting Information Display, which I’ll explain later in this chapter.
Options: Record Time (default), Time Code
My preference: N/A
Determines whether the movie recording and playback time (Rec Time) is shown on the screen, or whether the Time Code (an absolute positional marker/index) is displayed instead. If you change the Movie Play Count setting in the Shooting 5 (Movie) menu, as described in Chapter 16, or here, the other will be changed automatically. You’ll find additional Time Code options in the Shooting 5 (Movie) menu.
Options: Enable (default), Disable
My preference: N/A
This option allows you to specify which image is shown first when you press the Playback button.
Options: 1X, 2X (default), 4X, 8X, 10X, Actual size, Same as last magnification
My preference: Same as last magnification
This setting allows you to specify the initial magnification for magnified view during playback, as well as the starting position on the screen. Choose your starter magnification based on how often you tend to take a close-up look at your images during review. If you’re a pixel-peeper, you might want an in-depth 10X view each time you magnify your image. If you’re more sedate in your zooming habits, the 1X magnification will start you off with a full-screen view you can zoom in on. I like to use the same magnification I most recently used, because I am likely to examine a series of similar images at the same zoom level during a shooting or review session. Your options are:
There are six amber-coded Set-up menu screens where you adjust how your camera behaves during your shooting session, as differentiated from the Shooting menu, which adjusts how the pictures are taken. Your choices include:
Options: Select Folder, Create Folder
My preference: N/A
Choose this menu option, the first in the Set-up 1 menu (see Figure 13.13) to create a folder where the images you capture will be stored on your memory card, or to switch between existing folders. Just follow these steps:
The folders your EOS R creates always follow the nnnEOS_R convention. You can also use your computer to create folders with names that depart from this arrangement, as long as you adhere to the camera’s general rules for memory card folder names.
Here’s how to create folders with personalized names:
With a little imagination (and caution, to avoid creating “bad” folder names), you can develop some useful folder names, and switch among them at will. I find this capability especially useful when working with very large cards, because I can do a great deal of organizing right on the card itself. Perhaps I have some images in a particular folder that I use as a “slide show” for display on my EOS R’s LCD screen. Or, I might want to sort images by location or date. For example, I could use 104_USA_, 105SPAIN, 106FRANC, or 107GBRIT to indicate the location where the images were shot.
Options: Continuous (default), Automatic Reset, Manual Reset
My preference: Continuous
The EOS R will automatically apply a file number to each picture you take, using consecutive numbering for all your photos over a long period, spanning many different memory cards, starting over from scratch when you insert a new card, or when you manually reset the numbers. Numbers are applied from 0001 to 9999, at which time the camera creates a new folder on the card (100, 101, 102, and so forth), so you can have 0001 to 9999 in folder 100, then numbering will start over in folder 101.
The camera keeps track of the last number used in its internal memory. That can lead to a few quirks you should be aware of. For example, if you insert a memory card that had been used with a different camera, the EOS R may start numbering with the next number after the highest number used by the previous camera. (I once had a brand-new Canon camera start numbering files in the 8,000 range.) I’ll explain how this can happen next.
On the surface, the numbering system seems simple enough: In the menu, you can choose Continuous, Automatic Reset, or Manual Reset. Here is how each works:
Options: Change User Setting 1, Change User Setting 2
My preference: N/A
The EOS R, like other cameras in the Canon product line, automatically applies a file name with a four-digit alphanumeric string, followed by the four-digit image number, such as BE3B0001.jpg or BE3B0001.cr3 to your image files as they are created. The first four characters are set at the factory and are unique to your camera. However, you can also create two personal User Settings, numbered 1 (with four characters of your choice) and 2 (with three). You can use this menu option to change the names applied to your photos—but only within certain strict limitations. In practice, you can change only four of the eight characters, the BE3B (or your camera’s counterpart) portion of the file name, using rules and industry conventions, such as those set by the Design Rule for Camera File System (DCF) specification.
DCF limits file names created by conforming digital cameras to a maximum of eight characters, plus a three-character extension (such as .jpg, or .cr3) that represents the format of the file. The eight-plus-three (usually called 8.3) length limitation dates back to an evil and frustrating computer operating system that we older photographers would like to forget (its initials are D.O.S.), but which, unhappily, lives on as the wraith of a file-naming convention.
Of the eight available characters, four are used to represent, in a general sense, the type of camera used to create the image. Canon defaults to your factory-set initial four characters. The remaining four are used for numbers from 0000 to 9999, which is why your EOS R “rolls over” to aaaa0000 again when the 9999 number limitation is reached. When the EOS R rolls off the factory assembly line, it is configured to provide a choice of three different file-naming schemes:
To change the two User Settings from their defaults, navigate to the File Name screen, as shown at left in Figure 13.15. Then, follow these steps:
Once you’ve defined your naming alternatives to your satisfaction, you can switch among them at any time during a shooting session. Just access the File Name screen from the Set-up 1 menu, highlight File Name at the top of the screen, and press SET. You can then choose the factory preset code, User Setting 1, or User Setting 2, as shown in Figure 13.16. Renaming a user setting is so easy that I sometimes do it on the fly during a shoot. If you don’t need to differentiate between different cameras or models, you can change the characters to anything else that suits your purposes, including your initials (DDB_ or JFK_, for example) or even customize for a particular shooting session (EUR, GER, FRA, and JAP when taking vacation trips). You can also use the file name flexibility to partially overcome the 9999 numbering limitation. You could, for example, use the template EO1 to represent the first 10,000 pictures you take with your EOS R, and then EO2 for the next 10,000, and EO3 for the 10,000 after that.
That’s assuming you don’t rename your image files in your computer. In a way, file naming verges on a moot consideration, because it applies only to the images as they exist in your camera. After (or during) transfer to your computer you can change the names to anything you want, completely disregarding the 8.3 limitations (although it’s a good idea to retain the default extensions). If you shot an image file named IMG_4832.jpg in your camera, you could change it to Paris_EiffelTower_32.jpg later. Indeed, virtually all photo-transfer programs, including Photoshop Elements Transfer, allow you to specify a template and rename your photos as they are moved or copied to your computer from your camera or memory card.
I usually don’t go to that bother (I generally don’t use transfer software; I just drag and drop images from my memory card to folders I have set up), but renaming can be useful for those willing to take the time to do it.
Options: On: Camera, Computer (default); On: Computer Only; Off
My preference: Camera+Computer
You can turn this feature On or Off. When activated, the EOS R rotates pictures taken in vertical orientation on the display screen so you don’t have to turn the camera to view them comfortably. However, this orientation also means that the longest dimension of the image is shown using the shortest dimension of the display, so the picture is reduced in size. You have three options. The image can be autorotated when viewing in the camera and on your computer screen using your image-editing/viewing software (this choice is represented by a pair of camera/computer screen icons). The image can be marked to autorotate only when reviewing your image in your image editor or viewing software (just a computer screen icon is used). This option allows you to have rotation applied when using your computer, while retaining the ability to maximize the image on your display in the camera. The third choice is Off. The image will not be rotated when displayed in the camera or with your computer. Note that if you switch Auto Rotate off, any pictures shot while the feature is disabled will not be automatically rotated when you turn Auto Rotate back on; information embedded in the image file when the photo is taken is used to determine whether autorotation is applied.
Options: Format Card, Low Level Format
My preference: N/A
Use this item to erase everything on your memory card and set up a fresh file system ready for use. When you select Format Card, a display appears showing the capacity of the card, how much of that space is currently in use, and two choices at the bottom of the screen to Cancel or OK (proceed with the format). Press the Trash button if you’d like to do a low-level format. That’s a more basic format that removes all sectors from the card and creates new ones, which can help speed up a card that seems to be slow (because the camera must skip over “bad” sectors left behind from previous uses). An orange bar appears on the screen to show the progress of the formatting step.
Options: On, Off (default)
My preference: Carry multiple batteries so you don’t have to worry about this.
This setting is the first in the Set-up 2 menu (see Figure 13.17). Even though your EOS R uses the same LP-E6N battery pack supplied with Canon’s upscale digital SLR models (like the 5D Mark IV), it is inherently more power hungry than traditional dSLRs you may have used. The sensor is energized any time you are using the viewfinder or LCD screen (rather than only when capturing a photo), and the EVF and LCD themselves suck up juice. Based on Canon’s own specifications, you may expect to shoot only 370 exposures or capture just 2 hours, 20 minutes of movies with a single fully charged battery.
When Eco Mode is enabled, the LCD screen (but not the viewfinder) darkens drastically after if the camera is not used for approximately two seconds, and turns off completely after 10 seconds. To reactivate, tap the shutter release to gain yourself another 2/10 seconds of LCD viewing. While Eco Mode is a thoughtful feature on Canon’s part, in practice it can be a major inconvenience, especially if you are using the LCD to compose your image (say, the camera is mounted on a tripod). In such cases, you’d definitely want to make sure Eco Mode is turned off. Even better, you can turn Eco Mode off and leave it off for the rest of your life though the simple expedient of buying a reasonable number of batteries. Swapping power cells every few hours is preferable to losing your LCD image at a critical moment. I use this feature only when I am down to my last battery (due to unforeseen circumstances, or, stupidity) and want to squeeze every bit of juice I can out of my remaining LP-E6N.
Options: Display Off: Default, 1 min.; Auto Power Off: Default, 1 min.; Viewfinder Off: Default, 3 min.
My preference: Display Off: 3 min.; Auto Power Off: 5 min.; Viewfinder Off: 3 min.
This setting allows you to adjust how long the EOS R remains active before features are turned off to save power. As I noted with the Eco Mode explanation, intelligent power saving can be crucial with mirrorless cameras.
This option is more useful and flexible than Eco Mode; you have three choices:
Options: Adjust brightness of viewfinder and/or LCD screen
My preference: N/A
I hope the Canon engineer who designed this feature got a bonus for cleverness. Like every other mirrorless camera I’ve used, the EOS R allows you to adjust the brightness of the electronic viewfinder and LCD screen separately. But, unlike the others, when you access this particular entry, the camera automatically defaults to whichever display you happen to be using. Bring the camera up to your eye and press the left/right directional buttons to brighten or darken the electronic viewfinder display. Fix your attention on the LCD instead, and the adjustment screen switches to the back-panel display. You can then use the directional buttons or touch screen to make your adjustment.
Use the example image and the gray patches shown (see Figure 13.18) to decide whether the brightness is satisfactory. The thumbnail shows the last image viewed during Playback, so you can actually “calibrate” your display for your current shooting environment. You want to be able to see both the lightest and darkest steps at top and bottom of the gray scale, and not lose any of the steps in the middle. Brighter settings use more battery power, but can allow you to view an image on the LCD outdoors in bright sunlight. When you have the brightness you want, press the SET button to lock it in and return to the menu. At concerts, I tend to review my images using the electronic viewfinder; if I want to share images with a companion, I often dial down the brightness of the LCD screen to the minimum to avoid disturbing the other paying customers who might not be as interested in my results.
Options: 1: Warm tone, 2: Standard (default), 3: Cool tone 1, 4: Cool tone 2
My preference: 2: Standard
You can use this setting to adjust the approximate color balance of the viewfinder and LCD monitor to your taste. It works similarly to the Display Brightness entry; bring the camera up to your eye to adjust the viewfinder; look at the LCD screen to set its color tone. You’d use this option if you consistently find that your images are warmer or cooler than what you view, and want to have a (slightly) more accurate preview image. (Neither display will match your final image precisely, especially when you are shooting RAW, because the EOS R shows a JPEG version regardless of the format you choose.)
To set the color, activate this entry, and the last image you played back will be displayed. You should use the ambient lighting conditions you want to standardize on. Then, highlight 1: Warm tone, 2: Standard, 3: Cool tone 1, or 4: Cool tone 2, and press SET.
Options: Date, Time, Zone, Daylight Savings
My preference: N/A
Use this option to set the date and time, which will be embedded in the image file along with exposure information and other data. As first outlined in Chapter 1, you can set the date and time by following these steps:
Options: 29 languages
My preference: N/A
Choose from 29 languages for menu display, rotating the Quick Control Dial or using the directional buttons until the language you want to select is highlighted. Press the SET button to activate.
Options: For NTSC, For PAL
My preference: N/A
This setting, the first on the Set-up 3 screen (see Figure 13.19), controls the output of the EOS R through the HDMI cable when you’re displaying images on an external monitor. You can select either NTSC, used in the United States; Canada; Mexico; many Central and South American, and Caribbean countries; much of Asia; and other countries; or PAL, which is used in the UK, much of Europe, Africa, India, China, and parts of the Middle East.
Canon makes it quite easy to view your images on a high-definition television (HDTV). Purchase the optional HDMI Cable HTC-100 (or equivalent HDMI Micro C cable) and connect it to the HDMI OUT terminal just below the USB Type-C port on the left side of the camera.
Connect the other end to an HDMI input port on your television or monitor (my 42-inch HDTV has three of them; my 26-inch monitor has just two). Then turn on the camera and press the Playback button. The image will appear on the external TV/HDTV/monitor and will not be displayed on the camera’s LCD. Most HDTV systems automatically show your images at the appropriate resolution if you set HDMI Resolution to Auto using the Set-up 3 entry described later in this chapter.
Options: Standard (default), Sensitive, Disable
My preference: Standard
Here you can specify how sensitive the touch screen is to your taps and strokes. Note that the screen responds to changes in capacitance (changes in an electrical charge), rather than pressure, so using a stylus or other object instead of a finger isn’t advised. Moisture or protective covers for the LCD screen may also interfere with touch operation, although I’ve had no problems with GGS screens available from Amazon and elsewhere. If you find that your everyday handling of the EOS R frequently triggers unwanted actions, you can disable touch control entirely if you never want to use it. Otherwise, set the amount of sensitivity that works best for digital control, so to speak. While Standard works best for most, those who use touch control frequently may want to try the Sensitive setting. However, at that setting, very rapid, light movements may not register.
Options: Enable (default), Touch to Silence, Disable
My preference: Disable
The EOS R’s internal beeper provides a helpful chirp to signify various functions, such as the countdown of your camera’s self-timer, when an image is in focus, and during touch operations. You can switch it off entirely if you want to avoid the beep because it’s annoying, impolite, or distracting (at a concert or museum), or undesired for any other reason. In the Beep screen, choose Enable to activate, Disable to silence all beeps, or Touch To Silence (which silences the beep only during touch screen operations), as you prefer. Press SET to activate your choice and exit.
Options: Register, Delete Info.
My preference: N/A
This entry is an exceptionally useful feature that allows you to view battery condition information and performance, and track the data among several different batteries. Your EOS R can keep track of multiple LP-E6 or LP-E6N batteries because each of them is given a unique serial number (which is either printed on or available on a sticker you can affix to the battery). The camera reads this serial number and stores information about each of the batteries that you use and have “registered” separately. I always recommend owning at least two and, preferably three or more batteries. That’s especially true if you use the Battery Grip BG-E22, which holds two battery packs itself. I also own other Canon cameras which use the same battery, so I’m able to justify four batteries to shuttle between my multiple cameras.
This feature makes it possible to see exactly how each battery you own is performing, allows you to rotate them to even out the usage, and helps you know when it’s time to replace a battery. When you select this menu choice, a Battery info screen like the one shown at left in Figure 13.20 appears, with a wealth of information (if you use two LP-E6/E6N packs in a BG-E22 grip, information about both packs will appear):
The EOS R can “remember” information about up to six LP-E6 battery packs, and provide readouts of their status individually. To register the battery currently in your camera, follow these steps:
Tip
Use this info with caution, however, as a given battery may have self-discharged slightly during storage and, of course, you may have fully recharged it since the last time it was inserted in the camera. However, this data can be useful in tracking the remaining capacity of several different battery packs during a single shooting session, or over the course of several days when you’re not recharging the packs after each session.
Options: Auto Cleaning, Clean Now (default), Clean Manually
My preference: N/A
One of the Canon EOS R’s most useful features is the automatic sensor cleaning system that reduces or eliminates the need to clean your camera’s sensor manually using brushes, swabs, or bulb blowers. Canon has applied anti-static coatings to the sensor and other portions of the camera body interior to counter charge build-ups that attract dust. A separate filter over the sensor vibrates ultrasonically each time the EOS R is powered on or off, shaking loose any dust, which is captured by a sticky strip beneath the sensor.
Use this menu entry to enable or disable automatic sensor cleaning on power up (select Auto Cleaning to choose) or to activate automatic cleaning during a shooting session (select Clean Now). You can also choose the Clean Manually option to open the EOS R’s shutter and clean the sensor yourself with a blower, brush, or swab. If the battery level is too low to safely carry out the cleaning operation, the EOS R will let you know and refuse to proceed, unless you use the optional AC Adapter Kit ACK-E6N with the DC Coupler DR-E6.
Options: Auto (default), 1080p
My preference: 1080p if your device accepts it
As I mentioned earlier, your EOS R can output to an external monitor or video recorder, using a cable that has an HDMI Mini-C connector to fit the camera and a standard HDMI connector on the other end to link to your device. You can set this option to Auto, in which case the camera will attempt to ascertain the correct resolution for the connected device, and then direct its output in that format. There may be some delay while the appropriate resolution is achieved, but if you know your device can accept 1080p video, you can go ahead and select that setting to avoid the time lag.
The only problem with this procedure is that the EOS R has a nasty habit of not adjusting to the correct resolution for some devices, complicated by the fact that you cannot then select the right setting yourself. I’ve encountered several devices, including my BlackMagic Intensity Shuttle capture device, that the EOS R is unable to recognize automatically, and which require a setting that Canon does not allow you to make manually. I checked with Canon and they offer no solution; there is no way to manually specify a resolution other than 1080p.
Options: Off/On
My preference: N/A
Television innovations come and go, but some are more likely than others to catch on, and Canon is keeping abreast of the curve. Unlike, say, 3D TV (which suffered from a lack of content and consumer desire and had mercifully died by 2018), High Dynamic Range (HDR) TV is here to stay. If your current television doesn’t have HDR, it’s likely your next one will (along with 4K display). In that case, you’ll be able to output your EOS R’s RAW images for display on your nifty new set. They’ll look mar-velous (at least, that’s what I’m told).
In addition to an HDR-compatible TV, you’ll need to remember to set up your television’s input to accept HDR images. While viewing HDR output from your camera, some features, such as RAW processing, are not available. The camera will also send JPEG images instead of RAW to your HDR TV when displaying multiple-exposure RAW images and photos shot with the L (ISO 50 equivalent) sensitivity setting.
Options: Screen Information Settings, Viewfinder Info/Toggle Settings, Viewfinder Vertical Display, Grid Display, Histogram Display, Focus Distance Display, Reset
My preference: N/A
This is the first entry in the Set-up 4 menu (see Figure 13.21). One of the advantages of cameras that have electronic displays for both viewfinder and LCD screen is that a wealth of relevant information can remain in constant view as you shoot. You’re not forced to remove your eye from the viewfinder to check shooting information, to review images in Playback, or to make changes using the Quick Control and conventional menu systems. Everything you need to know can be shown on both displays.
One of the disadvantages of cameras that have electronic displays for both viewfinder and LCD screen is that all that data must be overlaid on the image frame, which can be quite cluttered—sometimes with information that you really don’t care about at the moment. Fortunately, you can customize what information appears on the shooting information displays, segregating some data onto alternate screens, and cycle among the screens you do want to see at the press of the INFO button.
You can define up to five different LCD screen layouts, and three different viewfinder configurations using this menu entry. When you choose it in the Set-up 4 menu, a sub-menu like the one shown in Figure 13.22 appears, with six options, plus Reset. I’m going to explain each of them in turn.
This is where you activate/deactivate and edit up to five LCD screen displays. Figure 13.23 (left) shows the enable/disable options, shown numbered from 1 to 5 in the right column. To enable one of the five screens, highlight it using the up/down buttons and press SET to activate (marking with a check) or deactivate (removing a check that is already there). At least one screen must be active; you can’t hide them all.
To edit the type of information that appears on a given screen, highlight it and press INFO. An Edit Screen like the one shown at right in Figure 13.23 appears. Five information types appear in the right column, representing (top to bottom) Basic Shooting Information, Detailed Shooting Information, On-Screen Buttons (display of icons, such as Focus Method, you can tap to make adjustments), Histogram Display, and Electronic Level. As with the numbered screens, you can activate any combination of information types for a given screen.
You obviously won’t want all information to appear on all screens; it makes sense to reserve one screen for Basic Shooting Information, another for Detailed Shooting Information, and using the others either to provide one specific type of data, or a combination you find useful. When you’re finished, highlight OK to confirm or Cancel to eliminate your changes, then SET to exit. When you’re using the LCD screen, cycle among the displays you’ve set up by pressing the INFO button.
This option operates very much like the LCD screen setup, except (on the theory that the viewfinder should be kept free of clutter as much as possible) only three screens can be enabled/disabled, and the choices for each of the three are limited to a single trio of settings: Detailed Shooting Information, Histogram, and Electronic viewfinder. Set up any or all three of the available screens with appropriate options, as described above. (See Figure 13.24.)
When you’re using the electronic viewfinder, cycle among the displays you’ve set up by pressing the INFO button.
Even though your electronic viewfinder may bristle with overlaid information, you can still read it when shooting vertically oriented pictures. This one’s a no brainer: set to On, and when you rotate the camera, the information display rotates with it, so you can still read it.
Those helpful grids discussed earlier in this chapter in the Playback section are also available for use while shooting. You can superimpose a 3 × 3, 6 × 4, or 3 × 3 plus diagonal lines grid over your image during shooting, or disable the grid display entirely.
There’s only room for one histogram on the screen when shooting, but you can choose whether the histogram displayed by your selected LCD screens is a brightness or RGB histogram, and whether it is displayed in large or small size. Choose the configuration you prefer, but for most the brightness histogram provides sufficient information while shooting. The RGB histogram may be one to study during playback to see exactly what went right (or wrong) with the tonal rendition of your image.
Canon RF-mount lenses communicate a remarkable amount of information to the camera, so you have the option of showing the actual focus distance on the display. It’s arrayed as a scale on the bottom of the display. Best of all, you can choose when this information is supplied: in Manual Focus mode, any time you are actually focusing (either with autofocus or manual focus), always, or never (Disable). Close-up and macro photographers will particularly find this feature useful.
Highlight Reset and press SET to return all the shooting information displays to their default values. The Screen Info/VF Info screens are all enabled with preset values; viewfinder vertical rotation and grid display are on, histograms are set to Brightness, and focus distance display is returned to In MF Mode only.
Options: Power Saving, Smooth (default)
My preference: Smooth
One objection that mirrorless cameras like the EOS R have handily overcome is the quality of the electronic viewfinder display. Early EVFs were low resolution, slow in refresh rate, and often looked jerky when compared to the smooth display of the optical viewfinders found in dSLRs. With 3.69 million dots, your camera’s viewfinder has very high resolution and boasts a 0.76X magnification factor that make it almost indistinguishable from an optical display. All that visual horsepower comes with a power penalty. If juice is at a premium, you can use this setting to switch to a slightly slower refresh rate with a display that’s still good. However, most of the time—and especially when shooting sports or other action—you can safely leave this setting on Smooth and enjoy one of the best viewfinder displays available in a mirrorless camera.
Options: Display 1 (default), Display 2
My preference: N/A
Your EOS R offers two slightly different viewfinder display formats. Your choice is just a matter of preference. With Display 1, the image fills the viewfinder, with information along the bottom displayed in a black bar, and any information shown at left and right sides overlaid over the image area. Display 2 shrinks the image display slightly to provide room for black bars at right and left sides, so information icons can be displayed in those bars rather than overlaid on the image. If you prefer to declutter your image area as much as possible, choose Display 2. I’m accustomed to shooting mirrorless cameras and don’t mind the overlaid data when it appears.
Options: Auto (default), Manual
My preference: Auto
This option controls how the EOS R switches between the LCD screen and electronic viewfinder:
Options: Half press: Metering and Movie Servo AF, Metering and One-Shot AF; Full press: Disable during movie shooting, Shoots Movies
My preference: Half press: Metering and One-Shot AF; Full press: Disable during movie shooting
This setting, which appears when the EOS R is in movie mode, specifies what a half-press and a full press of the shutter release will do during movie shooting.
Options: Small (default), Large
My preference: Large
When you first begin using your EOS R, you may find yourself pressing the INFO button when the INFO Help message is displayed below a menu. Pressing it will pop up a screen with information on how to choose options for that menu item. You won’t need this help after you’ve had your camera for a while, but as long as you avail yourself of this aid, you might as well have it displayed in large, clear text. You can press the up/down directional buttons to scroll within the help text display.
Options: Wi-Fi Settings, Wi-Fi Function, Bluetooth Function, Send Images to Smartphone, Nickname, Clear Settings
My preference: See Chapter 6
This entry allows you to specify wireless communication settings. I explained these functions in detail in Chapter 6, and won’t repeat those instructions here. This entry and the next are not shown in a figure.
Options: Disable GPS, Select GPS Receiver, Smartphone
My preference: See Chapter 6
Your options for using the Canon GP-E2 were explained in more detail in Chapter 6, and won’t be repeated here.
Options: Main Dial, Quick Control Dial, Touch Control, M-Fn Bar, Control Ring
My preference: N/A
This is the first entry on the Set-up 6 menu (see Figure 13.25). Your EOS R includes a sliding lock switch just beneath the Quick Control Dial. Slide it to the right when you want to prevent the use of the Main Dial, Quick Control Dial, Touch Controls, M-Fn Bar, or Control Ring from accidentally changing a setting. You can select any or all of the controls to lock, while freeing the others (or none) to act normally. I use this sometimes when I am using manual exposure, especially when I’m fumbling around in a darkened environment, and don’t want to unintentionally manipulate my settings. The Multi-Function Lock screen has one option for each control; highlight the control and press SET to lock or unlock it. A check mark appears next to the control’s name when it’s locked, and an L/Lock indicator appears in the viewfinder, top-panel LCD, and LCD screen (see Figure 13.26). In Scene Intelligent Auto mode, only touch control can be locked.
Options: Register Settings; Clear Settings; Auto Update Settings, Enable, Disable
My preference: N/A
This entry allows you to register your EOS R’s current camera shooting settings and file them away in the C1, C2, or C3 positions and access them when pressing the MODE button. Doing this overwrites any settings previously stored at that position. You can also clear the settings for any of the three MODE positions individually, returning them to their factory default values.
Register your favorite settings for use in particular situations. I have stored settings for sports, portraits, and landscapes. If you switch to C1, C2, or C3 and forget what settings you’ve made for that slot, just press the INFO button to view the current settings. Keep in mind that My Menu settings are not stored individually. You can have only one roster of My Menu entries available for all the Mode Dial’s positions.
This menu choice has only three options: Register Settings (which stores your current settings in your choice of C1, C2, or C3), Clear Settings (which erases the settings in C1, C2, or C3), and Auto Update Settings. When the latter is set to Enable, any changes you make to your settings in C1, C2, or C3 modes will be stored in that memory slot; use Disable to preserve your registered setting as-is, ignoring any changes you made while using that Custom Shooting mode. Note that you must use this menu entry to clear your settings; when using C1, C2, or C3, the Clear Settings option in the Set-up 3 menu is disabled. The Clear all Custom Func. (C.Fn) option in the Custom Functions menu is disabled as well.
To perform these tasks, just follow these steps:
Options: Clear settings
My preference: N/A
This menu choice resets all the settings to their default values. Regardless of how you’ve set up your EOS R, it will be adjusted to One-Shot AF mode, Automatic AF-point selection, Evaluative metering, JPEG Fine Large image quality, Automatic ISO, sRGB color mode, Automatic White Balance, and Standard Picture Style. Any changes you’ve made to exposure compensation, flash exposure compensation, and white balance will be canceled, and any bracketing for exposure or white balance nullified. Custom white balances and Dust Delete Data will be erased. Tables showing the factory default settings and my recommendations were provided in Chapter 3.
Remember, Custom Functions and Camera User Settings will not be cleared. If you want to cancel those as well, you’ll need to use the Custom shooting mode option (described previously) and the Custom Functions clearing option.
Options: Display Copyright Information, Enter Author’s Name, Enter Copyright Details, Delete Copyright Information
My preference: N/A
Here’s where you can give yourself credit for the great photos you’re shooting with your EOS R:
Options: None
My preference: N/A
This entry displays a URL you can type in to access manuals and software for your EOS R, as well as a QR code you can scan with your smart device to whisk you off to the same web page.
Options: None
My preference: N/A
This is an informational only screen, which allows Canon to add certification data (similar to what is printed on the bottom panel of the camera) via a firmware upgrade, and without the need to manufacture new stickers for the camera bottom.
Options: Update firmware
My preference: N/A
You can see the current firmware release in use in the menu listing. If you want to update to a new firmware version, insert a memory card containing the binary file, and press the SET button to begin the process.
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