Part III
The Entertainment Industry

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Photo cour tesy of: Bill Jarcho/Zambini Brothers. Puppet head printed by Digital Double.

“I’m shocked by how many students these days come out of school not learning this stuff. It’s sort of criminal to have anyone entering the profession not understanding how to do this. It’s important – it’s where the world is going.”

Beowulf Boritt, Broadway scenic designer

3D printing and scanning technologies have become a revolution across the disciplines of entertainment design. The question is not what can you print, but really what you can’t. The possibilities are only limited by our imagination and available time.

Should it Be 3D Printed?

  • ✓ Will it save me time to 3D print/scan this object?
  • ✓ Will it save me money to 3D print/scan this object?
  • ✓ Are multiple copies needed of this object?
  • ✓ Does a model already exist online that I can download and use?
  • ✓ Does this object need a high level of detail that may be hard to create traditionally?
  • ✓ Will 3D printed materials be more reliable than traditional materials for the intended use of this object?
  • ✓ Will this object be abused and may need replicas available?
  • ✓ Do I need to copy a rare or fragile item and produce more?
  • ✓ Do I need to replicate something I cannot purchase, such as a famous statue?
  • ✓ Is this object organic, artistic, or have tricky complex features that may be easier to scan and print than sculpt, cast, or other?
  • ✓ Is it complex enough that carving is the only other way I can imagine making this item? Would 3D printing be faster than carving it?
  • ✓ Will 3D printing help me to avoid the use of potentially dangerous chemicals required in the traditional creation of this object?
  • ✓ Will other individuals need a replica of this item (such as a scenic model)?
  • ✓ Will this object need to be completely custom?
  • ✓ Does it sound interesting – or just plain fun – to create this object by way of 3D printing/scanning?
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