Index

Numbers in italics refer to illustrations; numbers in bold refer to main entries

A

Adobe Illustrator 165

Adobe Lightroom 64, 131, 132, 242, 245, 245

Adobe Photoshop 42, 63, 64, 95, 149, 162, 171, 181, 192, 204, 209-10, 238-9, 244, 245, 259, 261

AEB (auto exposure bracketing) 62

aerial photography 224-9; see also KAP (kite aerial photography)

Agfa film 151, 155, 181

Amos, Elin 74, 76

Angle Finder 21

animals 108-11

Anscoflex 189

aperture 199-201, 214, 269, 284, 285, 286

Aperture Priority shooting mode 286

architecture 145, 160-3

Argus 75 189

art direction 140

autofocus 19, 110, 173, 191, 205, 207, 283: see also focusing

B

backgrounds 194-7

barrel distortion 53

black-and-white photography 240-5

blue hour 137, 137; see also golden hour

Blurb 278-9, 279

bokeh 94, 268-71

BookSmart 278-9, 279

Bulb mode 113, 285

Burst mode 48, 62, 205

C

camera obscura 100

camera phones 218-23

camera shake 19-20, 53, 62, 69-70, 113, 114, 187, 203, 285, 285, 286

using an iPhone 221

camera tossing 264-7

camera types 280-1; see also individual names

Camerabag (app) 223

camphones see camera phones

Canon

Angle Finder 21

cameras 21, 137, 200, 213, 248, 266, 267

Hack Development Kit 82

lenses 145, 146, 214, 286

Cherrington, Rosie 77

children 172-7

circular polarizing filter 53, 53, 62, 123

color swatches 24

colored flash 250-3

colored gels 25, 251, 252

ColourMill (app) 223

compact digital cameras 280

composition 51, 78, 99, 128, 157, 220, 282; see also rule of thirds

concerts 212-17

Contax T2, T3 14, 280

continuous focus 283

Cosina CX-2 69, 281

cross-processing 55, 72, 119, 136, 150-5, 159, 180, 181, 181, 192, 234

D

depth of field 52-3, 110, 146, 149, 170, 285, 286

extreme 96-101

shallow 198-201

Diana 231, 233

diffraction 52, 100, 101, 285-6

digital single lens reflex see DSLR/SLR cameras

distortion 162

double exposures 36, 37, 30, 39, 178-81

DSLR/SLR cameras 280

E

Eames, Charles 93

Ensign Ful-Vue 189

event photography 138-43

everyday subjects 54-9

exposure 97-8, 117, 157, 283, 283-5, 285

compensation 117-18, 284-5

double exposures 36, 37, 38, 39, 178-81

long exposures 112-15 (night), 272-5 (day)multiple exposures 42, 43

overexposure 34, 36, 37, 38, 60, 61, 128, 283, 283-5

redscale 34-9

underexposure 36, 37, 38, 39, 60, 61, 69, 117, 128, 283, 283-5, 285

see also camera tossing: HDR (high dynamic range); intervalometer; moonlight; night photography; time-lapse photography

F

f-numbers/f-stops 284, 285, 286

FDR tools 63

film processing 154-5, 242; see also cross-processing

flash photography 25, 76, 109-10, 191, 203, 216, 280

colored flash 250-3

fill flash 135

off-camera 29, 102-7

Flickr 26, 31, 89, 127, 219, 222, 277, 278

focal length 97, 201, 261, 285, 286

focusing 282, 282-3

autofocus 19, 110, 173, 191, 205, 207, 283

continuous focus 283

focus lock 118, 283

intelligent mode focus 283

manual focus 282-3

split-screen system 282

zone 281, 282; see also zone-focus cameras

see also depth of field

G

gels, colored theater 25, 251, 252

GIF animations 204

Glastonbury Festival 213, 216

golden hour 134, 136, 136, 152, 153; see also blue hour

Gorillapod 53

H

Halsman, Philippe 41

HDR (high dynamic range) 60-7

Hobday, Georgie 78

Holga 101, 164-7, 179, 181, 189, 231, 233, 281

horizon line 51, 52, 53, 98

Hunt, David 82

hybrid cameras 14, 280

I

image stabilization 113-14, 285

image-processing software see individual names

Imagekind 278, 279

The Impossible Project 94, 281

inspiration 28-33

instant cameras 281; see also Polaroids

intelligent mode focus 283

intervalometers 82, 128, 128

iPhone 219, 221, 223, 261

ISO settings 283, 284, 284, 285

J

Jackson, Joanne 76

JPEGs vs RAW 62, 128, 227, 242, 244

jump shots 40-3

K

Kalimar Action Shot 16 203-4, 281

KAP (kite aerial photography) 80-7

Kodak

cameras 189, 190, 191, 193

film 208

L

Lady Gaga 213

Land, Edwin 93

landscapes, photographing 50-3, 145

lead-in lines 51, 52

lens flare 164

lens, water on the 46

Lensbaby 147

lenses

interchangeable 280

prime 286

telephoto 143

terminology 286

tilt-shift 144-9, 162

wide-angle 163, 163, 201, 246-9

zoom 111, 201, 261, 286

see also barrel distortion; macro lenses/photography; individual names

letterbox lighting 76

Life magazine 279

light 134-7, 152-3, 161

"painting" with 22-7, 98

light source collection 24

metering 284

trails 264-7

see also blue hour; flash photography; golden hour

Lightroom see Adobe Lightroom

Lomo

Action Sampler 203, 205

Fisheye and Adaptor 248, 249, 249, 281

LC-A 14, 69-73, 110, 125, 154, 181, 185, 200, 238-9, 248, 266, 281

LC-A+ 179, 180, 281

Oktomat 204

SuperSampler 203, 205, 281

Tunnel Vision lens 232

Lomographic Society 203

Lomography Colorsplash Rash 252

low light 19-20, 42, 69-70, 214, 248, 286; see also night photography

low-down photography 18-21, 119, 123, 223

Lubitel 166B 179

M

macro lenses/photography 168-71, 188, 190, 191, 200

MagCloud 279

magic hour see golden hour

manual focus 282-3; see also focusing

Manual shooting mode 286

metering modes 281, 284

Micro Four Thirds cameras 14, 280

minimal photography 156-9

Minitar lens 72

models, working with 74-9

montages, people 236-9

Moo 278, 279

moonlight 254-7

motion blur 113, 203, 205, 273; see also camera shake; image stabilization

motion capture 98, 112-15, 286

multiple exposures 42, 43

Munson, Sophie 77

Musgrave, Carrie 189

music photography see concerts

N

neutral density filter 63, 64, 101, 114, 274

Newton, Helmut 93

night photography 1920, 112-15, 161; see also light, "painting" with; light, trails; low light; moonlight; star trails

Nikon

cameras 21, 46, 49, 128, 200, 280

perspective-control lenses 145

Nokia 6230i 219

O

Olympus cameras 14, 69, 125, 244, 280, 281

overexposure 34, 36, 37, 38, 60, 61, 128, 283, 283-5

P

Panasonic cameras 14, 280

panoramas 258-61

panorama stitching 66-7, 146, 163, 259, 261, 261

Pentax *ist D 190

people montages 236-9

perspective 158, 161

perspective-control lens see tilt-shift lenses

Perspex reflections 184-7

Phoot Camp workshop 185

Photomatix 63

Photoshop see Adobe Photoshop

Picavet systems 82, 83, 84, 87

pinhole photography 96-101

Polaroids 92-5, 176, 189, 281

SLR 680 94, 95

SX-70 Land Camera 93, 94, 95

portraits 12-17, 41, 94, 195, 201; see also self-portraits

prime lenses 286

processing labs 154-5, 242

Q

QuickTime 132

R

RAW vs JPEG 62, 128, 227, 242, 244

redscale 34-9

reflections 122-5, 190

using Perspex 184-7

reflectors 135, 170

resolution 128, 132

Reynolds, Sally 76, 78

rule of thirds 51, 52, 157, 282; see also composition

S

Samsung cameras 14, 280

scavenger hunts 56-7

self-portraits 28, 30, 32, 33, 48, 49, 104, 105, 107, 125, 252

sensor dust 286

sequenced images 202-5

shooting mode 286

shutter lag 45, 48, 280

shutter speed 285

Sigma lens 190

silhouettes 24, 25, 27, 42, 43, 116-21, 153, 157, 187, 240, 241

using cut-outs 164-7

single lens reflex see DSLR/SLR

single-shot focus 283

Snapfish 279

Spectrum Imaging (Newcastle, UK) 155

Splitzer 180, 181

Sport mode 86, 205, 226

spot metering 157

sprocket-hole photography 230-5

star trails 206-11

Startrails (software) 209-10

still lifes 196

Summit Global Group, The 94

T

telephoto lens 143

365 Days Project 29, 31, 104

tilt-shift lenses 144-9, 162

time-lapse photography 126-33

tone mapping 63-4

Toots VonFury (Kelly) 79

tourist cliches, avoiding 88-91

toy cameras 230-5, 281; see also Individual brands

tripods 53, 98, 255, 261

TtV (through the view finder) photography 188-93

U

underexposure 36, 37, 38, 39, 60, 61, 69, 117, 128, 283, 283-5, 285

Urban Acid 190, 192

USA Color Lab, New York 155

V

view finder see TtV (through the viewfinder) photography

vignetting 35, 37, 70, 72, 72, 96, 97, 98, 99, 100, 101, 101, 145, 150, 165, 223, 238-9

Vivitar Ultra Wide & Slim 35

W

Warhol, Andy 93, 203

water shots 44-9

waterproof cameras 45-9

white balance 26, 130, 207, 210, 241, 242, 259

wide-angle lens 163, 163, 201, 246-9

Wood, Derek 185

X

xpro see cross processing

Y

Yashica cameras 189, 280

Z

zone-focus cameras 14, 68-73, 110, 125, 281, 282

zoom lens 111, 201, 261, 286

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