- Cover
- Title
- Copyright
- Contents
- Acknowledgments
- Part 1: Shooting Video on Location
- Part 2: The Process
- Chapter 4: Framing and Composition
- Identifying the Story Line
- Part One: Framing—The Range of Shots
- Shots by Perspective
- Camera Movement Shots
- Special-Use Shots
- Part Two: Composition—Aesthetic Considerations
- Creating the Third Dimension
- Effects of Focal Length
- Distance
- Balancing the Picture
- Composing Specific Shots
- Following the Action
- Breaking the Rules
- Summary
- Chapter 5: Scriptwriting
- Chapter 6: Preproduction and Production
- Part One: Preproduction
- Electronic News Gathering
- Electronic Field Production
- Production Crew
- Scheduling and Coordinating
- Location Selection and Survey
- Graphics and Props Preparation
- Clearance on Copyright Materials
- Travel Planning
- Part Two: Production—Shooting on Location
- ENG Versus EFP
- Setting Up
- Sound and Light
- Location Integrity
- Maintaining Control
- Backup Plans
- Security
- Dealing with the Public
- Checklists
- Recording
- Rehearsing
- Shooting (and Reshooting)
- Wrapping Up
- Summary
- Chapter 7: Postproduction and Distribution
- Chapter 4: Framing and Composition
- Part 3: The Tools
- Chapter 8: Video
- Chapter 9: Audio
- Chapter 10: Light: Understanding and Controlling It
- Part One: The Physical Properties of Light
- What is Light
- The Color of Light
- The Direction and Size of a Light Source
- The Quantity of Light
- Part Two: Creating Light
- Light Emitters
- Lighting Equipment
- Part Three: Basic Lighting Technique
- The Starting Point: Exposure
- The Art of Casting Shadows
- Basic Theory
- Formal Lighting
- Natural Lighting
- Light as an Editorial Tool
- Summary
- Part 4: The Business of Video
- Appendix 1: Screenplay Format
- Appendix 2: Two-Column, Audiovisual, Split-Page Format
- Appendix 3: Storyboards
- Bibliography
- Glossary
- Index
-
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