THE GAME PRODUCTION HANDBOOK, Second Edition
by Heather Maxwell Chandler
The Game Production Handbook, 2nd Edition
- THE GAME PRODUCTION HANDBOOK, Second Edition
- Copyright
- Dedication (1/3)
- Dedication (2/3)
- Dedication (3/3)
- FOREWORD
- PREFACE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- Part I: GENERAL PRODUCTION OVERVIEW
- Chapter 1: GAME PRODUCTION OVERVIEW (1/3)
- Chapter 1: GAME PRODUCTION OVERVIEW (2/3)
- Chapter 1: GAME PRODUCTION OVERVIEW (3/3)
- Chapter 2: ROLES ON THE TEAM (1/5)
- Chapter 2: ROLES ON THE TEAM (2/5)
- Chapter 2: ROLES ON THE TEAM (3/5)
- Chapter 2: ROLES ON THE TEAM (4/5)
- Chapter 2: ROLES ON THE TEAM (5/5)
- Chapter 3: PROJECT MANAGEMENT METHODS (1/4)
- Chapter 3: PROJECT MANAGEMENT METHODS (2/4)
- Chapter 3: PROJECT MANAGEMENT METHODS (3/4)
- Chapter 3: PROJECT MANAGEMENT METHODS (4/4)
- Part II: BUSINESS INFORMATION
- Chapter 4: LEGAL INFORMATION (1/3)
- Chapter 4: LEGAL INFORMATION (2/3)
- Chapter 4: LEGAL INFORMATION (3/3)
- Chapter 5: DEVELOPER AND PUBLISHER RELATIONSHIPS (1/4)
- Chapter 5: DEVELOPER AND PUBLISHER RELATIONSHIPS (2/4)
- Chapter 5: DEVELOPER AND PUBLISHER RELATIONSHIPS (3/4)
- Chapter 5: DEVELOPER AND PUBLISHER RELATIONSHIPS (4/4)
- Part III: MANAGING PEOPLE
- Chapter 6: HIRING AND RETAINING TALENT (1/3)
- Chapter 6: HIRING AND RETAINING TALENT (2/3)
- Chapter 6: HIRING AND RETAINING TALENT (3/3)
- Chapter 7: TEAMS (1/6)
- Chapter 7: TEAMS (2/6)
- Chapter 7: TEAMS (3/6)
- Chapter 7: TEAMS (4/6)
- Chapter 7: TEAMS (5/6)
- Chapter 7: TEAMS (6/6)
- Chapter 8: EFFECTIVE COMMUNICATION (1/2)
- Chapter 8: EFFECTIVE COMMUNICATION (2/2)
- Part IV: TECHNICAL PRODUCTION
- Chapter 9: MASSIVELY MULTIPLAYER ONLINE GAMES (1/3)
- Chapter 9: MASSIVELY MULTIPLAYER ONLINE GAMES (2/3)
- Chapter 9: MASSIVELY MULTIPLAYER ONLINE GAMES (3/3)
- Chapter 10: VOICEOVER (1/6)
- Chapter 10: VOICEOVER (2/6)
- Chapter 10: VOICEOVER (3/6)
- Chapter 10: VOICEOVER (4/6)
- Chapter 10: VOICEOVER (5/6)
- Chapter 10: VOICEOVER (6/6)
- Chapter 11: MUSIC (1/3)
- Chapter 11: MUSIC (2/3)
- Chapter 11: MUSIC (3/3)
- Chapter 12: MOTION CAPTURE (1/2)
- Chapter 12: MOTION CAPTURE (2/2)
- Chapter 13: MARKETING AND PUBLIC RELATIONS (1/3)
- Chapter 13: MARKETING AND PUBLIC RELATIONS (2/3)
- Chapter 13: MARKETING AND PUBLIC RELATIONS (3/3)
- Part V: PRE-PRODUCTION
- Chapter 14: GAME CONCEPT (1/5)
- Chapter 14: GAME CONCEPT (2/5)
- Chapter 14: GAME CONCEPT (3/5)
- Chapter 14: GAME CONCEPT (4/5)
- Chapter 14: GAME CONCEPT (5/5)
- Chapter 15: GAME REQUIREMENTS (1/4)
- Chapter 15: GAME REQUIREMENTS (2/4)
- Chapter 15: GAME REQUIREMENTS (3/4)
- Chapter 15: GAME REQUIREMENTS (4/4)
- Chapter 16: GAME PLAN (1/7)
- Chapter 16: GAME PLAN (2/7)
- Chapter 16: GAME PLAN (3/7)
- Chapter 16: GAME PLAN (4/7)
- Chapter 16: GAME PLAN (5/7)
- Chapter 16: GAME PLAN (6/7)
- Chapter 16: GAME PLAN (7/7)
- Part VI: PRODUCTION
- Chapter 17: PRODUCTION CYCLE (1/2)
- Chapter 17: PRODUCTION CYCLE (2/2)
- Chapter 18: PRODUCTION TECHNIQUES (1/4)
- Chapter 18: PRODUCTION TECHNIQUES (2/4)
- Chapter 18: PRODUCTION TECHNIQUES (3/4)
- Chapter 18: PRODUCTION TECHNIQUES (4/4)
- Chapter 19: MAKING BUILDS (1/2)
- Chapter 19: MAKING BUILDS (2/2)
- Chapter 20: SOFTWARE RATINGS (1/3)
- Chapter 20: SOFTWARE RATINGS (2/3)
- Chapter 20: SOFTWARE RATINGS (3/3)
- Chapter 21: LOCALIZATION (1/4)
- Chapter 21: LOCALIZATION (2/4)
- Chapter 21: LOCALIZATION (3/4)
- Chapter 21: LOCALIZATION (4/4)
- Part VII: TESTING
- Part VIII: POST-PRODUCTION
- Chapter 24: POSTMORTEMS (1/2)
- Chapter 24: POSTMORTEMS (2/2)
- Chapter 25: CLOSING KITS (1/2)
- Chapter 25: CLOSING KITS (2/2)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (1/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (2/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (3/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (4/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (5/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (6/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (7/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (8/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (9/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (10/11)
- Appendix A: CASE STUDY—GAME PRODUCTION CYCLE (11/11)
- Appendix B: GLOSSARY
- Appendix C: RESOURCES
- Appendix D: BIOGRAPHIES (1/2)
- Appendix D: BIOGRAPHIES (2/2)
- KARIN GROEPPER BOOSMAN
- TOM BUSCAGLIA
- MELANIE CAMBRON
- CAREY CHICO
- DON DAGLOW
- STEPHANIE O'MALLEY DEMING
- JAMIE FRISTROM
- TRACY FULLERTON
- RAYMOND HERRERA
- CLINT HOCKING
- LEE JACOBSON
- TODD KEISTER
- CLINTON KEITH
- PAUL LESKA, JR
- ERIK LOUDEN
- JEFF MATSUSHITA
- LUCIEN PARSONS
- JAY POWELL
- STUART ROCH
- AMANDA RUBRIGHT
- TOBI SAULNIER
- CORAY SEIFERT
- TOM SLOPER
- WADE TINNEY
- PATRICIA VANCE
- Appendix E: ABOUT THE CD-ROM
- INDEX (1/2)
- INDEX (2/2)
THE
GAME PRODUCTION
H
ANDBOOK
Second Edition
BY
HEATHER
MAXWELL CHANDLER
xx407_FMxx_Chandler.indd iiixx407_FMxx_Chandler.indd iii 7/31/09 1:02:34 PM7/31/09 1:02:34 PM
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