References

[ABL+03] X. Amatriain, J. Bonada, A. Loscos, J. L. Arcos, and V. Verfaille. Content-based Transformations. J. New Music Res., 32(1): 95–114, 2003.

[ABLS01] X. Amatriain, J. Bonada, A. Loscos, and X. Serra. Spectral modeling for higher-level sound transformations. In MOSART Workshop Curr. Res. Dir. Comp. Music, IUA-UPF, 2001.

[ABLS02] X. Amatriain, J. Bonada, A. Loscos, and X. Serra. Spectral processing. In U. Zölzer (ed.), DAFX - Digital Audio Effects, pp. 373–438. J. Wiley & Sons, Ltd, 2002.

[ACKV02] D. Arfib, J.-M. Couturier, L. Kessous, and V. Verfaille. Strategies of mapping between gesture parameters and synthesis model parameters using perceptual spaces. Org. Sound, 7(2): 135–52, 2002.

[AD98] D. Arfib and N. Delprat. Selective transformations of sound using time-frequency representations: An application to the vibrato modification. In 104th Conv. Audio Eng. Soc., 1998.

[AKZ99] R. Althoff, F. Keiler, and U. Zölzer. Extracting sinusoids from harmonic signals. In Proc. DAFX-99 Digital Audio Effects Workshop, pp. 97–100, 1999.

[AKZ02a] D. Arfib, F. Keiler, and U. Zölzer. Source-filter processing. In U. Zölzer (ed.), DAFX - Digital Audio Effects, pp. 299–372. J. Wiley & Sons, Ltd, 2002.

[AKZ02b] D. Arfib, F. Keiler, and U. Zölzer. Time-frequency processing. In U. Zölzer (ed.), DAFX - Digital Audio Effects, pp. 237–97. J. Wiley & Sons, Ltd, 2002.

[Arf79] D. Arfib. Digital synthesis of complex spectra by means of multiplication of non linear distorted sine waves. J. Audio Eng. Soc., 27: 757–768, 1979.

[Arf98] D. Arfib. Des Courbes et des Sons. In Recherches et Applications en Informatique Musicale, pp. 277–86. Hermès, 1998.

[AV03] D. Arfib and V. Verfaille. Driving pitch-shifting and time-scaling algorithms with adaptive and gestural techniques. In Proc. Int. Conf. on Digital Audio Effects (DAFx-03), pp. 106–11, 2003.

[Bea82] J. W. Beauchamp. Synthesis by spectral amplitude and “brightness” matching of analyzed musical instrument tones. J. Audio Eng. Soc., 30(6): 396–406, 1982.

[BFC05] D. Barry, D. FitzGerald, and E. Coyle. Drum source separation using percussive feature detection and spectral modulation. In Proc. IEE Irish Signals Syst. Conf., pp. 217–220, 2005.

[Bla83] J. Blauert. Spatial Hearing: the Psychophysics of Human Sound Localization. MIT Press, 1983.

[Bon00] J. Bonada. Automatic technique in frequency domain for near-lossless time-scale modification of audio. In Proc. Int. Comp. Music Conf. (ICMC'00), 2000.

[BP89] J. C. Brown and M S. Puckette. Calculation of a narrowed autocorrelation function. J. Ac. Soc. Am., 85: 1595–601, 1989.

[Bre90] A. Bregman. Auditory Scene Analysis. MIT Press, 1990.

[Bru79] M. Le Brun. Digital waveshaping synthesis. J. Audio Eng. Soc., 27(4): 250–265, April 1979.

[Cab99] D. Cabrera. PsySound: a computer program for psychoacoustical analysis. In Proc. Australian Ac. Soc. Conf., pp. 47–53, 1999.

[Cab00] D. Cabrera. PsySound 2: Psychoacoustical software for Macintosh PPC. Technical report, 2000.

[Cad99] C. Cadoz. Musique, geste, technologie. InH. Genevois and R. de Vivo, (eds), Les Nouveaux Gestes de la Musique, pp. 47–92. Parenthèses, 1999.

[Can98] P. Cano. Fundamental frequency estimation in the SMS analysis. In Proc. DAFX-98 Digital Audio Effects Workshop, pp. 99–102, 1998.

[Cho71] J. Chowning. The synthesis of complex audio spectra by means of frequency modulation. J. Audio Eng. Soc., 21: 526–34, 1971.

[CLB+00] P. Cano, A. Loscos, J. Bonada, M. de Boer, and X. Serra. Voice morphing system for impersonating in karaoke applications. In Proc. Int. Comp. Music Conf. (ICMC'00), pp. 109–12, 2000.

[Cri82] A. Di Cristo. Prolégomènes à L'étude de L'intonation. Editions du CNRS, 1982.

[dCK02] A. de Cheveigné and H. Kawahara. Yin, a fundamental frequency estimator for speech and music. J. Acoust. Soc. Am., 111(4): 1917–1930, 2002.

[DGR95] P. Depalle, G. Garcia, and X. Rodet. Reconstruction of a castrato voice: Farinelli's voice. In Proc. IEEE Workshop Appl. Digital Signal Proces. Audio Acoust., 1995.

[DH00] M. Desainte-Catherine and P. Hanna. Statistical approach for sounds modeling. In Proc. DAFX-00 Conf. Digital Audio Effects, pp. 91–96, 2000.

[DM00] M. Desainte-Catherine and S. Marchand. High-precision Fourier analysis of sounds using signal derivatives. J. Audio Eng. Soc., 48(7/8): 654–667, 2000.

[DT96a] S. Dubnov and N. Tishby. Testing for gaussianity and non linearity in the sustained portion of musical sounds. In Proc. Journées Informatique Musicale (JIM'96), 1996.

[DT96b] S. Dubnov and N. Tishby. Testing for gaussianity and non-linearity in the sustained portion of musical sounds. In Proc. Journées Informatique Musicale, 1996.

[DZ02] P. Dutilleux and U. Zölzer. Nonlinear processing. InU. Zölzer (ed), DAFX - Digital Audio Effects, pp. 93–135. J. Wiley & Sons, Ltd, 2002.

[Fav01] E. Favreau. Phase vocoder applications in GRM tools environment. In Proc. COST-G6 Workshop on Digital Audio Effects (DAFx-01), pp. 134–7, 2001.

[FF10] N. Fonseca and A. Ferreira. Singing voice resynthesis using vocal sound libraries. In Proc. of the 13th Int. Conf. on Digital Audio Effects (DAFx-10), pp. 322–325, 2010.

[Fit04] D. FitzGerald. Automatic drum transcription and source separation. PhD thesis, Dublin Institute of Technology, 2004.

[Fit10] D. FitzGerald. Harmonic/percussive separation using median filtering. In Proc. of the 13th Int. Conf. on Digital Audio Effects (DAFx-10), pp. 217–220, Graz, Austria, 2010.

[GFB03] F. Gouyon, L. Fabig, and J. Bonada. Rhythmic expressiveness transformations of audio recordings: swing modifications. In Proc. Int. Conf. on Digital Audio Effects (DAFx-03), pp. 94–99, 2003.

[GPAH03] E. Gómez, G. Peterschmitt, X. Amatriain, and P. Herrera. Content-based melodic transformations of audio material for a music processing application. In Proc. Int. Conf. on Digital Audio Effects (DAFx-03), 2003.

[HB98] P. Herrera and J. Bonada. Vibrato extraction and parameterization in the spectral modeling synthesis framework. In Proc. DAFX-98 Digital Audio Effects Workshop, pp. 107–110, 1998.

[Hes83] W. Hess. Pitch Determination of Speech Signals. Springer-Verlag, 1983.

[INA03] INA-GRM. GRM Tools, 2003.

[JN84] N. S. Jayant and P. Noll. Digital Coding of Waveforms. Prentice-Hall, 1984.

[KA90] P. Kroon and B. S. Atal. Pitch predictors with high temporal resolution. In Proc. ICASSP, pp. 661–664, 1990.

[KZ10] A. von dem Knesebeck and U. Zölzer. Comparison of pitch trackers for real-time guitar effects. In Proc. 13th Int. Conf. on Digital Audio Effects (DAFx-10), pp. 266–269, 2010.

[LVKL96] T. I. Laakso, V. Välimäki, M. Karjalainen, and U. K. Laine. Splitting the unit delay. IEEE Signal Proces. Mag., 13: 30–60, 1996.

[Mar72] J. D. Markel. The SIFT algorithm for fundamental frequency estimation. IEEE Trans. Audio Electroacoust., 20(5): 367–377, 1972.

[Mar98] S. Marchand. Improving spectral analysis precision with enhanced phase vocoder using signal derivatives. In Proc. DAFX-98 Digital Audio Effects Workshop, pp. 114–118, 1998.

[Mar00] S. Marchand. Sound models for computer music. PhD thesis, University of Bordeaux, 2000.

[MB96] P. Masri and A. Bateman. Improved modelling of attack transients in music analysis-resynthesis. In Proc. Int. Comp. Music Conf. (ICMC'96), pp. 100–3, 1996.

[MG96] B. C. J. Moore and B. R. Glasberg. A revision of Zwicker's loudness model. Acta Acust. United AC, 82: 3335–45, 1996.

[MGB97] B. C. J. Moore, B. R. Glasberg, and T. Baer. A model for the prediction of thresholds, loudness, and partial loudness. J. Audio Eng. Soc., 45(4): 224–40, 1997.

[Moo65] R. Moog. A voltage-controlled low-pass, high-pass filter for audio signal processing. In 17th Annual AES Meeting, Preprint 413, 1965.

[MQ86] R. J. McAulay and T. F. Quatieri. Speech analysis/synthesis based on a sinusoidal representation. IEEE Trans. Acoust. Speech, Signal Proces., 34(4): 744–54, 1986.

[MR04] S. Marchand and M. Raspaud. Enhanced time-stretching using order-2 sinusoidal modeling. In Proc. Int. Conf. Digital Audio Effects (DAFx-04), pp. 76–82, 2004.

[MWdSK95] S. McAdams, S. Winsberg, G. de Soete, and J. Krimphoff. Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes. Psychol. Res., 58: 177–92, 1995.

[Nol64] A. M. Noll. Short-time spectrum and “cepstrum” techniques for vocal-pitch detection. J. Acoust. Soc. Am., 36(2): 296–302, 1964.

[NZ08] F. X. Nsabimana and U. Zölzer. Audio signal decomposition for pitch and time scaling. In 3rd Int. Symp. Commun. Control Signal Proces., pp. 1285–1290, 2008.

[OS75] A. V. Oppenheim and R. W. Schafer. Digital Signal Processing. Prentice-Hall, 1975.

[O'S00] D. O'Shaugnessy. Speech Communication, 2nd edition. Addison-Wesley, 2000.

[Pal03] G. Pallone. Dilatation et transposition sous contraintes perceptives des signaux audio: application au transfert cinéma-vidéo. PhD thesis, University of Aix-Marseille III, 2003.

[PJ82] H. Pollard and E. Jansson. A tristimulus method for the specification of musical timbre. Acta Acust. United AC, 51: 162–71, 1982.

[PMH00] G. Peeters, S. McAdams, and P. Herrera. Instrument sound description in the context of MPEG-7. In Proc. Int. Comp. Music Conf. (ICMC'00), 2000.

[RDS+99] S. Rossignol, P. Depalle, J. Soumagne, X. Rodet, and J.-L. Colette. Vibrato: detection, estimation, extraction, modification. In Proc. DAFX-99 Digital Audio Effects Workshop, pp. 175–179, 1999.

[Ris65] J.-C. Risset. Computer study of trumpet tones. J. Ac. Soc. Am., 33: 912, 1965.

[Ros98] S. Rossignol. Feature extraction and temporal segmentation of acoustic signals. In Proc. Int. Comp. Music Conf., 1998.

[RS78] L. R. Rabiner and R. W. Schafer. Digital Processing of Speech Signals. Prentice-Hall, 1978.

[RSC+74] M. Ross, H. Shaffer, A. Cohen, R. Freudberg, and H. Manley. Average magnitude difference function pitch extractor. IEEE Trans. Acoust. Speech Signal Proces., 22(5): 353–362, 1974.

[Sch66] P. Schaeffer. Traité des Objets Musicaux. Seuil, 1966.

[Sch68] M. R. Schroeder. Period histogram and product spectrum: New methods for fundamental-frequency measurement. J. Acoust. Soc. Am., 43(4): 829–834, 1968.

[Sch99] M. R. Schroeder. Computer Speech. Springer-Verlag, 1999.

[Sch07] D. Schwarz. Corpus-Based Concatenative Synthesis. IEEE Signal Proces. Mag., 24(2): 92–104, 2007.

[Son68] M. M. Sondhi. New methods of pitch extraction. IEEE Trans. on Audio Electroacoust., 16(2): 262–266, 1968.

[Sun87] J. Sundberg. The Science of the Singing Voice. Northern Illinois University Press, 1987.

[SZST10] A. Spich, M. Zanoni, A. Sarti, and S. Tubaro. Drum music transcription using prior subspace analysis and pattern recognition. In Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), pp. 233–237, 2010.

[UH03] C. Uhle and J. Herre. Estimation of tempo, micro time and time signature from percussive music. In Proc. 6th Int. Conf. Digital Audio Effects (DAFx-03), pp. 84–89, 2003.

[vA85] W. von Aures. Der sensorische wohlklang als funktion psychoakustischer empfindungsgröfsen. Acustica, 58: 282–90, 1985.

[VA01] V. Verfaille and D. Arfib. ADAFx: Adaptive digital audio effects. In Proc. COST-G6 Workshop on Digital Audio Effects (DAFx-01), pp. 10–4, 2001.

[VA02] V. Verfaille and D. Arfib. Implementation strategies for adaptive digital audio effects. In Proc. Int. Conf. Digital Audio Effects (DAFx-02), pp. 21–6, 2002.

[VD04] V. Verfaille and Ph. Depalle. Adaptive effects based on STFT, using a source-filter model. In Proc. Int. Conf. Digital Audio Effects (DAFx-04), pp. 296–301, 2004.

[VM90] E. Vidal and A. Marzal. A review and new approaches for automatic segmentation of speech signals. InL. Torres, E. Masgrau, and M. A. Lagunas (eds), Signal Processing V: Theories and Applications, pp. 43–53. Elsevier Science Publishers, 1990.

[VWD06] V. Verfaille, M. M. Wanderley, and Ph. Depalle. Mapping Strategies for Gestural Control of Adaptive Digital Audio Effects. J. New Music Res., 35(1): 71–93, 2006.

[VZA06] V. Verfaille, U. Zölzer, and D. Arfib. Adaptive digital audio effects (A-DAFx): A new class of sound transformations. IEEE Trans. Audio Speech Lang. Proc., 14(5): 1817–1831, 2006.

[Wan02] M. M. Wanderley. Mapping strategies in real-time computer music. Org. Sound, 7(2), 2002.

[WD00] M. M. Wanderley and P. Depalle. Gesturally controlled digital audio effects. In Proc. COST-G6 Workshop Digital Audio Effects (DAFx-00), pp. 165–9, 2000.

[ZF99] E. Zwicker and H. Fastl. Psychoacoustics: Facts and Models. Springer-Verlag, Berlin, 1999.

[ZS65] E. Zwicker and B. Scharf. A model of loudness summation. Psychol. Rev., 72: 3–26, 1965.

[Zwi77] E. Zwicker. Procedure for calculating loudness of temporally variable sounds. J. Ac. Soc. Am., 62(3): 675–82, 1977.

..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.
Reset
18.224.30.19