References

[And95] C. Anderton. Multieffects for Musicians. Amsco Publications, 1995.

[Bod84] H. Bode. History of electronic sound modification. J. Audio Eng. Soc., 32(10): 730–739, October 1984.

[Bri94] R. Bristow. The equivalence of various methods of computing biquad coefficients for audio parametric equalizers. In Proc. 97th AES Convention, Preprint 3906, San Francisico, 1994.

[Cha80] H. Chamberlin. Musical Applications of Microprocessors. Hayden Book Company, 1980.

[Dat97a] J. Dattoro. Effect design, part 1: Reverberator and other filters. J. Audio Eng. Soc., 45(9): 660–684, September 1997.

[Dat97b] J. Dattoro. Effect design, part 2: Delay-line modulation and chorus. J. Audio Eng. Soc., 45(10): 764–788, October 1997.

[Die00] S. Diedrichsen. Personal communication. emagic GmbH, 2000.

[Dis99] S. Disch. Digital audio effects—modulation and delay lines. Master's thesis, Technical University Hamburg-Harburg, 1999.

[DMT99] P. Dutilleux and C. Müller-Tomfelde. AML | Architecture and Music Laboratory, a museum installation. In Proc. of the 16th AES Int. Conf. on Spatial Sound Reprod. Rovaniemi, Finland. Audio Engineering Society, pp. 191–206, April 10–12 1999.

[Dut89a] P. Dutilleux. Simple to operate digital time-varying filters. In Proc. 86th AES Convention, Preprint 2757, Hamburg, March 1989.

[Dut89b] P. Dutilleux. Spinning the sounds in real-time. In Proc. Int. Comp. Music Conf., pp. 94–97, Columbus November, 1989.

[Dut91] P. Dutilleux. Vers la machine à sculpter le son, modification en temps réel des caractéristiques fréquentielles et temporelles des sons. PhD thesis, University of Aix-Marseille II, 1991.

[FC98] P. Fernández-Cid and F.J. Casajús-Quirós. Enhanced quality and variety of chorus/flange units. In Proc. DAFX-98 Digital Audio Effects Workshop, pp. 35–39, Barcelona, November 1998.

[Fli94] N.J. Fliege. Multirate Digital Signal Processing. John Wiley & Sons, Ltd, 1994.

[Gar95] W.G. Gardner. Efficient convolution without input-output delay. J. Audio Eng. Soc., 43(3): 127–136, March 1995.

[HB93] F. Harris and E. Brooking. A versatile parametric filter using an imbeded all-pass sub-filter to independently adjust bandwidth, center frequency, and boost or cut. In 95th AES Conv., Preprint 3757, New York, 1993.

[HZ06] M. Holters and U. Zölzer. Parametric higher-order shelving filters. In Proc. of 14th Eur. Signal Proces. Conf. (EUSIPCO), Florence, Italy, September 2006.

[KZ04] F. Keiler and U. Zölzer. Parametric second- and fourth-order shelving filters for audio applications. In Proc. of IEEE 6th Workshop on Multimedia Signal Proces., pp. 231–234, Siena, Italy, September 2004.

[LVKL96] T.I. Laakso, V. Välimäki, M. Karjalainen and U.K. Laine. Splitting the unit delay. IEEE Signal Proces. Mag., 13: 30–60, 1996.

[Mai97] M. Maiguashca. Reading Castañeda. Booklet. Wergo2053-2, zkm 3rd edition, 1997.

[McG93] D.S. McGrath. An efficient 30-band graphic equalizer implementation for a low cost dsp processor. In Proc. 95th AES Conv., Preprint 3756, New York, 1993.

[Moo85] J.A. Moorer. About this reverberation business. In Foundations of Computer Music, pp. 605–639. MIT Press, 1985.

[MT99] C. Müller-Tomfelde. Low-latency convolution for real-time applications. In Proc. of the 16th AES Int. Conf. on Spatial Sound Reprod., Rovaniemi, Finland, pp. 454–460. Audio Engineering Society, April 10–12 1999.

[Orf96] S.J. Orfanidis. Introduction to Signal Processing. Prentice-Hall, 1996.

[Orf97] S.J. Orfanidis. Digital parametric equalizer design with prescribed nyquist-frequency gain. J. Audio Eng. Soc., 45(6): 444–455, June 1997.

[Orf05] S.J. Orfanidis. Higher-order digital parametric equalizer design. J. Audio Eng. Soc., 53(11): 1026–1046, November 2005.

[RM87] P.A. Regalia and S.K. Mitra. Tunable digital frequency response equalization filters. IEEE Trans. Acoustics, Speech and Signal Proces., 35(1): 118–120, January 1987.

[Roa97] C. Roads. Sound transformation by convolution. InC. Roads, St. Pope, A. Piccialli, and G. De Poli (eds), Musical Signal Processing, pp. 411–438. Swets & Zeitlinger Publishers, 1997.

[Roc98] D. Rochesso. Fractionally-adressed delay lines. In Proc. DAFX-98 Digital Audio Effects Workshop, pp. 40–43, Barcelona, November 1998.

[Roc00] D. Rochesso. Fractionally addressed delay lines. IEEE Trans. on Speech and Audio Process., 8(6): 717–727, November 2000.

[Smi84] J.O. Smith. An all-pass approach to digital phasing and flanging. In Proc. International Computer Music Conference, pp. 103–109, 1984.

[Str83] A. Strange. Electronic Music, Systems, Techniques and Controls. W. C. Brown, 1983.

[Vag98] H. Vaggione. Transformations morphologiques: quelques exemples. In Proc. of JIM98, CNRS-LMA, pp. G1.1–G1.10, Marseille 1998.

[Whi86] S.A. White. Design of a digital biquadratic peaking or notch filter for digital audio equalization. J. Audio Eng. Soc., 34(6): 479–482, June 1986.

[Whi93] P. White. L'enregistrement créatif, Effets et processeurs, Tomes 1 et 2. Les cahiers de l'ACME, 1993.

[Zöl05] U. Zölzer. Digital Audio Signal Processing. John Wiley & Sons, Ltd, 2nd edition, 2005.

..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.
Reset
3.139.240.119