- Half Title
- Copyright Page
- Table of Contents
- Preface
- Acknowledgement
- Introduction
- Out of Sequence Shooting: 1
- Out of Sequence Shooting: 2
- Shots in Scenes Out of Order
- The Work of Continuity
- Setting Up: General
- The Production Team: 1
- The Production Team: 2
- The Crew
- The Script: 1
- Scene Breakdown
- Timing The Script
- Artists and How to Book Them
- Supporting Artists
- Children and Animals: 1
- Children and Animals: 2
- Locations: 1
- Accommodation
- Travel
- Food (or To Location Cater or Not . . .)
- Insurance
- Props and Design
- Shooting Schedule: 1
- Shooting Schedule: 2
- Shooting Schedule: 3
- Documentary-Type Productions
- ‘Find Out All You Can About . . .’
- What to Take on Location
- . . .And Don’t Forget The Boots. . .
- Specialised Observation
- Your Role within The Unit
- Making Mistakes
- Knowledge of The Script
- Coverage Planned
- How to Describe Shots
- Other Terms Used
- Other Terms in General Use
- Know What to Observe: 1
- Priorities
- Props
- Costume
- Continuity of Action
- Continuity of Action and Dialogue
- Drama Situations
- Crossing The Line
- Screen Direction
- Drawings and Diagrams
- Rehearsals and Actors
- Fred and Mabel: Coverage Planned
- Wide Angle: Fred and Mabel: Scene 1
- Wide Angle: Fred and Mabel: Scene 2
- Remaining Coverage: Fred and Mabel: Scene 1
- Remaining Coverage: Fred and Mabel: Scene 2
- Fred and Mabel: Edited Sequence
- Direct and Indirect Continuity
- Matching Continuity
- Shooting on Videotape
- Working on Documentary-Type Productions: 1
- Working on Documentary-Type Productions: 2
- Writing It Down
- When You Make Notes
- Continuity Report Sheet: General
- Continuity Report Sheet: Logging The Shots
- Continuity Report Sheet: Technical
- Continuity Report Sheet: Camera Information
- Continuity Report Sheet: Continuity
- Continuity Report Sheet: Details of Shooting
- Other Paperwork
- Timing on Location
- Information for The Editor
- Coverage/Tramline Scripts
- Shot Listing
- The Realities of It All
- Post Production
- Editing The Picture: 1
- Editing The Picture: 2
- Editing The Picture: 3
- Editing The Sound
- Copyright: 1
- Post Production Script
- Film and Videotape Formats: 2
- Film Running Times
I would like to thank Keith Schofield for his kindness in writing the chapter on the technical information required by camera operators, and Sue Bunyan for her assistance with examples of film schedules. I am also grateful to Jane Read for producing the photographs on pages 89 and 99. I am, as ever, indebted to my husband, Christopher, not only for the chapters on post production, but also for his unfailing advice and support during the writing of each edition of this book.
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