Sound Theory
Alten, S., Audio in Media. New York: Wadsworth, 1998.
Altman, R., Sound Theory Sound Practice. New York: Routledge, 1992.
Cantine, J., Shot by Shot. Pittsburgh, PA: Pittsburgh Filmmakers, 2000.
Chion, M., Audio-Vision: Sound on Screen. New York: Columbia University Press, 1994.
Holman, T., Sound for Film and Television. Boston, MA: Focal Press, 1997.
Kenny, T., Sound for Picture. Vallego, CA: MixBooks, 1997.
Lack, R., Twenty Four Frames Under. London: Interlink Books, 1999.
LoBrutto, V., Sound on Film: Interviews with Creators of Film Sound. Westport, CT: Praeger, 1994.
Murch, W., In the Blink of an Eye: A Perspective on Film Editing. 2nd Ed. Los Angeles: Silman-James Press, 2001.
Sider, L., Soundscape: The School of Sound Lectures. New York: Wallflower Press, 2003.
Sonnenschein, D., Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Studio City, CA: Michael Wiese Productions, 2001.
Thom, R., Designing A Movie for Sound. Sweden: FilmSound.org, 1999.
Thompson, R., Grammar of the Edit. New York, NY: Focal Press, 2005.
Thompson, R., Grammar of the Shot. New York, NY: Focal Press, 2005.
Adam, T., The Best Effect Settings for Sound Design and Mixing. Bremen, Germany: Wizoo GmbH, 2000.
Ament, V., The Foley Grail: The Art of Performing Sound to Film. New York, NY: Focal Press, 2009.
Apple Computers Inc, Mastered for iTunes: Music as the Artist and Sound Engineer Intended, January, 2012.
Bell, D., Getting the Best Score for Your Film. Beverly Hills, CA: Silman-James Press, 1994.
Berg, R., The Physics of Sound, 2nd edn. New York: Simon & Schuster, 1994.
Churchill, S., The Indie Guide to Music Supervision. Los Angeles, CA: Filmic Press, 2000.
Collins, M., Audio Plug-Ins and Virtual Instruments. Boston, MA: Focal Press, 2003.
Collins, M., Choosing and Using Audio and Music Software. Boston, MA: Focal Press, 2004.
Eargle, J., The Microphone Book. Boston, MA: Focal Press, 2001.
Gibson, D., The Art of Mixing. Vallego, CA: Mix Books, 1997.
Huber, D., Modern Recording Techniques. Boston, MA: Focal Press, 2001.
Jackson, B., Shark Tale: A different kind of fish story. Mix Magazine, Sept. 2004.
Katz, B., Mastering Audio: The Art and the Science. Boston, MA: Focal Press, 2002.
Kerner, M., The Art of the Sound Effects Editor. Boston, MA: Focal Press, 1989.
Lehrman, P. and Tully, T., MIDI for the Professional. New York: Amsco, 1993.
Lott, R., Sound Effects: Radio, TV, and Film. Boston, MA: Focal Press, 1990.
Lustig, M., Music Editing for Motion Pictures. New York: Hasting House, 1980.
Moravcsik, M., Musical Sound: An Introduction to the Physics of Music, St. Paul, MN: Paragon House, 2002.
Moulton, D., Audio Lecture Series, Vols. 1–4. Boulder, CO: Music Maker, 2000.
Moulton, D., Total Recording. Sherman Oaks, CA: KIQ Productions, 2000.
Northam, M. and Miller, L., Film and Television Composers Resource Guide. Milwaukee, WI: Hal Leonard, 1998.
Purcell, J., Dialogue Editing for Motion Pictures. Boston, MA: Focal Press, 2007.
Rose, J., Producing Great Sound for Digital Video. San Francisco, CA: CMP Books, 1999.
Rose, J., Audio Postproduction for Digital Video. San Francisco, CA: CMP Books, 2002.
Rossing, T., The Science of Sound, 3rd edn. Boston, MA: Addison-Wesley, 2001.
Shepherd, A., Pro Tools for Video, Film, and Multimedia. Boston, MA: Muska and Lipman, 2003.
Smith, M., Broadcast Sound Technology. Boston, MA: Butterworth, 1990.
White, G., Audio Dictionary. Seattle, WA: University of Washington Press, 1991.
Legal Reference Material
Donaldson, M., Clearance and Copyright. Los Angeles, CA: Silman-James Press, 1996.
Miller, P., Media Law for Producers. Boston, MA: Focal Press, 2003.
Stim, R., Getting Permission: How To License and Clear Copyrighted Material Online and Off. Berkeley, CA: Nolo Press, 2001.
Animation Sound History
Goldmark, D. and Taylor, Y., The Cartoon Music Book. Chicago, IL: A Cappella Books, 2002.
Lawson, T. and Persons, A., The Magic Behind the Voices. Jackson, MS: University Press of Mississippi, 2004
Maltin, L., Of Mice and Magic: A History of American Animated Cartoons. New York: New American Library, 1987.
Animation Technique
Arijon, D., Grammar of the Film Language, Los Angeles, CA: Silman-James Press, 1976.
Blair, P., Cartoon Animation. Laguna Hills, CA: Walter Foster, 1995.
Culhane, S., Animation: From Script to Screen. New York: St. Martin’s Press, 1988.
Kozloff, S., Invisible Storytellers: Voice-Over Narration in American Fiction Film. Berkeley: University of California Press, 1989.
Osipa, J., Stop Staring: Facial Animation Done Right. Alameda, CA: Sybex, 2003.
Simon, M., Producing Independent 2D Animation. Boston, MA: Focal Press, 2003.
Whitaker, H., Timing for Animation. Boston, MA: Focal Press, 1981.
Williams, R., Animators Survival Kit. New York: Faber & Faber, 2002.
Winder, C. and Dowlatabadi, Z., Producing Animation. Boston, MA: Focal Press, 2001.
Reference Books
Breeze, C., Digital Audio Dictionary. Indianapolis, IN: Howard W. Sams, 1999.
Konigsberg, I., The Complete Film Dictionary. New York: Penguin Group, 1987.
Articles
Benzuly, S., Production music libraries in 2004. Mix Magazine, April 1, 2004.
Droney, M., Avast and away! Mix Magazine, Jan. 1, 2003.
Hawkins, E., Cartoon cutups: music editing for TV animation. Electronic Musician, June 1, 2000.
O, S., Build a personal studio on any budget, Part I. Electronic Musician, July 1, 2002.
Peck, N., Sound by design. Electronic Musician, March 1, 2001.
Peck, N., Making the cut. Electronic Musician, June 1, 2004.
Robair, G., Build a personal studio an any budget, Part II. Electronic Musician, July 1, 2002.
Production Featurettes
A Guy Like You: Multi-Language Reel, Hunchback of Notre Dame, Walt Disney Pictures, 1996.
Anastasia: A Magical Journey, Anastasia, 20th Century Fox, 1997.
Creating the Voice of “Casey Jr.,” Dumbo, Walt Disney Pictures, 1941.
Films Are Not Released; They Escape, Star Wars II: Attack of the Clones, 20th Century Fox, 2002.
Jimmy Neutron: Boy Genius, Paramount, 2001.
Looney Tunes: Golden Collection, Warner Brothers Pictures, 2000.
Music and Sound Design, Dinosaur, Walt Disney Pictures, 2000.
You’re Not Elected, Charlie Brown, It’s a Great Pumpkin, Charlie Brown, Paramount Pictures, 1966.
70/30 Law, Treasure Planet, Walt Disney Pictures, 2002.
Supplemental Features, Toy Story, Pixar, 1999.
The Making of Jurassic Park, Jurassic Park Collector’s Edition, Universal Pictures, 2000.
Walt Disney Treasures: Silly Symphonies, Vol. 4, Walt Disney Pictures, 1991.