Job:02-30034 Title:RP-Fashion Design Ref and Spec Book
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2 8 2 THE FASHION DESIGN REFERENCE + SPECIFICATION BOOK
(Text)
26
Index
Abboud, Joseph, 102–107
Abel, Catherine, 158
accessories
building into a collection, 136
purposes of, 136–137
types of, 137–139
Adrian, Gilbert, 36, 45
advertising, 202
Afrocentric style, 86
Albinski, Emily, 242
alterations, 185
ambient, 84
Amies, Hardy, 162
Apfel, Iris, 79
Armani, Giorgio, 228, 236, 247
armholes, types of, 132
art, fashion as
accessories, 237
art vs. commerce, 103
balancing art and design, 70
garments, 234–236
images, 238–241
museum collections, 280
artisans, working with, 141,
142–143
attitude branding, 203
avant garde, 81
bags, 137
Balenciaga, Cristóbal, 37, 46,
58, 59, 60
Barbier, Georges, 158, 238, 239
bar charts, 100
Beatnik, 84
Bérard, Christian, 238, 240
Bertin, Rose, 29
bespoke tailoring, 180
bias, directions for sewing, 179
Bio-Suit, 246–247
Blahnik, Manolo, 137
Blow, Isabella, 270–271
body
comparative proportions of,
152
rendering, 151–153
body measurements, chart of,
168–169
body modification, 139
Bowers, Katherine, 274–275
bracketing, customer, 95
branding
attitude, 203
definition of, 198
development of, 200–203
generic, 203
logo, 199
name, choice of, 199
brand management, 203
brand profile, 201
buckles, 183
budget, 96–97
burn-out, 127
burn test, 119
business, fashion and, 61,
70–71, 104, 142, 187, 189
business plan, 97–99
buttons, 182
Callot Soeurs, 234, 238
cartograms, 100
Cassini, Oleg, 38, 48
casuals, 84
celebrity
celebrities as designers, 229
designers as celebrities, 228
Fashion Walk of Fame, 230,
232, 233
importance of celebrity asso-
ciations, 105, 272, 277
modes of, 226–233
ordinary people as celebri-
ties, 233
reality television, 226
retailer and designer collabo-
ration, 230
Chambre Syndicale de la
Haute Couture, 31, 32, 77, 78
Chanel, Gabrielle “Coco,” 34,
42, 43, 46, 104, 198, 199,
234, 238
charity, 250
charts, data, 99–101
children’s wear, 77
chillout, 84
classic fashion, 81
closures, 182–183
collars, types of, 132
collateral, designer, 196–197
collateral, personal designer,
196–197
collection, development of,
23–25
color, 110–115
and culture, 111
formulas, 114
light and dark, 150
monochromatic, 113
muted, 113
names, 112
and pattern, 115
perceptions of, 111
physiology of, 111
and proportion, 114–115
psychology of, 111
stories, 112–113
understanding, 111–112
Combs, Sean “Diddy,” 229
Comme des Garçons, 50,
230, 246
complexion, rendering, 155
computer-aided design
pattern development, 175
technical fashion sketches,
160–161
textiles, 161
corners, directions for sewing,
178
Costa, Victor, 56
Costume Institute (Metropolitan
Museum of Art), 50
Courrèges, André, 38, 47, 58
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