One of the things we always try to do when shooting panos is to keep as much of what was shot of the scene without having to crop a bunch away. One big thing that will help is to make sure that when you’re shooting on a tripod, your camera is perfectly level. If it’s even a little crooked, as you take each pano segment, your pano will start to tilt more and more, causing you to have to crop off quite a lot because you’ll have big gaps around your tilted, skewed pano image. This is why keeping your camera straight and level is really important. A lot of newer cameras have built-in leveling features (see page 11), so if yours does, make sure you level your camera right on the money before you start shooting. If yours doesn’t have a built-in feature, you can buy a bubble level that slips right into the hot shoe mount on the top of your camera and you can level it that way (the Vello 3-axis hot shoe bubble level is around $22). A lot of ballheads these days have bubble levels built-in, too, so check for that. Also, another thing that will help keep things level while you’re shooting is a ballhead that has a panning adjustment at the bottom of the unit that lets you smoothly swivel your camera around the vertical axis of your rig to take your pano images. It’s usually a small extra knob at the bottom that you loosen to let it swivel (look near the bottom of your ballhead for a set of vertical lines—if you see that, yours has this swivel/pan feature).
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