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Writing & research for graphic designers
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Hollis, Richard. Swiss Graphic Design: The Origins and
Growth of an International Style, 1920–1965.
New Haven: Yale University Press, 2006.
Lange, Alexandra. Writing About Architecture: Mastering
the Language of Buildings and Cities.
New York: Princeton Architectural Press, 2012.
Lupton, Ellen. Mixing Messages: Graphic Design in
Contemporary Culture. New York: Cooper-Hewitt National
Design Museum, Smithsonian Institution and Princeton
Architectural Press, 1996.
Lupton, Ellen, and Abbot Miller. Design, Writing Research:
Writing on Graphic Design. London: Phaidon Press Limited,
1999.
Lupton, Ellen. Thinking with Type: A Critical Guide for
Designers, Writers, Editors and Students.
New York: Princeton Architectural Press, 2004.
Maeda, John. Maeda @ Maeda. New York: Rizzoli, 2000.
Mau, Bruce. Life Style. New York: Phaidon Press, 2000.
Meggs, Philip B., and Alston Purvis. A History of Graphic
Design, Fifth Edition. New York: John Wiley & Sons, 2012.
Poynor, Rick. Designing Pornotopia: Travels in Visual
Culture. New York: Princeton Architectural Press, 2006.
Poynor, Rick. No More Rules: Graphic Design and
Postmodernism. New Haven, CT: Yale University Press, 2003.
Poynor, Rick. Obey The Giant. Basel: Birkhauser Verlag, 2007.
Poynor, Rick. Uncanny: Surrealism and Graphic Design.
Brno: Moravská Galerie, 2010.
Purcell, Kerry William. Alexey Brodovitch.
London & New York: Phaidon Press, 2002.
Purcell, Kerry William. Josef Müller-Brockmann.
London & New York: Phaidon Press, 2006.
Sagmeister, Stefan, and Peter Hall. Made You Look.
New York: Booth-Clibborn, 2001.
Shaughnessy, Adrian. How to Be a Graphic Designer
Without Losing Your Soul. New York: Princeton
Architectural Press, 2005.
Shedroff, Nathan. Design Is the Problem:
The Future of Design Must be Sustainable.
Brooklyn: Rosenfeld Media, 2009.
Scher, Paula. Make It Bigger. New York: Princeton
Architectural Press, 2002.
Thomson, Ellen M. The Origins of Graphic Design in
America. New Haven, CT: Yale University Press, 1997.
Twemlow, Alice. What Is Graphic Design For?
London: Rotovision, 2006.
seleCted BiBliograPhY
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ContriButor BiograPhies
sean adams is a partner at AdamsMorioka. He is a professor
at Art Center College of Design, and president ex officio
of AIGA.
gail anderson is a designer, teacher, and writer. Formerly
creative director of design at SpotCo and senior art director at
Rolling Stone magazine, she is coauthor, with Steven Heller, of
six design books, including New Ornamental Type. She is the
recipient of the 2008 AIGA Medal for Lifetime Achievement.
sue apfelbaum is a freelance writer and editor with a focus on
design, art, music, film, and culture. From 2006 to 2012 she
was the editorial director for AIGA, publishing critical, inspi-
rational, and educational content about design on the AIGA
website and developing programming for AIGA’s webinars.
david barringer is the author of American Mutt Barks in the Yard
(Emigre, 2005) and There’s Nothing Funny About
Design (Princeton Architectural Press, 2009). He teaches de-
sign and writing at Winthrop University and MICA.
Visit www.davidbarringer.com.
stefan g. bucher is the man behind 344 Design and the creator
of Dailymonster.com. His latest book is 344 Questions: The
Creative Person’s Do-It-Yourself Guide to Insight, Survival, and
Artistic Fulfillment.
akiko busch writes about design, culture, and the natural world
for a variety of publications. She is the author of Geography of
Home: Writings on Where We Live and The Uncommon Life of Com-
mon Objects: Essays on Design and the Everyday. Her most recent
book of essays, Nine Ways to Cross a River, a collection of essays
about swimming across U.S. rivers, was published in 2007.
andrew byrom served a five-year apprenticeship in a North
England shipyard before leaving to study graphic design
in London. He is currently a professor at California State
University, Long Beach, and divides his time between
teaching, playing with his three children, and designing
for clients including the New York Times, Sagmeister Inc.,
Penguin Books, and UCLA Extension.
ralph caplan, author of By Design and Cracking the Whip, has
been a writer on design and related subjects for more than
fifty years. He intends to keep at it until he gets it right.
allan chochinov is the editor-in-chief of Core77, and the chair
of the MFA Products of Design Program at the School of
Visual Arts, New York.
seymour chwast is a founding partner of the celebrated Push Pin
Studios, whose distinct style has had a worldwide influence
on contemporary visual communications. In 1985 the studio’s
name was changed to The Pushpin Group, of which he is the
director. He and Push Pin were honored at the Louvre in Paris
in a two-month retrospective exhibition titled The Push Pin Style.
liz danzico is chair and cofounder of the MFA Interaction De-
sign program at the School of Visual Arts, New York. She is
part educator, part designer, and part editor, who writes part
of her time at Bobulate.com.
michael dooley is a creative director, writer and Print magazine
contributing editor. He teaches graphic design history at Art
Center, LMU, and UCLA Extension. He is the coauthor of The
Education of a Comics Artist (Allworth Press) and Teaching Motion
Design (Allworth Press).
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michael grant is the director of communication at the School
of Visual Arts, New York. He has held leadership roles in
marketing and communications for the visual and performing
arts since the late 1990s.
deborah hussey is a New York–based editor and writer specializing
in art and art-related topics. She is the author of Monumental: The
Reimagined World of Kevin O’Callaghan and recently completed
editing a book on advanced problems in fine-art appraisal. She is
board president of Enki Education.
aaron kenedi is the FORMER editor-in-chief of Print, where
he was responsible for developing the content for the award-
winning magazine, the book division, design events, and
two digital properties (including Imprint).
linda king is a lecturer in design history, theory, and visual
communication at the Institute of Art, Design and
Technology, Dublin, Ireland.
beth kleber is the archivist for the Milton Glaser Design Study
Center and the School of Visual Arts Archives, which she
helped found in 2006. The Archives contain work from
distinguished designers and illustrators including Milton
Glaser, Ivan Chermayeff and Tom Geismar, Henry Wolf,
Seymour Chwast, James McMullan, Heinz Edelmann,
George Tscherny, and Tony Palladino.
andrea lange is an architecture and design critic whose work has
appeared in Dwell, Print, New York Magazine, and the New York
Times. In 2012, Princeton Architectural Press published her
second book, Writing About Architecture: Mastering the Language
of Buildings and Cities.
phil patton is the author of more than a dozen books,
writes about design for the New York Times, and has been
curator of several museum shows, including Different Roads,
at the Museum of Modern Art in New York. He teaches in
the Design Criticism Program of the School of Visual Arts,
New York.
maria popova (@brainpicker) is the founder and editor
of BrainPickings.org, an inventory of cross-disciplinary
curiosity. She writes for Wired UK, The Atlantic, Nieman
Journalism Lab, and Design Observer, among others, and is
an MIT Futures of Entertainment Fellow.
emily potts is senior acquisitions editor at Rockport Publishers
and content editor for RockPaperInk, Inspiration, Ideas
& Opinions from Design Fanatics (www.rockpaperink.com).
rick poynor is a writer, critic, lecturer, and curator specializing in
design, media, and visual culture. He founded Eye, cofounded
Design Observer, and contributes columns to Eye and Print.
His latest book is Uncanny: Surrealism and Graphic Design.
kerry william purcell is a lecturer in design history at The
University of Hertfordshire. His publications include Alexey
Brodovitch (Phaidon Press, 2002) and Josef Müller-Brockmann
(2006). He writes for various magazines and is also completing
a Ph.D. on the role of biography in graphic design history.
stefan sagmeister, author of
Made You Look
(reprint: Abrams,
2009) and
Things I Have Learned in My Life So Far
(Abrams,
2008), has created eye-catching graphics for clients including
the Rolling Stones and Lou Reed. Solo exhibitions of Sagmeister’s
work have been mounted all over the world. He teaches in the
MFA Design/Designer as Author + Entrepreneur department
of the School of Visual Arts, New York, and has been appointed
as the Frank Stanton Chair at the Cooper Union School of Art,
New York.
paula scher has been a principal in the New York office of
the international design consultancy Pentagram since 1991.
She began her career as an art director at CBS Records in
the 1970s and early 1980s, when her eclectic approach to
typography became highly influential. In the mid-1990s her
identity for The Public Theater fused high and low, and
her recent architectural collaborations have reimagined the
urban landscape as a dynamic environment of dimensional
graphic design.
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ellen shapiro is a graphic designer and writer based in Irvington,
New York. She is the author of two books on graphic design
and a highly graphic manual and collection of multisensory
materials for teaching children, especially children with
learning differences, how to read. A contributing editor of
Print magazine and Communication Arts magazine, she develops,
photographs, write, and assembles monthly posts for Imprint,
Print’s blog. Her writing can also be found on Salon.com and
on http://dig-it-blog.com.
adrian shaughnessy is a designer, writer, publisher, and
broadcaster. He is a senior tutor (graphic design) at the
Royal College of Art, London.
alexander tochilovsky is the curator at the Herb Lubalin Study
Center of Design and Typography at The Cooper Union. He
teaches typography at The Cooper Union School of Art and is
the co-owner of The Studio of ME/AT together with Mike Essl.
alice twemlow is the chair of the SVA MFA in Design Criticism,
New York, and a Ph.D. candidate in design history at the
Royal College of Art, London. She writes about design for
publications including Design Observer and Bloomberg, and
authored the book What Is Graphic Design For?
veronique vienne was a magazine art director in the United States
when she began to write to better analyze and understand the
work of graphic designers, illustrators, and photographers.
Today she writes books and conducts workshops on design
criticism as a creative tool.
alissa walker is a Los Angeles-based design writer focused on
finding innovative ways to increase public awareness and social
relevance for the work of designers, architects, and other
authors of visual culture. In 2010 she was named a USC
Annenberg Getty Arts Journalism Fellow for her writing
on design and urbanism.
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michael grant is the director of communication at the School
of Visual Arts, New York. He has held leadership roles in
marketing and communications for the visual and performing
arts since the late 1990s.
deborah hussey is a New York–based editor and writer specializing
in art and art-related topics. She is the author of Monumental: The
Reimagined World of Kevin O’Callaghan and recently completed
editing a book on advanced problems in fine-art appraisal. She is
board president of Enki Education.
aaron kenedi is the FORMER editor-in-chief of Print, where
he was responsible for developing the content for the award-
winning magazine, the book division, design events, and
two digital properties (including Imprint).
linda king is a lecturer in design history, theory, and visual
communication at the Institute of Art, Design and
Technology, Dublin, Ireland.
beth kleber is the archivist for the Milton Glaser Design Study
Center and the School of Visual Arts Archives, which she
helped found in 2006. The Archives contain work from
distinguished designers and illustrators including Milton
Glaser, Ivan Chermayeff and Tom Geismar, Henry Wolf,
Seymour Chwast, James McMullan, Heinz Edelmann,
George Tscherny, and Tony Palladino.
andrea lange is an architecture and design critic whose work has
appeared in Dwell, Print, New York Magazine, and the New York
Times. In 2012, Princeton Architectural Press published her
second book, Writing About Architecture: Mastering the Language
of Buildings and Cities.
phil patton is the author of more than a dozen books,
writes about design for the New York Times, and has been
curator of several museum shows, including Different Roads,
at the Museum of Modern Art in New York. He teaches in
the Design Criticism Program of the School of Visual Arts,
New York.
maria popova (@brainpicker) is the founder and editor
of BrainPickings.org, an inventory of cross-disciplinary
curiosity. She writes for Wired UK, The Atlantic, Nieman
Journalism Lab, and Design Observer, among others, and is
an MIT Futures of Entertainment Fellow.
emily potts is senior acquisitions editor at Rockport Publishers
and content editor for RockPaperInk, Inspiration, Ideas
& Opinions from Design Fanatics (www.rockpaperink.com).
rick poynor is a writer, critic, lecturer, and curator specializing in
design, media, and visual culture. He founded Eye, cofounded
Design Observer, and contributes columns to Eye and Print.
His latest book is Uncanny: Surrealism and Graphic Design.
kerry william purcell is a lecturer in design history at The
University of Hertfordshire. His publications include Alexey
Brodovitch (Phaidon Press, 2002) and Josef Müller-Brockmann
(2006). He writes for various magazines and is also completing
a Ph.D. on the role of biography in graphic design history.
stefan sagmeister, author of
Made You Look
(reprint: Abrams,
2009) and
Things I Have Learned in My Life So Far
(Abrams,
2008), has created eye-catching graphics for clients including
the Rolling Stones and Lou Reed. Solo exhibitions of Sagmeister’s
work have been mounted all over the world. He teaches in the
MFA Design/Designer as Author + Entrepreneur department
of the School of Visual Arts, New York, and has been appointed
as the Frank Stanton Chair at the Cooper Union School of Art,
New York.
paula scher has been a principal in the New York office of
the international design consultancy Pentagram since 1991.
She began her career as an art director at CBS Records in
the 1970s and early 1980s, when her eclectic approach to
typography became highly influential. In the mid-1990s her
identity for The Public Theater fused high and low, and
her recent architectural collaborations have reimagined the
urban landscape as a dynamic environment of dimensional
graphic design.
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167
ellen shapiro is a graphic designer and writer based in Irvington,
New York. She is the author of two books on graphic design
and a highly graphic manual and collection of multisensory
materials for teaching children, especially children with
learning differences, how to read. A contributing editor of
Print magazine and Communication Arts magazine, she develops,
photographs, write, and assembles monthly posts for Imprint,
Print’s blog. Her writing can also be found on Salon.com and
on http://dig-it-blog.com.
adrian shaughnessy is a designer, writer, publisher, and
broadcaster. He is a senior tutor (graphic design) at the
Royal College of Art, London.
alexander tochilovsky is the curator at the Herb Lubalin Study
Center of Design and Typography at The Cooper Union. He
teaches typography at The Cooper Union School of Art and is
the co-owner of The Studio of ME/AT together with Mike Essl.
alice twemlow is the chair of the SVA MFA in Design Criticism,
New York, and a Ph.D. candidate in design history at the
Royal College of Art, London. She writes about design for
publications including Design Observer and Bloomberg, and
authored the book What Is Graphic Design For?
veronique vienne was a magazine art director in the United States
when she began to write to better analyze and understand the
work of graphic designers, illustrators, and photographers.
Today she writes books and conducts workshops on design
criticism as a creative tool.
alissa walker is a Los Angeles-based design writer focused on
finding innovative ways to increase public awareness and social
relevance for the work of designers, architects, and other
authors of visual culture. In 2010 she was named a USC
Annenberg Getty Arts Journalism Fellow for her writing
on design and urbanism.
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