INDEX

Blue page numbers indicate terms in marginal notes.

A

  • Abbott, Edwin, 58, 58, 59
  • Aboriginal culture, 55
  • Accounting
    • black and red ink colors in, 32
    • clay tablets in, 24, 24
    • positional notation of numerals and, 17
  • Adam and Eve story, xii–xiii, 52
  • Adamiecki, Karol, 56
  • Addition, in comparisons, 93–94
  • Advertisements, 144–145, 144, 145
  • Aesthetics, 87, 130, 144, 148, 151, 154, 172, 172, 180, 190
  • Africa, wildlife in, 2
  • Agriculture, 24, 24, 55
  • Akkadian Empire, xii
  • Alexander, Christopher, 153, 154, 155, 155, 191
  • Allen, Dede, 186
  • Alphabet symbols, 149, 149
  • Alyea, Hubert N., 112
  • Analogy, 39, 40
  • Analogy-making, 36, 36, 39, 188
  • Andrews, Elizabeth, 42
  • Animal species, endangered, 2
  • Anno Domini system, 52
  • Anscombe, F.J., 97
  • Apollo program (NASA), 92–93
  • Arabic language, 61
  • Arabic numeral system, 16, 17
  • Archetypes, 142
  • Arnheim, Rudolf, 29
  • Arnold, Edmund, 51
  • Aspect ratio, 74, 96
  • Assembly-number metaphor, 46–47, 48
  • Assyria, xii
  • Austin, Michael, 21, 135
  • Axis mundi, xii
  • Aymaran culture, 55

B

  • Bacon, Francis, 120
  • Bang, Molly, 69
  • Barbeu-Dubourg, Jacques, 74
  • Bar charts, 66, 72–74, 73, 163
    • action portrayed in, 189
    • area plot compared with, 77–78
    • data stories using, 38, 62, 192, 206–207
    • horizontal, 73, 74
    • radial, 74
    • same appearances of data presented in, 154
    • 2-D area plot compared with, 77
    • vertical, 73–74, 73
  • Baum, L. Frank, 45
  • Beliefs
    • evidence and, 170–171
    • mental models of how things work and, 168–169
  • Bellow, Saul, 199
  • Beowulf (epic poem), 5, 6
  • Berger, John, 43
  • Berlin, Brent, 83
  • Berlin School of experimental psychology, 147
  • Bertin, Jacques, 94, 102, 104, 190
  • Bible, xii-xiii, 170
  • Biderman, Albert, 77
  • Bierut, Michael, 51
  • Binding, 95
  • Birds, vision in, 82
  • Bitgood, Stephen, 126
  • Blixen, Karen, 134
  • Boat stories, 206
  • Bonacci fillius, 17
  • Boole, George, 18
  • Booleans, 18, 18, 19
  • Borges, Jorge Luis, 52
  • Boroditsky, Lera, 55
  • Box, George E.P., 115
  • Box plots, 101, 101, 119, 119
  • Brahmi alphabet, 17
  • Brahmi numeral system, 16
  • Brightness, 81
  • Brinton, Willard C., 29
  • Brown, James, 14, 20, 21
  • Browne, Robert, 110
  • Brynjolfsson, Erik, 204
  • Buddha, xii
  • Buddhist philosophy, 42

C

  • Cabinets of curiosities, 132
  • Cairo, Alberto, 71, 120
  • Calculus, 53
  • Calendars, 52, 56
  • Calvino, Italo, 42, 49, 99, 110
  • Cameron, William Bruce, 156
  • Campbell, Joseph, 7, 7, 164, 203
  • Carrier Bag Theory of Fiction, The (Le Guin), 205
  • Carroll, Lewis, vii, 37, 116
  • Carse, James P., 7, 63, 142
  • Carte chronographique (Barbeu-Dubourg), 74
  • Cartesian coordinate system, 60, 62, 63, 63, 64, 95
  • Case, Nicky, 174
  • Categories
    • moving about for better forms, 96, 102, 102, 104
    • pulling together phenomena into, to be “seen,” 147
    • sorting by value, 32
    • visual cognition with, 41, 82, 83, 88, 147
  • Category extension, 36–37, 38–39, 65
  • Cathedrals, orientation of, 176–184, 188, 189, 192–196
  • Census population data, 32–33
  • Central limit theorem, 27
  • Certainty, and truth, 118–120
  • Chaos theory, 109
  • Chaplin, Charlie, 204–205
  • Chartres Cathedral, France, 182
  • Charts. See also Bar charts
    • cathedral orientation using, 178–179, 182, 189, 192–193
    • connected scatter plot in, 104
    • context for, 14
    • design of, 205
    • as diagrams, 163
    • fictive motion language for, 49
    • pie charts, 62–63, 62, 207
    • polar coordinates on, 62, 63, 63, 64, 66
    • three-dimensional volume on, 76–77
    • time-series charts, 70
    • visualizing data using, 184
  • Chinese language, 17, 54
  • Chronographique (Barbeu-Dubourg), 74
  • Chronometric time, 53
  • Chronostatic time, 53
  • Chunking, 147–148, 190
  • City
    • dwellers' perspective in, 63
    • grids in, 61
    • shapes on maps for population of, 74
  • Clay tablets, 24, 24, 25, 25, 26
  • Cleveland, William, 43, 70, 87, 94, 96, 100
  • Climate data sketch, 109
  • Clocks, 54, 62, 62
  • Coleman, Laurence, 131
  • Color, 79–88
    • categories of, in visual cognition, 41, 82, 83, 88, 147
    • conveying information using, 82, 84, 88
    • effective use of palette in, 87–88
    • emotional tone and, 152
    • grey values and, 80–81
    • highlighting with, 81, 83, 86
    • learnability and semantic use of, 83
    • luminance and, 80, 81, 85, 87, 88
    • meaning conveyed by, 68
    • perception of, 82, 84–85, 87, 88
    • printing and, 84, 84
    • quantitative palettes in, 86–87
    • range of models for, 82–83, 84–85, 84, 86
    • tables with, 32
  • Color vision, 82, 84–85
  • Color wheels, 82–83, 86
  • Comics, 139, 160
  • Comparisons
    • data exploration using, 92–94
    • juxtaposed, 94
    • meaning built on, 189
    • superposed, 94
  • Confidence interval, 118–120, 118, 119
  • Connected scatter plot, 104
  • Context
    • chart creation and, 14
    • facts and need for, 14, 29
    • individual perspectives on data stories and, 15, 20–21
    • material origins of data and, 15
  • Cosmic clocks, 54
  • Counting, 45–56
    • assembly-number metaphor in, 46–47, 48
    • common experience of tallying objects by, 46
    • concept of zero in, 46
    • distance-number metaphor in, 48–49
    • fractions in, 46, 48
    • length measurements and, 47, 47
    • length-number metaphor in, 47–48
    • newborns and, 93
    • object-number metaphor in, 46
    • systems for, 16–18
    • timelines and, 52–53
  • Courage, 10
  • Creationism, 170
  • Creation myths, 4, 52
  • Creative Routines (poster), 3
  • Creativity, 173, 198, 200–201
  • Credible interval, 118
  • Cruciform plans, 176–177, 196
  • Curie, Marie, 204
  • Curiosity
    • data exploration and, 104
    • design thinking and, 29–30
    • human nature with, 138, 173
    • information gap theory of, 38
    • as motivated search for answers, 15, 37
    • museum layouts and labels and, 127, 131, 132
    • novelty in design and, 152
    • storytelling and, 138–140
    • variety of projects maintained with, 198–199
    • visuals arousing, 145
  • Currey, Mason, 3

D

  • Daily Rituals (Currey), 3
  • Dashboard design, 10
  • Data
    • context and material origins of, 14, 22
    • daily rituals of creative people and, 3
    • digital production of, 26–27
    • effective presentation of facts in, 29
    • encoding in a visual form, 42–44
    • endangered species and, 2
    • energy of, 190
    • hero's journey as metaphor for encounters with, 7, 7, 9, 36, 121, 205
    • importance of learning human side and origins of, 28–29
    • information differentiated from, 30
    • meaningful information made with, 4
    • metaphors for visualizing, 19, 58, 68
    • polar and rectangular mental maps and, 64
    • reality as flow of, 56
    • relationships and nodes in portraying, 65
    • superficial contradiction between story and, 6–7
    • tabular arrangement of. See Tables
    • Unicode encoding of, 30
    • value creation and new sources of, 27
  • Databases, 19–20
  • Data exploration, 89–110, 176
    • changed approach for finding new ways of seeing in, 104
    • comparisons for, 92–94
    • data sketches for, 90–91, 98
    • mean (average) in, 97
    • median in, 98, 98
    • patterns for, 95–98
    • profiles of data in, 100–101
    • reordering data in, 102–104
    • transforming data in, 104–108
  • Data sketches
    • climate example of, 109
    • methods used in, 90–92, 91, 98
    • trust in, 110
  • Data storage
    • evolution of, 26
    • location and types in, 19–20, 19
    • mental models in, 20
    • tables for, 20, 31, 134
    • value types in, 18, 18, 19
  • Data stories, 4–10
    • context needed for, 14, 20–21
    • conveying information using, 4, 6, 207
    • critics of, 206–207
    • design of, 133–142
    • exploring and studying, 202
    • fictive motion in, 49
    • helmets illustration as example of, 8–9
    • hero's struggles and, 5–6, 5
    • interdisciplinary nature of, 9–10
    • mind's eye in, 42
    • narrative model for, 205–206
    • superficial contradiction between data and story in, 6–7
    • ways of packaging, 186
  • Data storytellers
    • as heroes, 9, 10, 11, 164–165
    • individual perspectives and context of, 15
    • trust and, 172
  • Data storytelling
    • compressing information into relatable details in 21
    • creativity in, 200–201
    • diagram illustrating process of, 164–165
    • diagrams in, 159
    • digital tools used in, 201–202
    • editing in, 186–187, 186
    • encoding data in, 43
    • humanize-probe cycle in, 35, 35
    • lens metaphor for exploring and focusing in, 176, 186
    • prototypes in, 201
    • rejection of evidence in, 168
    • remixing in, 201
    • routines for, 198–199
    • sampling and, 116
    • workshopping in, 187–191
    • world building in, 58
  • Davis, Murray, 38
  • Dean, Bashford, 9, 9, 128
  • Decimal fractions, 17
  • Decimal points, 18, 31, 113
  • De Landa, Manuel, 158
  • Demographics, 25–26, 32
  • Descartes, René, 60, 61
  • Design. See also Graphic design; Visual design
    • axis mundi reflected in, xii
    • precision in, 157–158
    • solving problems in, 29
  • Design thinking, 28–29
  • De Stijl movement, 148, 148
  • Deutsch, David, 41, 201
  • Diagrams, 159–165, 161
    • arrows used in, 161
    • concepts illustrated in, 163
    • conveying meaning using, 157, 160, 161–163
    • design of, 205
    • engineering and, 159–160
    • statistical charts as, 163
    • visual storytelling with, 184
    • working with data shown on, 164–165
  • Dionysius Exiguus, 52
  • Distance-number metaphor, 48–49
  • Douglass, Frederick, 167
  • Dragons
    • heroes confronting, 5–6, 5
    • mythology's portrayal of, 6
  • Draw to Win (Roam), 163
  • Duarte, Nancy, 138
  • Dyson, Freeman J., 75

E

  • Eco, Umberto, 54, 155, 170
  • Eddington, Arthur, 13, 112
  • Egypt, Ancient, xii, 17, 64, 127, 148
  • Einstein, Albert, 50, 92
  • Eliade, Mircea, xiii, 5, 36
  • Elliot, T.S., 121
  • Emotional design, 151–152, 153, 155–156
  • Endangered Safari (interactive project), 2
  • Engineering, 158, 159
    • diagrams in, 159–160
    • precision in, 157–158
    • problem-solving in, 158–159
  • English language, 17, 54
  • Equal sign, 32
  • Euclid, 75
  • Euler, Leonhard, 107
  • Eve and Adam story, xii-xiii, 52
  • Evidence
    • beliefs and, 170–171
    • data storytelling and rejection of, 168
    • science and, 117
  • Explanation
    • cathedral story requiring, 188
    • diagrams and, 160
    • storytelling and, 7, 124, 134, 137
    • truth and, 138
  • Exploring data. See Data exploration
  • Eyes
    • color perception and, 84–85
    • conveying information and, 44

F

  • Facts
    • context needed for, 14, 29
    • data and effective presentation of, 29
  • Fahrenheit, Daniel Gabriel, 71
  • Ferguson, Kirby, 201
  • Fibonacci, 17
  • Fictive motion, 49
  • Flatland (Abbott), 58
  • Flesch, William, 171
  • Floating point (floats), 18–19, 18
  • Flynn, Kevin, 57
  • Forster, E.M., 140, 141
  • Fractions, 17, 46
  • France, cathedrals in, 177–178, 188, 194
  • Freedom From Fear (Rockwell), 144
  • French language, 95, 198
  • Frequentism, 114
  • Fry, Stephen, 172
  • Fukuyama, Francis, 171
  • Future time, perception of, 50, 51, 55

G

  • Gabler, Neal, 136
  • Gaby, Alice, 55
  • Gantt, Henry, 56
  • Gantt charts, 56
  • Gardner, Dan, 115
  • Gautama Buddha, xii
  • Geary, James, 41, 55, 152
  • Gemini program (NASA), 92, 93
  • Gemowe lines, 32
  • Genesis (Bible book), xii-xiii, 52
  • Geographic maps, 74, 161, 184
  • Geometric representations, conveying information using, 158
  • Géométrie, La (Descartes), 61
  • Gesamtkunstwerk, 132
  • Gestalt, 149
  • Gestalt effects, 147, 148
  • Gestalt psychology, 147
  • Gesture drawings, 90
  • Gettysburg Address (Lincoln), 16
  • Glass, Ira, 187
  • Globes, maps and curved surface of, 60, 63, 180
  • Goldman, William, 139, 168, 197, 200, 200
  • Gordon, J.E., 159
  • Graphicacy, 43, 43
  • Graphic design, 143–150. See also Visual design
    • advertisements and, 144–145, 144, 145
    • characters in, 144
    • chunking information in, 147–148, 190
    • grids in, 145
    • guidelines for, 146–147
    • power of story and, 143
    • superficial decoration versus, 145, 145
    • trade-offs in, 148
    • World War II poster example of, 143
  • Graphical information. See also Charts
    • helmets illustration as example of, 8–9
    • horizontal dimension and, 68, 69, 69
    • importance related to size in, 43–44, 72
    • individual fields with concept of and standards for, 9
    • proportion and, 44
    • shapes used in, 74–78
    • skill in using, 43
    • smaller shapes assembled into bigger patterns in, 77–78
    • three-dimensional volume on, 76–77
    • up direction and vertical dimension and, 68–69, 68, 69
  • Graphs
    • dashed line on, 71
    • metaphor of display in, 43
    • node-link networks on, 65–66
    • scales used in, 71, 71
    • time shown on, 70–71
  • Graunt, John, 25–26, 27, 31
  • Greece, Ancient, xi, 17, 26, 61, 104, 127, 128
  • Greek language, xi, 33, 40, 41, 61, 107, 120, 149
  • Gregorian calendar, 52
  • Grids, in graphic design, 145
  • Guy, William A., 25

H

  • Hammett, Dashiell, 20
  • Hangul Korean alphabet, 149
  • Harari, Yuval Noah, 24, 56, 63
  • Harmonograf, 56
  • Hawaiian language, 44
  • Helmets, illustration on evolution of, 8–9
  • Heroes
    • collective body of knowledge expanded by, 6
    • data storytellers as, 9, 10, 11, 164–165
    • dragons and monsters of abyss confronted by, 5–6, 5
    • journey of, as metaphor for encounters with data, 7, 7, 9, 36, 121, 205
    • narrative model for, 205
    • time-series progression of, 70
  • Hidalgo, César, 56, 126, 140
  • Highlighting
    • color for, 81, 83, 86
    • line weight in charts for, 32
    • navigation using, 130, 149
    • spans of time with, 56
  • Hill, George Roy, 187
  • Hindu-Arabic numeral system, 16, 17
  • Hinge diagram, 101
  • Histograms, 100–101, 100
  • Hofstadter, Douglas R., 21, 36, 39, 40, 41, 145, 147, 188
  • Horizontal dimension
    • bar charts and, 73, 74
    • data exploration and, 109
    • meaning and, 68, 69, 69
    • progress bars and, 73
    • time associated with, 69–71
  • Howard, Ronald A., 118
  • Huff, Darrell, 27, 95, 119
  • Hui Tzu, 54
  • Humboldt, Alexander von, 9

I J

  • Icons, 160, 190
  • Imaginary numbers, 17
  • Impact of Science on Myth, The (Campbell), 7
  • India, numeral systems in, 17
  • Infographics, 10, 54, 132
  • Information design, 11, 160
  • Integers, 18, 19
  • Irrational numbers, 46, 48
  • Isaacson, Walter, 185
  • Ishango bone, 16
  • Isotypes, 72

K

  • K, for kilo, 33
  • Katz, Steven, 136, 139
  • Kay, Paul, 83
  • Kennedy, John F., 163
  • Kent, Sherman, 113
  • Keynes, John Maynard, 113
  • King, Martin Luther, Jr., 163, 163
  • Kling, Arnold, 114
  • King Records, 14
  • Köbel, Jacob, 47
  • Koffka, Kurt, 147
  • Kolbert, Elizabeth, 168
  • Korean alphabet, 149

L

  • Labels, in design, 130–131
  • Lakoff, George, 19, 37, 39, 39, 46, 49, 69, 170
  • Language
    • color names in, 83
    • fictive motion portrayed in, 49
    • number line location in, 49
    • probability and, 113
    • reading direction and, 53–54
    • visual media supporting, 149
  • Laplace, Pierre-Simon, 27
  • Latin alphabet, 53
  • Latin cross, 176
  • Latin language, xi, xii, 10, 24, 52, 60, 92, 152, 158, 172, 174, 190
  • Leibniz, Gottfried Wilhelm, 53
  • Le Guin, Ursula, 205, 205
  • Le Mans Cathedral, France, 182
  • Length measurement
    • bodily measures in, 47, 47
    • cathedral comparisons for, 181
    • charts and, 72–73, 74–75
    • counting and, 47–48
    • precision in, 157
    • rulers and, 117
    • travel distance and, 48–50
  • Length-number metaphor, 47–48
  • Leonardo Bonacci, 17
  • Levasseur, Pierre E., 73, 189
  • Levine, Marvin, 127
  • Lieberman, Matthew D., 169
  • Light
    • detection of, 80
    • as religious metaphor, 80
  • Lightness, 81
  • Lincoln, Abraham, 16, 147
  • Linear regression, 102
  • Lippincott, Kristen, 50
  • Live at the Apollo (Brown), 14, 20, 21
  • Loewenstein, George, 38
  • Logarithms, 106–107, 107, 108, 108
  • Logic of Scientific Discovery, The (Popper), 116
  • Lorenz, Max, 108
  • Lorenz curve, 108
  • Loua, Toussaint, 32
  • Lucas, George, 142, 144
  • Lucas Museum of Narrative Art, Los Angeles, 143
  • Lucian, 113
  • Luminance, 80, 81, 85, 87, 88
  • Lupi, Giorgia, 28, 98, 120, 156, 206
  • Lupton, Ellen, 144
  • Luria, Aleksandr, 21
  • Lyapunov Time, 113

M

  • MacGuffins, 20
  • Malamed, Connie, 71
  • Malcolm, Ian, 109
  • Malay language, 44
  • Manual for Small Museums (Coleman), 131
  • Maps, 59–64
    • Cartesian coordinate system and, 60, 62, 63, 63, 64, 95
    • cathedral orientation on, 177, 180
    • curved surface of globes and, 60, 63, 180
    • data storage using, 20
    • experiential knowledge applied to, 64
    • horizontal (x) and vertical (y) axes in, 61
    • polar coordinates on, 62
    • origin of word, 60
    • projection choices in, 60–61
    • satellite photos compared with, 160
    • semantic color on, 83
    • shapes for city population on, 74
    • 2-D plane in, 59–60
    • visual storytelling with, 184
  • Mathematical Analysis of Logic, The (Boole), 18
  • Mathematics
    • assembly-number metaphor in, 46–47, 48, 48
    • close for operations in, 46
    • early counting systems behind, 18
    • Gemowe lines in, 32
    • length-number metaphor in, 47–48
    • material origins of data in, 15
    • object-number metaphor in, 46
    • x used in, 61
  • Mattern, Shannon, 59
  • Maunder, Annie and Walter, 27
  • Mazur, Joseph, 17
  • McAfee, Andrew, 204
  • McCloud, Scott, 139, 160, 160, 161
  • McGill, Marylen E., 96
  • McGill, Robert, 96
  • Mean (average), 47, 97, 120
  • Meaning, 67–78
    • bar charts and, 72–74
    • horizontal dimension and, 68, 69, 69
    • myths and, 142
    • options for conveying, 68
    • shapes and, 74–78
    • smaller shapes assembled into bigger patterns in, 77–78
    • time on horizontal axis and, 69–71
    • up direction and vertical dimension and, 68–69, 68, 69
  • Measurements, precision of, 117
  • Median, 98, 98, 101, 102
  • Meeks, Elijah, 88
  • Memory
    • appeal to the eye in, 44
    • color perception and, 95
    • compressing information into details in, 21
    • data pattern recognition and, 96
    • encoding in, 21, 41
    • inability to forget and, 21, 152
    • mental categories in, 36
    • model of world carried in, 59
    • numbers and reliance on, 17, 94
    • sleep and filtering thoughts for, 201
    • technologies for outsourcing, 26, 26, 90
    • visual story elements stored in, 147
  • Memory palace technique, 66
  • Mental cinema, 42
  • Mesopotamia, 26, 148
  • Metaphor
    • aim of, 40
    • charts using, 73, 184
    • data visualized using, 19, 58, 68
    • depiction of time and, 50, 56
    • graphical display and, 43
    • ideograms with, 54
    • learning of, 40–41
    • mathematics and, 46–48
    • new understandings created from, 37, 39
    • origin of word, 40
    • personification and, 49
    • physical expressions used in, 40, 41
    • screen navigation using, 54
    • sharing of common set of, 43, 44
    • speeches using, 163
    • visual. See Visual metaphors
    • visual worlds and, 58
  • Metaphor-mapping, 36, 39–42
  • Metaphors We Live By (Lakoff and Johnson), 69
  • Method of loci, 66
  • Metropolitan Museum of Art, New York, 127
  • Metz Cathedral, France, 182
  • Michelangelo, 90
  • Miller, George, 147
  • Models, and probability, 114–115
  • Mondrian, Piet, 148
  • Moore, Terry, 61
  • More, metaphorical ways of conveying, 72
  • Mozart, Wolfgang Amadeus, 3, 53, 74, 198
  • Multiplication, in comparisons, 9s-94
  • Munari, Bruno, 146
  • Munzer, Tamara, 108, 191
  • Museum of Fine Arts, Boston, 131
  • Museums, 125–132
    • conveying information and, 131
    • labels in, 130–131
    • navigation of, 127–129
    • object arrangements in galleries in, 130
    • reasons for existence of, 132
    • route design in, 129
  • Myths and mythology
    • creation stories in, 4, 52
    • hero's struggles in, 5–6
    • meanings from, 142

N

  • Narrative art, 143
  • NASA, 92–93, 94
  • National Museum of Anthropology, Mexico City, Mexico, 129, 129
  • Naves, 176–177, 178
  • Network graphs, 65–66
  • Neurath, Marie, 67, 72, 188
  • Neurath, Otto, 72
  • Newton, Isaac, xii, 28, 53
  • Neyman, Jerzy, 118
  • Nietzsche, Frederich, 134
  • Nightingale, Florence, 9
  • Node-link network graphs, 65
  • Norman, Don, 18, 28, 29, 53
  • Nostalgia for paradise, xiii
  • Notre-Dame de Paris, France, 178, 183, 188, 193, 194
  • Novalis, 92
  • Numbers
    • assembly-number metaphor, 46–47, 48
    • counting for thinking about and visualizing, 46
    • language for talking about, 49, 49
    • object-number metaphor, 46
  • Numeral systems, 16–19
    • base-10 system in, 17
    • basis for number symbols and multiples in, 17, 17
    • counting and abstraction in, 17–18
    • early examples of slash-characters in, 16–17, 16
    • scorekeeping and, 16, 102
    • sign values for calculations using, 17
    • unary approach to, 16
    • value types in, 18–19, 18
  • Núñez, Rafael E., 19, 46, 49

O

  • Object-number metaphor, 46
  • Obrist, Hans Ulrich, 132
  • Observations on the Bills of Mortality (Graunt), 25–26, 31
  • O'Connor Flannery, 136
  • Ogilvy, David, 27, 144, 144, 200
  • Old English language, xi
  • Old French language, 198
  • Old High German language, xi
  • Old Norse language, xi, xii, 16
  • Organizational chart, 64
  • Orwell, George, 40

P Q

  • Patternicity, 95, 95
  • Patterns, 95–98, 139
    • design decisions impacting, 96–97
    • exploring data with, 95, 98, 100, 110
    • meaning built on, 189
    • recognizing, 95–96
    • reordering to show, 102
    • smaller shapes assembled into, in storytelling, 73
    • sorting categories to reveal, 112
    • texture with, 154
  • Pearson, Karl, 100
  • Peirce, Charles Sanders, 163
  • Perception, 41
    • common set of visual metaphors in, 43
    • correlation between body's physical experience and, 44
    • decoding (interpreting) data in, 43
    • stimulus strength and intensity of, 42–43, 42
    • synthesis of parts in, 149
    • three-dimensional image of the world in, 50–51
  • Perec, Georges, 7
  • Persia, 17
  • Personification, 49, 51
  • Pie charts, 62–63, 62, 207
  • Pinker, Steven, 28, 137, 147, 149, 184, 205
  • Plato, 1, 15, 136
  • Playfair, William, 26, 32, 134, 43, 44, 66, 73, 94, 98, 206–207
  • Pliny the Elder, 120
  • Polar charts, 62, 63, 63, 64, 66, 74
  • Popper, Karl, 6, 92, 110, 112, 116, 117
  • Population study, 26
  • Pormpuraawan culture, 55
  • Power relationships, vertical metaphor for, 64
  • Prigogine, Ilya, 56, 112
  • Primates, color vision in, 82
  • Probability, 26, 113–116, 113, 114, 115
  • Profiles of data, 100–101
  • Proportion, and conveying ideas, 44
  • Prototypes, 201
  • Pseudodoxia Epidemica (Browne), 110
  • Psychophysics, 42
  • Quiller-Couch, Arthur, 187

R

  • Radial bar charts, 74
  • Rao, Venkatesh, 206
  • Rating systems, 172
  • Rational numbers, 46, 48
  • Ratio scales, 71
  • Raymo, Chet, 39
  • Reading
    • direction of, 51, 53–54
    • visualization in, 41–42
  • Reading gravity, 51
  • Recorde, Robert, 32
  • Remixing, 201
  • Reordering data, 102–104
  • Republic, The (Plato), 1, 15
  • Residual, 102, 103, 103
  • Ricoeur, Paul, 137, 140, 141
  • Rituals, 3
  • Roam, Dan, 154, 163
  • Rockwell, Norman, 144, 144
  • Rod (measurement unit), 47
  • Roman Empire, 17, 61, 91, 128
  • Roman mythology, 112, 112
  • Roosevelt, Theodore, 206
  • Rosling, Hans, 20, 92, 206
  • Rothko, Mark, 156, 156
  • Rough, 103
  • Roughness, 153–154, 153
  • Rounding numbers, 31–32
  • Routines, in data storytelling, 198–199
  • Rumsey, Abby Smith, 21, 25, 26, 59, 91, 152, 169
  • Rumsey, David, 229
  • Russell, Bertrand, 117
  • Russian language, 44

S

  • Sacred trees, xii
  • Samana, 42
  • Sample size, 97
  • Sampling, 116, 118, 158
  • Sander, Emmanuel, 21, 36, 39, 40, 41, 145, 147, 188
  • Sanskrit language, xi
  • Saturday Evening Post, 144, 102
  • Savage, Sam, 120
  • Scagnostics, 96
  • Scales, 105
  • Scatter plot matrix, 109
  • Schaffner, Ingrid, 131, 131
  • Science, and falsifiability, 116–117
  • Scorekeeping, 16, 102
  • Seasonality, 103, 103
  • Shading, in tables, 32
  • Shahn, Ben, 135, 142, 184, 187, 199
  • Shiner, The (Rockwell), 144
  • Shlain, Leonard, 54, 149
  • Siebel, Frederick, 143
  • Sigma, 120
  • Signaling theory, 172
  • Silver, Nate, 110
  • Simmon, Rob, 85, 88
  • Simon, Herbert, 127
  • Simone, Nina, 153
  • Size
    • bar charts showing, 72–73
    • grouping of shapes and, 72, 75
    • importance related to, 43–44, 72
    • meaning conveyed by, 68
  • Smoot (measurement unit), 47
  • Smoot, Oliver R., 47
  • Smooth, 103
  • Social bonds, and trust, xi, xiii
  • “Solar Orientation of the Gothic Cathedrals of
  • France, The” (Sparavigna), 181
  • Sousanis, Nick, 6, 38, 58, 91, 104, 149, 219
  • Space
    • time conflated with, 50–51
    • travel distance and, 48–49
  • Spacing
    • patterns around data and, 96
    • tables with, 30–31, 32
  • Spain, 61
  • Spatial diagrams, 58–61
  • Spatial relationships
    • dimensionality of data and, 72
    • meaning of vertical dimension in, 69
    • memory palace technique for, 66
  • Spear, Mary Eleanor, 9
  • Sparavigna, Amelia, 181
  • Speeches, and metaphor, 163
  • Star Wars (film series), 20, 66
  • Statistics, 15
    • accuracy pf results in, 32
    • background to beginning of, 26
    • charts as abstract diagrams in, 14, 163
    • chart types used in, 184
    • data as foundational pillar of, 27
    • material origins of data in, 15
    • normal distribution in, 104
    • pictorial method of, 72
    • root word for, 26
    • rounding of numerals in, 31
    • simulations using, 114–115
    • trust and confidence in, 116, 118–119, 121
  • Steinbeck, John, 89
  • Stem-and-leaf display, 33–34, 100
  • Stevens, Steven S., 42
  • Stevens, Wallace, 35, 145
  • Stigler, Stephen, 27, 116
  • Stone, Maureen, 84, 87
  • Stone tablets, 31
  • Storr, Robert, 126, 129
  • Story. See also Data stories
    • conveying information using, 6–7
    • knowledge transmitted by, 7
    • superficial contradiction between data and, 6–7
  • Story design, 133–142
    • elements of, 135
    • endings and closure in, 138–139, 139
    • feelings for characters in, 139–140
    • linear flow of, 136, 137, 139
    • narrative connections in, 136–137
    • plot structures in, 137
    • symbols in, 141–142
    • truth and, 134–135
  • Storytellers. See Data storytellers
  • Stuart, Gilbert, 207
  • Sumer, 24
  • Summary curve, 71
  • Summary line, 71, 102, 103
  • Superposition in comparison, 94

T

  • Tables, 31–34
    • arrangement of entries in, 32
    • building blocks of, 31
    • color in, 32
    • communication focus of, 31, 31
    • conveying information using, 134
    • data storage using, 20, 31, 134
    • design for readability of, 31
    • horizontal and vertical lines in, 32
    • origin of, 31
    • popularity of, 134
    • rounding of numerals in, 31–32
    • shading in, 32
    • spacing for readability in, 30–31, 32
    • stem-and-leaf display in, 33–34
    • value clusters in, 32
  • Temperature, on charts, 19, 71, 103
  • Tetlock, Philip E., 115
  • Third eye, 42
  • Thomson, Virgil, 131
  • Thoreau, Henry David, 175
  • Threat detection, 135, 148
  • Time, 50–56
    • cardinal directions and movement of, 55
    • chronometric, 53
    • chronostatic, 53
    • daily rituals of creative people and, 3
    • data exploration and, 109
    • diagrams and, 162
    • horizontal axis associated with, 69–71
    • as irreversible performance, 56, 112
    • linear comprehension of, 50–51
    • linear flow of stories and, 136, 137, 139
    • map grid choices and, 61
    • metaphor in depiction of, 50, 56
    • motion in perception of, 51
    • natural cycles and, 55
    • perception of future time, 50, 51, 55
    • personal relationship with, 52
    • prediction horizon and, 115
    • reading direction and, 54
    • regular intervals in, 103
    • scales for showing, 71
    • sequential activities reinforcing linearity of, 53–54
    • space conflated with, 50–51
    • spiral metaphor for linear and circular time
    • spliced together, 55
    • summary curve showing, 71
    • summary line for, 102
    • time-as-money metaphor, 56
    • timeline as visual way of seeing, 53
    • trust related to, 171–172
  • Time-is-distance metaphor, 53
  • Timelines
    • history on, 74
    • personal perception of, 52
    • spans of time perceived on, 53
  • Time-series charts, 70
  • Tolkien, J.R.R., 11, 142
  • Tooby, John, 170
  • Trade, and data development, 24–25
  • Transforming data, 104–108
  • Translating (reordering) data, 102–104, 108
  • Travel distance, 48–50
  • Tree of knowledge story, xii-xiii, 52
  • Tree (data)
    • helmets illustration using, 8–9
    • hierarchy in data storage and, 19
    • mental model of data using, 20
  • Trees (plants)
    • ancestors' home in, 2
    • archetypal images of, xiii
    • axis mundi reflected in, xii
    • direction of up and gravity evoking, 68
    • evolutionary ancestor's mental map of the world
    • using, 63
    • information and trust associated with, xi, xii
  • Truffault, François, 139
  • Trust, 167–174, 171
    • believability and, 168
    • conceptual system and, 170
    • conveying information and, xiii, 4, 172
    • data sketches and, 110
    • evolution of, 174
    • mental models of how things work and, 168–169
    • social origin of meaning of word, xi
    • statistics and, 121
    • time factor in, 171–172
    • trees associated with, xi, xii
    • visual design and, 171–174
  • Truth, 111–121
    • certainty and, 118–120
    • confidence interval and, 118–120, 118, 119
    • data stories and, 4, 7
    • explanation and, 138
    • limits of, 117
    • probability and, 113–116, 113, 114, 115
    • science and falsifiability and, 116–117
    • statistical concepts for, 113
    • statistics and, 116, 118–119, 121
    • story design and, 134–135
  • Tufte, Edward, 87, 196
  • Tukey, John, 17, 31, 32, 33, 91, 91, 92, 94, 98, 100, 103, 103, 105, 106, 108, 119, 121, 190
  • Turkish language, 44
  • Tversky, Barbara, 163

U

  • Understanding Comics (McCloud), 160
  • Unflattening (Sousanis), 58
  • Unicode, 30
  • U.S. Census population data, 32–33

V

  • Valéry, Paul, 58, 79, 141
  • van der Leck, Bart, 148
  • van Schooten, Frans, 60
  • Vertical dimension
    • bar charts and, 73–74, 73
    • data exploration and, 109
    • meaning and, 68–69, 68, 69
  • Violin plots, 101
  • Visual design. See also Graphic design
    • austerity in, 154
    • creating effortless experiences for viewer in, 44
    • emotional design and, 151–152, 153, 155–156
    • perception of numbers and, 46
    • perceptual effects and, 87
    • readability of data in tables and, 31
    • relationships between centers and wholes in, 154–155, 155
    • roughness preference in, 153–154, 153
    • rules and conventions in, 42, 43
    • spacing in, 31
    • spatial biases in, 69
    • texture in, 154
    • trade-offs in, 42–43
    • trust and, 171–174
  • Visual cognition, color categories in, 41, 82, 83, 88, 147
  • Visualization, 9, 10, 42
    • creating effortless experiences for viewer in, 44
    • mind's eye in, 42
    • reading using, 41–42
  • Visual metaphors
    • graphical display and, 43
    • importance related to size in, 43–44
    • meaning conveyed by, 68
    • power relationships shown with, 64
    • shared common set of, 43
    • similarity and physical closeness in, 44
    • visualizing data using, 19, 58, 68
  • Visual world, 57–66
    • children and, 43
    • common set of visual metaphors in, 43
    • conveying information within, 68
    • correlation between body's physical experience
    • and perception in, 44
    • decoding (interpreting) data in, 43, 44
    • encoding data for, 42–44
    • importance related to size in, 43–44
    • maps as, 61
    • mental cinema and, 42
    • mind's eye and, 42
    • proportion and, 44
    • similarity related to physical closeness in, 44
    • spatial diagrams in, 58–61
    • stimulus strength and perception in, 42–43, 42
  • Voltaire, 39, 111

W

X Y Z

  • x, in mathematics, 61
  • “Young Earth” creationism, 170
  • Zander, Benjamin, 5, 205
  • Zander, Rosamund Stone, 5, 205
  • Zero
    • baseline in charts with, 71, 73
    • distance-number metaphor and, 49–50
    • length measurements and, 48
    • object-number metaphor in, 46
  • Zulu language, 44
..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.
Reset
3.145.111.183