BIBLIOGRAPHY

Aicher, Otl. Typographie. Berlin: Ernst & Sohn, 1988.

Anderson, Donald M. The Art of Written Forms. New York: Holt, Reinhart and Winston, 1969.

———. A Renaissance Alphabet. Madison, WI: University of Wisconsin Press, 1971.

Arnheim, Rudolf. The Power of the Center: A Study of Composition in the Visual Arts. Berkeley, CA: University of California Press, 1982.

Bellantoni, Jeff, and Woolman, Matt. Moving Type: Designing for Time and Space. Crans-Près-Céligny, Switzerland: RotoVision, 2000.

———. Type in Motion. London: Thames & Hudson, 2000.

Bevington, William. Typography: The Principles. A Basic Guide to Using Type. New York: The Center for Design and Typography, The Cooper Union, 1991.

Bigelow, Charles, Duensing, Paul Hayden, and Gentry, Linnea. Fine Print on Type: The Best of Fine Print on Type and Typography. San Francisco: Fine Print/Bedford Arts, 1988.

Binns, Betty. Better Type. New York: Watson-Guptill, 1989.

Blackwell, Lewis. 20th Century Type. New York: Rizzoli, 1992.

Blauvelt, Andrew, and Lupton, Ellen, eds. Graphic Design: Now in Production. Minneapolis: Walker Art Center, 2011.

Bojko, Szymon. New Graphic Design in Revolutionary Russia. New York: Praeger, 1972.

Bringhurst, Robert. The Elements of Typographic Style. Port Roberts, WA: Hartley and Marks, 1992.

Brody, Neville, and Blackwell, Lewis. G3: New Dimensions in Graphic Design. New York: Rizzoli, 1996.

Bruckner, D. J. R. Frederic Goudy. New York: Abrams, 1990.

Burns, Aaron. Typography. New York: Van Nostrand Reinhold, 1961.

Carter, Rob. American Typography Today. New York: Van Nostrand Reinhold, 1989.

———. Digital Color and Type. Crans-Près-Céligny, Switzerland: RotoVision, 2002.

———. Working with Type, Volumes 1-5, Crans-Près-Céligny, Switzerland: RotoVision; and New York: Watson Guptill, 1995–99.

Carter, Sebastian. Twentieth Century Type Designers. New York: W. W. Norton & Co., 1995.

Chang, Amos I. The Tao of Architecture. Princeton, NJ: Princeton University Press, 1981.

Craig, James, Korol Scala, Irene, and Bevington, William. Designing with Type: The Essential Guide to Typography. New York: Watson-Guptill Publications, 2006.

Dair, Carl. Design with Type. Toronto: University of Toronto Press, 1967.

Damase, Jacques. Revolution Typographique. Geneva: Galerie Mott, 1966.

Doczi, Gregory. The Power of Limits: Proportional Harmonies in Nature, Art and Architecture. Boulder, CO: Shambhala Publications, 1981.

Dooijes, Dick. Mijn Leven Met Letters. Amsterdam: De Buitenkant, 1991.

Dowding, Geoffrey. Fine Points in the Spacing and Arrangement of Type. Point Roberts, WA: Hartley and Marks, 1993.

Drogin, Marc. Medieval Calligraphy: Its History and Technique. Montclair, NJ: Allanheld and Schram, 1980.

Dwiggins, William Addison. Layout in Advertising. New York: Harper and Brothers, 1948.

Elam, Kimberly. Expressive Typography: The Word as Image. New York: Van Nostrand Reinhold, 1990.

———. Grid Systems: Principles of Organizing Type. New York: Princeton Architectural Press, 2004.

Felici, James. The Complete Manual of Typography. Berkeley, CA: Peachpit Press, 2003.

Friedl, Fiedrich, Ott, Nicolaus, and Stein, Bernard. Typography: An Encyclopedic Survey. New York: Black Dog, 1998.

Friedman, Mildred, ed. De Stijl: 1917–1931, Visions of Utopia. New York: Abbeville Press, 1982.

Frutiger, Adrian. Signs & Symbols: Their Design & Meaning. New York: Van Nostrand Reinhold, 1989.

———. Type, Sign, Symbol. Zurich: ABC Verlag, 1980.

Gardner, William. Alphabet at Work. New York: St. Martins Press, 1982.

Gerstner, Karl. Compendium for Literates: A System for Writing. Translated by Dennis Q. Stephenson. Cambridge, MA: MIT Press, 1974.

Gill, Eric. An Essay on Typography. Boston: David R. Godine, 1988.

Goines, David Lance. A Constructed Roman Alphabet. Boston: David R. Godine, 1981.

Goudy, Frederic W. The Alphabet and Elements of Lettering. New York: Dover, 1963.

———. Typologia: Studies in Type Design and Type Making. Berkeley, CA: University of California Press, 1940.

Gray, Nicolete. A History of Lettering: Creative Experiment and Letter Identity. Boston: David R. Godine, 1986.

———. Nineteenth Century Ornamented Typefaces. Berkeley, CA: University of California Press, 1977.

Harlan, Calvin. Vision and Invention: A Course in Art Fundamentals. New York: Prentice Hall, 1969.

Heller, Steven, and Meggs, Philip B., eds. Texts on Type: Critical Writings on Typography. New York: Allworth, 2001.

Hiebert, Kenneth J. Graphic Design Processes: Universal to Unique. New York: Van Nostrand Reinhold, 1992.

Hinrichs, Kit. Typewise. Cincinnati: North Light, 1990.

Hochuli, Jost. Detail in Typography. London: Hyphen Press, 2008.

Hoffman, Armin. Armin Hoffman: His Work, Quest, and Philosophy. Basel: Burkhäuser Verlag, 1989.

———. Graphic Design Manual: Principles and Practice. New York: Van Nostrand Reinhold, 1992.

Jaspert, W. Pincus, Berry, W. Turner, Jaspert, W. P., and Johnson, A. F. The Encyclopaedia of Typefaces. New York: Blandford Press, 1986.

Johnston, Ollie, and Thomas, Frank. The Illusion of Life: Disney Animation. New York: Abbeville, 1981.

Kane, John. A Type Primer. Upper Saddle River, NJ: Prentice Hall, 2003.

Kelly, Rob Roy. American Wood Type 1828–1900. New York: Van Nostrand Reinhold, 1969.

Kepes, Gyorgy. Sign, Symbol, Image. New York: George Braziller, 1966.

Kinross, Robin. Modern Typography: An Essay in Critical History. London: Hyphen Press, 1992.

Knobler, Nathan. The Visual Dialogue. New York: Holt, Reinhart and Winston, 1967.

Krasner, Jon. Motion Graphic Design: Applied History and Aesthetics. London: Focal Press, 2008.

Kunz, Willi. Typography: Macro+Micro Aesthetics. Switzerland: Verlag Arthur Niggli, 1998.

Lawson, Alexander. Anatomy of a Typeface. Boston: David R. Godine, 1990.

Lewis, John. Anatomy of Printing: The Influence of Art and History on Its Design. New York: Watson-Guptill, 1970.

Lobell, Frank. Between Silence and Light: Spirit in the Architecture of Louis I. Kahn. Boulder, CO: Shambhala Publications, 1979.

Malsy, Victor, Teufel, Philipp, and Gejko, Fjodor. Helmut Schmid: Design Is Attitude. Basel: Birkhäuser Publishers, 2002.

Marshall, Lindsey, and Meachem, Lester. How to Use Type. London: Laurence King, 2012.

McGrew, Mac. American Metal Typefaces of the Twentieth Century. New Castle, DE: Oak Knoll Books, 1993.

McLean, Ruari. Jan Tschichold: A Life in Typography. New York: Princeton Architectural Press, 1997.

———. Jan Tschichold: Typographer. Boston: David R. Godine, 1975.

———. The Thames and Hudson Manual of Typography. London: Thames and Hudson, 1980.

Meggs, Philip B. A History of Graphic Design, 5th edition. New York: John Wiley & Sons, 2012.

———. Type and Image: The Language of Graphic Design. New York: John Wiley & Sons, 1989.

Meggs, Philip B., and Carter, Rob. Typographic Specimens: The Great Typefaces. New York: John Wiley & Sons, 1993.

Meggs, Philip B., and McKelvey, Roy, eds. Revival of the Fittest: Digital Versions of Classic Typefaces. New York: RC Publications, 2000.

Morison, Stanley. First Principles of Typography. Cambridge, England: Cambridge University Press, 1936.

Morison, Stanley, and Day, Kenneth. The Typographic Book: 1450–1935. Chicago: University of Chicago Press, 1964.

Müller-Brockmann, Josef. Grid Systems in Graphic Design: A Visual Communications Manual. Niederteufen, Switzerland: Arthur Niggli Ltd., 1981.

Nesbitt, Alexander. The History and Technique of Lettering. New York: Dover, 1950.

Perfect, Christopher, and Austen, Jeremy. The Complete Typographer: A Manual for Designing with Type. Englewood Cliffs, NJ: Prentice Hall, 1992.

Petersen, Ad. Sandberg: Designer + Director of the Stedelijk. Rotterdam: 010 Publishers, 2004.

Quay, David, and Broos, Kees. Wim Crouwel Alphabets. Amsterdam: BIS Publishers, 2003.

Rehe, Rolf F. Typography: How to Make It Most Legible. Carmel, CA: Design Research Publications, 1974.

Richardson, Margaret. Type Graphics: The Power of Type in Graphic Design. Gloucester, MA: Rockport, 2000.

Roberts, Raymond. Typographic Design: Handbooks to Printing. London: Ernest Bend Limited, 1966.

Rogers, Bruce. Paragraphs on Printing. New York: Dover, 1980.

Ruder, Emil. Typography: A Manual of Design. Switzerland: Verlag Arthur Niggli, 1967.

Ruegg, Ruedi. Basic Typography: Design with Letters. New York: Van Nostrand Reinhold, 1989.

Schmid, Helmut. Typography Today. Tokyo: Seibundo Shinkosha, 1980.

Solt, Mary Ellen. Concrete Poetry. Bloomington, IN: University of Indiana Press, 1971.

Spencer, Herbert. Pioneers of Modern Typography. London: Lund Humphries, 1969; Cambridge, MA: MIT Press, 1983.

———. The Visible Word. New York: Hastings House, 1969.

Spencer, Herbert, ed. The Liberated Page. San Francisco: Bedford, 1987.

Spiekermann, Erik, and Ginger, E. M. Stop Stealing Sheep and Find Out How Type Works. Mountain View, CA: Adobe Press, 1993.

Stone, Summer. On Stone. San Francisco: Bedford Arts, 1991.

Sutnar, Ladislav. Visual Design in Action: Principles, Purposes. New York: Hastings House, 1961.

Swann, Cal. Techniques of Typography. New York: Watson-Guptill, 1969.

Tschichold, Jan. The New Typography. Translated by Ruari McLean. Berkeley, CA: University of California Press, 1998.

Updike, Daniel. Printing Types: Their History, Form, and Use. New York: Dover, 1980.

VanderLans, Rudy, ed. Emigre No. 70: The Look Back Issue. Berkeley, CA: Ginko Press, 2009.

VanderLans, Rudy, Licko, Zuzana, and Gray, Mary E. Emigre: Graphic Design in the Digital Realm. New York: Van Nostrand Reinhold, 1993.

Van Kooten, Kees, and Spieker, Ewald. Letter Lust. Antwerp: Uitgeverij Manteau, 2003.

Venezky, Martin. It Is Beautiful...Then Gone. New York: Princeton Architectural Press, 2005.

Wallis, Lawrence W. Modern Encyclopedia of Typefaces: 1960–90. New York: Van Nostrand Reinhold, 1990.

Weingart, Wolfgang. Wolfgang Weingart: My Way to Typography. Baden, Switzerland: Lars Müller, 2000.

Wolff, Laetitia. Massin. London: Phaidon, 2007.