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by Rick Young
The Focal Easy Guide to Final Cut Pro 6
Cover
Full Title
Copyright
Contents
Preface
Introduction
Getting Started
The Digital Laboratory
Hardware and Software Requirements
Inside your Mac
How Much Hard Drive Space?
Firewire
Before and After Firewire
Video Formats
Television Aspect Ratio
Loading the Software
Initial Setup
Easy Setup
DV Audio
The interface
Arranging the Interface
Learning a Custom Layout
Important Details about the Interface
Button Bars
Customizing the Keyboard Layout
Saving Projects and Accessing the Autosave Vault
Capture
Setting Scratch Disks
Working with Formats other than DV
Getting the Most Out of the Capture Process
Methods of Capturing Footage from Tape
Deck Control
The Capture Window
Capture Clip
Capture Now
Batch Capture
Selectively Capturing using Batch Capture
Setting a Logging Bin
Clearing a Logging Bin
The Clip Settings Tab
Capturing Multi-channels of Audio
Capturing HDV
Log and Transfer
Importing Music from CD
Converting Audio Sample Rates
Converting Audio Sample Rates Using QuickTime Pro
Organizing your Footage
Viewing Clips
Playing Video through Firewire
DV Start/Stop Detection
Working with Bins
Working in Icon View
Setting Poster Frames
Searching for Clips
Editing
Insert and Overwrite Editing
Getting Started with Editing
Distinguishing between Insert/Overwrite
Three Point Editing
Other Editing Options
Modifying ‘In’ and ‘Out’ Points
Directing the Flow of Audio/Video
Locking Tracks
Adding and Deleting Tracks
Essential Editing Tools
Undo/Redo
Linked/Unlinked Selection
Moving Edits in the Timeline
Selecting Multiple Items in the Timeline
Cut, Copy, Paste
Snapping and Skipping between Shots
The Razorblade Tool
The Magnifier Tool
Bringing Clips Back into Sync
Creating New Sequences
Subclips
Freeze Frame
Match Frame Editing
Slow/Fast Motion
Split Edits
Drag and Drop Editing
Extending/Reducing Clips by Dragging
Rendering
The Render Settings
Open Format Timeline
Media Management
Making Clips Offline
The Render Manager
Effects
The Concept of Media Limit (Handles)
Applying Transitions
Changing Transition Durations
Applying Filters
Compositing
Methods of Creating Multiple Tracks
The Motion Tab
Using the Motion Tab
Image + Wireframe
Titlesafe
Working with Multi-Layers
Keyframing Images
Multi-Layered Dissolves
Keyframing Filters
Time Remapping
Copy and Pasting Attributes
Titling
Master Templates
Audio
Setting Correct Audio Levels
Getting the Most Out of your Audio
Converting Clips into Stereo Pairs
Adjusting Audio Levels
Boosting Audio Levels with the Audio Gain Filter
Adding Sound Fades
The Audio Mixer
Adjusting and Recording Audio Keyframes
Adding Audio Cross Fades
Adding Audio Tracks
Mixdown Audio
Output
Print to Video
Other Forms of Distribution
Compressor
Working with Compressor 3
Export Using QuickTime Conversion
H.264 Encoding
ProRes 422
Working with ProRes
Converting Files to ProRes
Export to ProRes Using QuickTime Movie
Encoding to ProRes Using QuickTime Conversion
Encoding to ProRes Using Compressor
When to Use ProRes
High Definition
Affordable High Definition
Working Around the HDV Problem
Batch Export In Final Cut Pro
The Apple Intermediate Codec (AIC)
Encoding Using ProRes 422
Previewing Your HDV Signal As DV Over Firewire
Previewing Your HD Signal Without Firewire
What Next?
Multicam
Working with Multiple Cameras
Mixing Live vs. Cutting in Post
Preparation
Creating Multiclips (Syncing up the Reels)
Syncing by ‘In’ Point
Working with Multiclips
Cutting your Multicam Sequence
Working with Multicam without Cutting the Soundtrack
Fine Tuning your Multicam Sequence
Final Tips
Dealing with ‘Buttoning On and Off’
Syncing without sound
Index
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The Focal Easy Guide to Final Cut Pro 6
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