- Cover
- Full Title
- Copyright
- Contents
- Preface
- Introduction
- Getting Started
- The interface
- Capture
- Setting Scratch Disks
- Working with Formats other than DV
- Getting the Most Out of the Capture Process
- Methods of Capturing Footage from Tape
- Deck Control
- The Capture Window
- Capture Clip
- Capture Now
- Batch Capture
- Selectively Capturing using Batch Capture
- Setting a Logging Bin
- Clearing a Logging Bin
- The Clip Settings Tab
- Capturing Multi-channels of Audio
- Capturing HDV
- Log and Transfer
- Importing Music from CD
- Converting Audio Sample Rates
- Converting Audio Sample Rates Using QuickTime Pro
- Organizing your Footage
- Editing
- Insert and Overwrite Editing
- Getting Started with Editing
- Distinguishing between Insert/Overwrite
- Three Point Editing
- Other Editing Options
- Modifying ‘In’ and ‘Out’ Points
- Directing the Flow of Audio/Video
- Locking Tracks
- Adding and Deleting Tracks
- Essential Editing Tools
- Undo/Redo
- Linked/Unlinked Selection
- Moving Edits in the Timeline
- Selecting Multiple Items in the Timeline
- Cut, Copy, Paste
- Snapping and Skipping between Shots
- The Razorblade Tool
- The Magnifier Tool
- Bringing Clips Back into Sync
- Creating New Sequences
- Subclips
- Freeze Frame
- Match Frame Editing
- Slow/Fast Motion
- Split Edits
- Drag and Drop Editing
- Extending/Reducing Clips by Dragging
- Rendering
- Media Management
- Effects
- The Concept of Media Limit (Handles)
- Applying Transitions
- Changing Transition Durations
- Applying Filters
- Compositing
- Methods of Creating Multiple Tracks
- The Motion Tab
- Using the Motion Tab
- Image + Wireframe
- Titlesafe
- Working with Multi-Layers
- Keyframing Images
- Multi-Layered Dissolves
- Keyframing Filters
- Time Remapping
- Copy and Pasting Attributes
- Titling
- Master Templates
- Audio
- Setting Correct Audio Levels
- Getting the Most Out of your Audio
- Converting Clips into Stereo Pairs
- Adjusting Audio Levels
- Boosting Audio Levels with the Audio Gain Filter
- Adding Sound Fades
- The Audio Mixer
- Adjusting and Recording Audio Keyframes
- Adding Audio Cross Fades
- Adding Audio Tracks
- Mixdown Audio
- Output
- Print to Video
- Other Forms of Distribution
- Compressor
- Working with Compressor 3
- Export Using QuickTime Conversion
- H.264 Encoding
- ProRes 422
- Working with ProRes
- Converting Files to ProRes
- Export to ProRes Using QuickTime Movie
- Encoding to ProRes Using QuickTime Conversion
- Encoding to ProRes Using Compressor
- When to Use ProRes
- High Definition
- Multicam
- Working with Multiple Cameras
- Mixing Live vs. Cutting in Post
- Preparation
- Creating Multiclips (Syncing up the Reels)
- Syncing by ‘In’ Point
- Working with Multiclips
- Cutting your Multicam Sequence
- Working with Multicam without Cutting the Soundtrack
- Fine Tuning your Multicam Sequence
- Final Tips
- Dealing with ‘Buttoning On and Off’
- Syncing without sound
- Index
THE FOCAL EASY GUIDE TO
FINAL CUT
PRO 6
RICK YOUNG
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