It’s a draft, not the final proof
For my first draft I just want to get strong ideas down on the
page. I can reorder them, edit them, improve them and so on
later. I’ve also learned that an imperfect full draft is better than
two pristine paragraphs, so I get it down, all of it, in the knowl-
edge that I can tidy it up later. The pernicious influence of
perfectionism that causes copywriters to rework a tiny part of the
whole again and again is really cow-
ardice masquerading as diligence.
There is no such thing as perfection,
so I try to stop worrying. I always
overstuff the first draft in the belief
that it’s far easier to cross bits out if
I don’t need them than go back to my source material once the
trail has gone cold.
In a nutshell:
G Divide your page or screen into two – one for fully formed
thoughts, one for rough ideas.
G If you can’t find the right answer, you might be asking the
wrong question.
G Changing locations can work wonders.
G Reject perfectionism – get it down and tidy it up later.
Making headlines work harder
I think of headlines as the textual equivalent of those first few
seconds in front of a potential new boss. I need to make a good
impression because the stop/go decision is usually made within
moments of that first meeting. It’s exactly the same with head-
lines.
Their job is to do some or all of the following: grab the reader’s
attention, weed out anyone for whom the body copy has no rel-
evance, give a quick overview of the whole piece and encourage
punters to read on. A good headline that manages to do one or
66 brilliant copywriting
perfectionism is
cowardice masquerading
as diligence
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