31 Women in Music Production
20. Stagg’s particular attitude toward classical recording is outlined in his techni-
cal notes reproduced on the sleeve of the Mahler Des Knaben Wunderhorn
LP, which state that “no articial echo, equalisation or screens were used at
any time, the aim being to record as natural a sound as possible”.
21. Established in 1958 at Maida Vale, West London. The composer Daphne
Oram (1925–2003) was a co-founder of this organization.
22. Nickrenz specialized in performing contemporary music. See, for example,
her 1968 recording with the Claremont Quartet of works by Schoenberg,
Webern, and Stravinsky (Noneusch H71186).
23. Nonesuch was also notable for its female director, Teresa Sterne, who was
instrumental in transforming the label from a small European outlet to a lead-
ing exponent of progressive music.
24. Day mentions Isabella Wallich briey, but this is only in reference to her
uncle Fred Gaisberg.
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