Perspectives on Music Production
This series collects detailed and experientially informed considerations of record
production from a multitude of perspectives, by authors working in a wide array
of academic, creative and professional contexts. We solicit the perspectives of
scholars of every disciplinary stripe, alongside recordists and recording musicians
themselves, to provide a fully comprehensive analytic point-of-view on each
component stage of music production. Each volume in the series thus focuses
directly on a distinct stage of music production, from pre-production through
recording (audio engineering), mixing, mastering, to marketing and promotions.
Series Editors
Russ Hepworth-Sawyer, York St John University, UK
Jay Hodgson, Western University, Ontario, Canada
Mark Marrington, York St John University, UK
Titles in the Series
Producing Music
Edited by Russ Hepworth-Sawyer, Jay Hodgson, and Mark Marrington
Innovation in Music
Performance, Production, Technology, and Business
Edited by Russ Hepworth-Sawyer, Jay Hodgson, Justin Paterson,
and Rob Toulson
Pop Music Production
Manufactured Pop and BoyBands of the 1990s
Phil Harding
Edited by Mike Collins
Cloud-Based Music Production
Sampling, Synthesis, and Hip-Hop
Matthew T. Shelvock
Gender in Music Production
Edited by Russ Hepworth-Sawyer, Jay Hodgson, Liesl King,
and Mark Marrington
For more information about this series, please visit: www.routledge.com/
Perspectives-on-Music-Production/book-series/POMP
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