Home Page Icon
Home Page
Table of Contents for
Part three Personal Perspectives
Close
Part three Personal Perspectives
by Russ Hepworth-Sawyer, Jay Hodgson, Liesl King,
Gender in Music Production
Cover
Half Title
Series
Title
Copyright
Contents
List of Contributors (1/2)
List of Contributors (2/2)
1 Gender in Music Production – An Introduction (1/2)
1 Gender in Music Production – An Introduction (2/2)
Part one History and Context
2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (1/5)
2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (2/5)
2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (3/5)
2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (4/5)
2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (5/5)
3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (1/4)
3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (2/4)
3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (3/4)
3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (4/4)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (1/7)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (2/7)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (3/7)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (4/7)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (5/7)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (6/7)
4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (7/7)
5 “Hey boy, hey girl, superstar DJ, here we go . . .”: Exploring the Experience of Female and Non-Binary DJs in the UK Music Scene (1/3)
5 “Hey boy, hey girl, superstar DJ, here we go . . .”: Exploring the Experience of Female and Non-Binary DJs in the UK Music Scene (2/3)
5 “Hey boy, hey girl, superstar DJ, here we go . . .”: Exploring the Experience of Female and Non-Binary DJs in the UK Music Scene (3/3)
6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (1/5)
6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (2/5)
6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (3/5)
6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (4/5)
6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (5/5)
7 Rare Bird: Prince, Gender, and Music Production
Part two Women in the Studio
8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (1/4)
8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (2/4)
8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (3/4)
8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (4/4)
9 Interview With Betty Cantor-Jackson (1/3)
9 Interview With Betty Cantor-Jackson (2/3)
9 Interview With Betty Cantor-Jackson (3/3)
10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (1/4)
10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (2/4)
10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (3/4)
10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (4/4)
Part three Personal Perspectives
11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (1/3)
11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (2/3)
11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (3/3)
12 Three-Pronged Attack: The Pincer Movement of Gender Allies, Tempered Radicals, and Pioneers (1/3)
12 Three-Pronged Attack: The Pincer Movement of Gender Allies, Tempered Radicals, and Pioneers (2/3)
12 Three-Pronged Attack: The Pincer Movement of Gender Allies, Tempered Radicals, and Pioneers (3/3)
13 Gender in Music Production: Perspective Through a Female and Feminine Lens (1/4)
13 Gender in Music Production: Perspective Through a Female and Feminine Lens (2/4)
13 Gender in Music Production: Perspective Through a Female and Feminine Lens (3/4)
13 Gender in Music Production: Perspective Through a Female and Feminine Lens (4/4)
Part Four Industrial Evolution
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (1/7)
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (2/7)
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (3/7)
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (4/7)
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (5/7)
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (6/7)
14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (7/7)
15 The Female Music Producer and the Leveraging of Difference (1/4)
15 The Female Music Producer and the Leveraging of Difference (2/4)
15 The Female Music Producer and the Leveraging of Difference (3/4)
15 The Female Music Producer and the Leveraging of Difference (4/4)
16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (1/4)
16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (2/4)
16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (3/4)
16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (4/4)
Index (1/2)
Index (2/2)
Search in book...
Toggle Font Controls
Playlists
Add To
Create new playlist
Name your new playlist
Playlist description (optional)
Cancel
Create playlist
Sign In
Email address
Password
Forgot Password?
Create account
Login
or
Continue with Facebook
Continue with Google
Sign Up
Full Name
Email address
Confirm Email Address
Password
Login
Create account
or
Continue with Facebook
Continue with Google
Prev
Previous Chapter
10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (4/4)
Next
Next Chapter
11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (1/3)
Part Three
Personal Perspectives
Add Highlight
No Comment
..................Content has been hidden....................
You can't read the all page of ebook, please click
here
login for view all page.
Day Mode
Cloud Mode
Night Mode
Reset