xii Contributors
studying a masters in creative industries at the SAE Institute in Australia.
Her practical expertise and scholarship interests include gender and music
production, electronic music aesthetics, auto-ethnography, musicology,
and DIY modalities of cultural production.
Helen Turner is currently Associate Head (Fine Art) at York St John
University. Helen’s research is mostly practice based, exploring discourses
from a feminist perspective as well as stimulating experimental pedagogy,
including attempting to subvert the researcher (performer)-subject
power dynamic through participation. She uses ethnographic elements
and is researching the creation of artefacts, songs, and rituals through
participatory performance.
Kat Young received an MEng (Hons) in electronic engineering with music
technology and a PhD in electronic engineering from the University of York
in 2015 and 2020, respectively. Their thesis investigated the feasibility
of near-field binaural loudspeaker reproduction using computational
simulation. They are passionate about gender representation within
STEM, particularly non-binary issues, as well as live music, cricket, and
hats. They are a member of the Audio Engineering Society Diversity and
Inclusion Committee.
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