9 Interview With Betty Cantor-Jackson (3/3)
by Russ Hepworth-Sawyer,
Jay Hodgson,
Liesl King,
Gender in Music Production
- Cover
- Half Title
- Series
- Title
- Copyright
- Contents
- List of Contributors (1/2)
- List of Contributors (2/2)
- 1 Gender in Music Production – An Introduction (1/2)
- 1 Gender in Music Production – An Introduction (2/2)
- Part one History and Context
- 2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (1/5)
- 2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (2/5)
- 2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (3/5)
- 2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (4/5)
- 2 Women in Music Production: A Contextualized History From the 1890s to the 1980s (5/5)
- 3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (1/4)
- 3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (2/4)
- 3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (3/4)
- 3 The Role of Women in Music Production in Spain During the 1960s: Maryní Callejo and the “Brincos Sound” (4/4)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (1/7)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (2/7)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (3/7)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (4/7)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (5/7)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (6/7)
- 4 The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa (7/7)
- 5 “Hey boy, hey girl, superstar DJ, here we go . . .”: Exploring the Experience of Female and Non-Binary DJs in the UK Music Scene (1/3)
- 5 “Hey boy, hey girl, superstar DJ, here we go . . .”: Exploring the Experience of Female and Non-Binary DJs in the UK Music Scene (2/3)
- 5 “Hey boy, hey girl, superstar DJ, here we go . . .”: Exploring the Experience of Female and Non-Binary DJs in the UK Music Scene (3/3)
- 6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (1/5)
- 6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (2/5)
- 6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (3/5)
- 6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (4/5)
- 6 She Plays the Pipe: Galician Female Bagpipers in the Production of Local Tradition and Gender Identity (5/5)
- 7 Rare Bird: Prince, Gender, and Music Production
- Part two Women in the Studio
- 8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (1/4)
- 8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (2/4)
- 8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (3/4)
- 8 Slamming the Door to the Recording Studio – Or Leaving It Ajar? (4/4)
- 9 Interview With Betty Cantor-Jackson (1/3)
- 9 Interview With Betty Cantor-Jackson (2/3)
- 9 Interview With Betty Cantor-Jackson (3/3)
- 10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (1/4)
- 10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (2/4)
- 10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (3/4)
- 10 Twists in the Tracks: An Interview With Singer, Composer, and Sound Producer Aynee Osborn Joujon-Roche (4/4)
- Part three Personal Perspectives
- 11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (1/3)
- 11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (2/3)
- 11 Women in Audio: Trends in New York Through the Perspective of a Civil War Survivor (3/3)
- 12 Three-Pronged Attack: The Pincer Movement of Gender Allies, Tempered Radicals, and Pioneers (1/3)
- 12 Three-Pronged Attack: The Pincer Movement of Gender Allies, Tempered Radicals, and Pioneers (2/3)
- 12 Three-Pronged Attack: The Pincer Movement of Gender Allies, Tempered Radicals, and Pioneers (3/3)
- 13 Gender in Music Production: Perspective Through a Female and Feminine Lens (1/4)
- 13 Gender in Music Production: Perspective Through a Female and Feminine Lens (2/4)
- 13 Gender in Music Production: Perspective Through a Female and Feminine Lens (3/4)
- 13 Gender in Music Production: Perspective Through a Female and Feminine Lens (4/4)
- Part Four Industrial Evolution
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (1/7)
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (2/7)
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (3/7)
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (4/7)
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (5/7)
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (6/7)
- 14 Addressing Gender Equality in Music Production: Current Challenges, Opportunities for Change, and Recommendations (7/7)
- 15 The Female Music Producer and the Leveraging of Difference (1/4)
- 15 The Female Music Producer and the Leveraging of Difference (2/4)
- 15 The Female Music Producer and the Leveraging of Difference (3/4)
- 15 The Female Music Producer and the Leveraging of Difference (4/4)
- 16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (1/4)
- 16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (2/4)
- 16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (3/4)
- 16 Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production (4/4)
- Index (1/2)
- Index (2/2)
155 Interview With Betty Cantor-Jackson
REFERENCES
Long Strange Trip (2017) Online video, Double E Pictures/Sikelia Productions,
U.S., distributed by Amazon Video, directed by Amir Bar-Lev.
McNally, D. (2002) A Long Strange Trip: The Inside History of the Grateful
Dead. Broadway Book: New York.
Pisfil, S. (2019) A New History of Rock Music: Documenting Live Sound between
1967 and 1973. PhD Thesis, University of Edinburgh, UK.
Reeder, N. (2014) The Co-Evolution of Improvised Rock and Live Sound: The
Grateful Dead, Phish, and Jambands. PhD Thesis, Brown University, USA.
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