Jennifer Harder

Perspective Warps and Distorts with Adobe Tools: Volume 2

Putting a New Twist on Illustrator

Jennifer Harder
Delta, BC, Canada
ISBN 978-1-4842-8828-3e-ISBN 978-1-4842-8829-0
© Jennifer Harder 2022
Standard Apress
Trademarked names, logos, and images may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, logo, or image we use the names, logos, and images only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringement of the trademark. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Apress imprint is published by the registered company APress Media, LLC, part of Springer Nature.

The registered company address is: 1 New York Plaza, New York, NY 10004, U.S.A.

Introduction

Welcome to my book, Perspective Warps and Distorts with Adobe Tools: Volume 2.

In this book we will be exploring how to work with various warping tools and effect filters in Adobe Illustrator, though at points throughout the book we will also be using and looking at graphics acquired from Adobe Photoshop. Knowing how to work between these two applications is a crucial part of understanding how to successfully manipulate your designs. In Illustrator, we will alter vector graphics and learn how to do so with the Layers panel in various non-destructive ways.

The various chapters will deal with the following:
  1. 1.

    Introducing what warps and distorts in Illustrator are and the types of graphics files you can work with, as well as an overview of those Illustrator workspace tools and panels that we will be using throughout the book

     
  2. 2.

    Working with the Pen, Selection, and Shapes tools, along with various panels

     
  3. 3.

    Working with various Transform tools and dialog boxes, including Rotate, Reflect, Scale, Shear, Reshape, and Free Transform

     
  4. 4.

    Working with the Puppet Warp tool and comparing its settings to the ones found in Photoshop

     
  5. 5.

    Working with the Shape Warp (Liquify) tools

     
  6. 6.

    Working with the Blend tool and symbols

     
  7. 7.

    Warping patterns, using repeat commands, using Capture patterns from Photoshop, and creating brushes

     
  8. 8.

    Working with Gradients, the Mesh tool, and the Transparency panel

     
  9. 9.

    Creating Envelope distorts to warp shapes and text

     
  10. 10.

    Working with Type tools and text paths to warp text

     
  11. 11.

    Working with Effect filters to create live effects and create graphic styles

     
  12. 12.

    Working with symbol-warping tools

     
  13. 13.

    Working with the 3D and Materials effects and Perspective tools

     
  14. 14.

    Discovering how you can use your warp designs with other Adobe apps besides Photoshop and Illustrator

     
Additional supplemental books that I have written that can assist you in the book include the following:
  • Graphics and Multimedia for the Web with Adobe Creative Cloud

  • Accurate Layer Selections Using Photoshop’s Selection Tools

  • Perspective Warps and Distorts with Adobe Tools: Volume 1

Source code or other supplementary material can be found at: github.com/apress/puppet-warps-distorts-vol2.

Additional resources and information regarding Illustrator will be found in Chapter 1.

Acknowledgments

For their assistance with writing this book, I’d like to thank several people. This includes my parents, from whom I inherited my drawing skills, for encouraging me to continue to find new ways to look at using Adobe applications. I am grateful for their assistance over the years in selecting the final artwork for this book and doing some of the proofreading of my notes before I sent them to my editors. I also want to thank my program coordinator at Langara College, Raymond Chow, for his suggestions and advice on what art and drawing in Photoshop and Illustrator should be about for students. I must also thank my editors and technical reviewers at Apress, and a special thank-you goes to Spandana Chatterjee and Mark Powers for giving me the opportunity to continue my writing on topics that I enjoy. I hope you, the reader, will enjoy them too.

Table of Contents
Index1095
About the Author
Jennifer Harder
has worked in the graphic design industry for more than fifteen years. She has a degree in graphic communications and is currently teaching Adobe Acrobat and Adobe Creative Cloud courses at Langara College in Vancouver, British Columbia.

As a freelancer, Jennifer frequently works with Adobe PDFs to help enhance websites and other instructional documents.

She enjoys talking about Adobe software, and her interests include writing, illustration, and working on her websites.

 
About the Technical Reviewer
P K Kaushal

is a visual artist, graphic designer, and photographer and has worked at an ad agency, print media house, and educational institute for about nine years. He has a post-graduate degree in applied arts from Kurukshetra University in Haryana, India. He currently runs a photo/video production company.

 
..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.
Reset
18.118.254.28