Index

A

  • abstract shapes, 168
  • accent lighting, 113
  • accessibility, 10–11, 38
  • accessories
    • for detail, 62
    • ergonomic, 73
    • for harmony, 88
    • for styling, 180
  • acoustic baffles, 88, 92
  • acoustics, 12–13, 92, 182
  • adaptability, 14–15
  • adjacency, 16–17
  • adjacency matrix, 16
  • adjustable-height tables, 73
  • aesthetic details, 62
  • air, in biophilic design, 30
  • alignment, 18–19
  • Americans with Disabilities Act (ADA), 38
  • analogous color scheme, 45
  • analysis, in programming process, 148
  • anchoring, 20–21
  • apertures, 20, 22–23
  • art, in biophilic design, 31
  • Art of Memory, The, 178
  • Arts and Crafts Movement, 54
  • asymmetrical balance, 27, 89
  • asymmetry, 24–25
    • in furniture arrangement, 18, 19, 25
  • aural hierarchies, 92

B

  • backlighting, 113
  • balance, 26–27
  • Bauhaus, 54, 80
  • behavioral technology, ergonomic, 73
  • Behrens, Peter, 142
  • Benyus, Janine, 28
  • biomimicry, 28–29
  • biophilia, 30–31
  • Black Mountain College, 40, 41
  • bookshelves, as organizing grids, 87
  • Brunelleschi, Filippo, 140
  • bubble diagrams, for assessing adjacency, 17
  • building codes, 38–39, 68

C

  • casual furniture, ergonomic, 73
  • character, 32–33
  • circular design (circular economy), 34–35
  • circulation, 36–37
  • closed (proprietary) specifications, 176
  • codes, 38–39, 68
  • collaboration, 40–41
  • color
    • for contrast, 52, 53
    • gradated, 84
    • monochromatic, 124–25
    • organized by hue, 96
    • as red thread, 156
    • surface, 182
    • symbolism of, 186
    • tone of, 194
  • color blindness, 47, 124
  • color harmony, 88
  • color palette, 42–43
  • color scheme, 44–45
  • Color Sphere, 96, 97
  • color temperature, 112
  • color theory, 46–47, 194
  • complementary color scheme, 45
  • composition, 48–49
  • conceptual design phase, 60
  • conceptual unity, 200
  • connection, 50–51
  • consultants, 40
  • contrast, 52–53
  • Cooley, Mike, 98
  • cool tones, 194
  • craft, 54–55
  • creativity, 56–57
  • curves, 134, 135, 168

D

  • Danish style, 55
  • da Vinci, Leonardo, 28, 84, 100, 166
  • daylighting, daylighting fixtures, 130, 131
  • depth, 58–59
  • design development phase, 60
  • design elements, emphasis by, 70
  • design process, 60–61
  • details, 62–63, 156
  • diagonal lines, 114
  • diffuse materials, 182
  • disabled people
    • accessibility for, 10–11, 38, 202–3
    • inclusive design for, 105
  • discovery, 64–65
  • Docomomo, 146
  • documentation in design process, 61
  • in programming process, 148
  • double-height volume, 204
  • downlighting, 113
  • durability, 66–67
  • Dürer, Albrecht, 150

E

  • Eames, Charles, 80
  • Eames, Ray, 80
  • earth tones, 194
  • east-facing rooms, 145
  • egress, 68–69
  • electric lighting controls, for daylighting, 131
  • emotionally durable design, 66
  • emphasis, 70–71
  • energy efficiency, for sustainability, 184
  • ergonomics, 72–73
  • exits, 68–69
  • external reflection of light, 130

F

  • feature lighting, 113
  • Feng Shui, 88, 89, 142
  • finishes, 74–75
  • flex spaces, for adaptability, 14
  • flooring
    • durable, 67
    • with grids, 86
    • floor plans, open, 14
  • foot candle, 112
  • form, 76–77
  • “Form follows function,” 78, 142
  • Frampton, Kenneth, 158
  • Fresnel effect, 182
  • Fromm, Erich, 30
  • Fuller, Buckminster, 41
  • function, 78–79
  • furniture, 80–81
    • as anchoring element, 20
    • asymmetrical arrangement of, 18, 19, 25
    • casual ergonomic, 73
    • craft, 54–55
    • for harmony, 88
    • modular, 25, 99
    • multifunctional, 14
    • multi-use, 102
    • small-scale model, 151
    • strategic placement of, 71

G

  • general illumination, 113
  • geometric form, 76
  • geometric shapes, 168
  • geometry, 82–83
  • Golden Ratio, 154
  • golden thread, 156
  • Goltsman, Susan, 104
  • gradation, 84–85, 162
  • Great Wave off Kanagawa, The, 128, 129
  • grid, 86–87
  • Gropius, Walter, 54
  • Guggenheim Museum, 76–77

H

  • haptic hierarchies, 92
  • hard surfaces, durable, 67
  • harmony, 88–89
  • Health, Safety, and Welfare (HSW), 90–91
  • healthy environments, for sustainability, 184
  • heavy textiles, as anchoring element, 20
  • height considerations, for accessibility, 10, 11
  • hierarchy, 92–93
  • history, 94–95
  • Hokusai, Katsushika, 128, 129
  • horizontal circulation, 36
  • horizontal lines, 114
  • horizontal surfaces, as anchoring element, 20
  • hue, 96–97, 124
  • human-centered design, 98–99
  • human scale, 100–101
  • Humanscale Manual, The, 101
  • hybridization, 102–3
  • hygge, 142, 143

I

  • “Immersive Planning” study, 208
  • imperial system of measurement, 118
  • inclusive design, 202
  • inclusivity, 104–5
  • innovation, 106–7
  • inspiration, 108–9
  • interior design principles, 7–9
  • interior design profession
    • about, 7
    • history of, 94–95
  • internal reflection of light, 130
  • Itten, Johannes, 46
  • Itten’s Color Wheel, 46

J

  • jewel tones, 194
  • juxtaposition, 52–53

K

  • Kahn, Albert 182-3
  • Klee, Paul, 84
  • Klint, Kaare, 55
  • Knoll, Florence, 149

L

  • lagom, 142
  • Landmarks Preservation Commission, 146
  • layering, 110–11
  • Leatherbarrow, David, 74
  • life cycle assessment, for sustainability, 184
  • light(ing), 112–13
  • Lighting Library, 112
  • line, 114–15
  • linear economy, 35
  • lower environmental impact, for sustainability, 184
  • low volume, 204
  • lumen, 112
  • Lynch, Kevin, 206

M

  • MacArthur, Ellen, 34
  • Mace, Ronald, 202
  • materiality, 116–17
  • materials
    • in biophilic design, 31
    • NRCs of, 13
    • as red thread, 156
  • measurement, 118–19
  • Memphis Group furniture, 109
  • metallic surfaces, 182
  • metric system of measurement, 118
  • Mingei movement, 54
  • modeling, 120–21
  • modularity, 99, 122–23
  • monochromatic color scheme, 44, 45
  • monochrome, 124–25
  • mood, mood boards, 126–27
  • Morandi, Giorgio, 195
  • Mostafavi, Mohsen, 74
  • movement, 128–29
  • multifunctional furnishings, 14
  • multi-height volume, 204
  • Munsell, Albert, 46, 96
  • Munsell’s Color Sphere, 46, 96

N

  • narrow volume, 204
  • National Trust for Historic Preservation, 146
  • natural form, 76
  • natural lighting, 16, 23, 30, 50, 58, 91, 130–31, 136
  • nature
    • connection to, 30–31, 50, 51
    • shapes inspired by, 168
  • negative space, 174
  • Newton, Isaac, 46
  • Newton’s Color Circle, 46
  • Noise Reduction Coefficient (NRC), 13
  • north-facing rooms, 145

O

  • objects, as anchoring element, 20
  • observation phase, of design process, 61
  • occupancy loads, 132–33
  • office seating, ergonomic, 72
  • opacity, 196
  • open floor plans, for adaptability, 14
  • open (prescriptive) specifications, 176
  • organic forms, 134–35, 168
  • orientation, 136–37
  • Ottoman Empire, craft of, 54

P

  • patterns, 31, 138–39
  • perspective, 140–41
  • philosophy, 142–43
  • placement, 144–45
  • plants, in biophilic design, 30, 31
  • platonic solid, 76, 82
  • positive space, 174
  • predesign phase, 16, 60, 148
  • preservation, 146–47
  • pricing phase, of design process, 61
  • product and type, in hybridization, 102
  • programming phase, 148–49, 208
  • progression in rhythm, 162
  • proportion, 150–51, 166
  • prototyping, 152–53
  • purpose and function, in hybridization, 102

R

  • radial balance/symmetry, 27, 188
  • ratio, 154–55
  • recycling, for reducing waste, 34–35
  • redirection devices, for daylighting, 131
  • red thread, 156–57
  • regionalism, 158–59
  • repetition, as type of rhythm, 162
  • representation, 160–61
  • research, in programming process, 148
  • reverberation times (RTs), 12
  • rhythm, 162–63
  • rule of thirds, 164–65
  • Runge, Philipp Otto, 96, 97

S

  • sacred geometry, 83
  • scale, 84, 166–67
  • shade, 124
  • Shaker style, 54
  • shape, 168–69
  • sight lines, 170–71
  • 60-30-10 Color Rule, 44
  • sketch plans, for testing adjacency needs, 17
  • skylights, 23, 131
  • Smithson, Alison, 74
  • Smithson, Peter, 74
  • social impact, 172–73
  • Social Impact Framework Diagram, 173
  • Soetsu, Yanagi, 54
  • solar orientation, 136
  • solar shading devices, for daylighting, 131
  • solar tubes, for daylighting, 131
  • sound
    • for harmony, 88
    • hierarchy emphasizing, 92
  • sound and smell, in biophilic design, 30
  • sound waves, reverberation of, 12
  • south-facing rooms, 145
  • space, 174–75
    • for accessibility, 10
    • adaptability of, 14–15
    • layering in, 110–11
  • space planning
    • circulation in, 36
    • in predesign phase, 16
    • zoning and, 208
  • specifications, 176–77
  • split complementary color scheme, 45
  • Still Life, 195
  • storytelling, 178–79
  • strategic placement, emphasis by, 70
  • Study of the Graduations of Shadows on Spheres, 84
  • style mixing, in hybridization, 102
  • styling, 180–81
  • Sullivan, Louis, 78
  • surfaces, 182–83
    • for accessibility, 10
    • durable wall, 67
    • vertical, for anchoring, 20
  • sustainability, 184–85
  • symbolism, 186–87
  • symmetrical balance, 26
  • symmetry, 188–89

T

  • tactile textures, 192
  • tactility, in universal design, 202
  • technical details, 62
  • technology, 190–91
    • for increasing accessibility, 11
    • in universal design, 202
  • technology accessories, ergonomic, 73
  • tetradic color scheme, 45
  • texture, 192–93
    • gradation in, 84
    • monochrome palette and, 125
    • of surfaces, 182
  • theme, as red thread, 156
  • three-dimensional modeling, 120
  • Three Houses, 84
  • tint, 124
  • tone, 124, 194–95
  • touch
    • for harmony, 88
    • hierarchy emphasizing, 92
  • transitional rhythm, 162
  • translucency, 196, 197
  • transparency, 196–97
  • triadic color scheme, 45
  • typology, 198–99

U

  • unity, 200–201
  • universal design, 202–3
  • upholstery
    • durable, 67
    • patterns in, 138
  • uplighting, 113

V

  • van der Rohe, Mies, 140
  • vertical access, for accessibility, 10
  • vertical circulation, 36
  • vertical lines, 114
  • vertical surfaces, as anchoring element, 20
  • Vier Bücher von Menschlicher Proportion, 150
  • visual texture, 192
  • visual unity, 200
  • Vitruvian Man, 100
  • volume, 204–5
  • volumetric grids, 86

W

  • wabi sabi, 142, 143
  • waffle slab, 86
  • wall coverings, with grids, 86
  • wall surfaces, durable, 67
  • warm tones, 194
  • waste reduction, 34–35, 184
  • water, in biophilic design, 30
  • wayfinding, 206–7
  • west-facing rooms, 145
  • wheelchair users, accessibility for, 10–11, 203
  • wind orientation, 136
  • windows, for daylighting, 131
  • workplace
    • ergonomics in, 72–73
    • Health, Safety, and Welfare in, 90–91
    • human-centered design in, 98–99
  • World Heritage Sites, 146
  • Wright, Frank Lloyd, 76, 187

Y

  • Yates, Frances, 178

Z

  • zones, 208–9
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